Gender and Self-Fashioning at the Intersection of Art and Science: Agnes Block, Botany, and Networks in the Dutch 17th Century
At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-do...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2023]
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| Schriftenreihe: | Studies in Early Modernity in The Netherlands
1 |
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-739 Volltext |
| Zusammenfassung: | At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jan 2024) |
| Beschreibung: | 1 Online-Ressource (302 Seiten) |
| ISBN: | 9789048557677 |
| DOI: | 10.1515/9789048557677 |
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| indexdate | 2024-07-20T05:45:18Z |
| institution | BVB |
| isbn | 9789048557677 |
| language | English |
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| series2 | Studies in Early Modernity in The Netherlands |
| spelling | Powell-Warren, Catherine Verfasser aut Gender and Self-Fashioning at the Intersection of Art and Science Agnes Block, Botany, and Networks in the Dutch 17th Century Catherine Powell-Warren Amsterdam Amsterdam University Press [2023] 2023 1 Online-Ressource (302 Seiten) txt rdacontent c rdamedia cr rdacarrier Studies in Early Modernity in The Netherlands 1 Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Jan 2024) At once collector, botanist, reader, artist, and patron, Agnes Block is best described as a cultural producer. A member of an influential network in her lifetime, today she remains a largely obscure figure. The socioeconomic and political barriers faced by early modern women, together with a male-dominated tradition in art history, have meant that too few stories of women's roles in the creation, production, and consumption of art have reached us. This book seeks to write Block and her contributions into the art and cultural history of the seventeenth-century Netherlands, highlighting the need for and advantages of a multifaceted approach to research on early modern women. Examining Block's achievements, relationships, and objects reveals a woman who was independent, knowledgeable, self-aware, and not above self-promotion. Though her gender brought few opportunities and many barriers, Agnes Block succeeded in fashioning herself as Flora Batava, a liefhebber at the intersection of art and science In English Art and Material Culture Cultural Studies Dutch and The Netherlands Early Modern Studies Gender and Sexuality Studies History, Art History, and Archaeology ART / History / Renaissance bisacsh https://doi.org/10.1515/9789048557677?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Powell-Warren, Catherine Gender and Self-Fashioning at the Intersection of Art and Science Agnes Block, Botany, and Networks in the Dutch 17th Century Art and Material Culture Cultural Studies Dutch and The Netherlands Early Modern Studies Gender and Sexuality Studies History, Art History, and Archaeology ART / History / Renaissance bisacsh |
| title | Gender and Self-Fashioning at the Intersection of Art and Science Agnes Block, Botany, and Networks in the Dutch 17th Century |
| title_auth | Gender and Self-Fashioning at the Intersection of Art and Science Agnes Block, Botany, and Networks in the Dutch 17th Century |
| title_exact_search | Gender and Self-Fashioning at the Intersection of Art and Science Agnes Block, Botany, and Networks in the Dutch 17th Century |
| title_exact_search_txtP | Gender and Self-Fashioning at the Intersection of Art and Science Agnes Block, Botany, and Networks in the Dutch 17th Century |
| title_full | Gender and Self-Fashioning at the Intersection of Art and Science Agnes Block, Botany, and Networks in the Dutch 17th Century Catherine Powell-Warren |
| title_fullStr | Gender and Self-Fashioning at the Intersection of Art and Science Agnes Block, Botany, and Networks in the Dutch 17th Century Catherine Powell-Warren |
| title_full_unstemmed | Gender and Self-Fashioning at the Intersection of Art and Science Agnes Block, Botany, and Networks in the Dutch 17th Century Catherine Powell-Warren |
| title_short | Gender and Self-Fashioning at the Intersection of Art and Science |
| title_sort | gender and self fashioning at the intersection of art and science agnes block botany and networks in the dutch 17th century |
| title_sub | Agnes Block, Botany, and Networks in the Dutch 17th Century |
| topic | Art and Material Culture Cultural Studies Dutch and The Netherlands Early Modern Studies Gender and Sexuality Studies History, Art History, and Archaeology ART / History / Renaissance bisacsh |
| topic_facet | Art and Material Culture Cultural Studies Dutch and The Netherlands Early Modern Studies Gender and Sexuality Studies History, Art History, and Archaeology ART / History / Renaissance |
| url | https://doi.org/10.1515/9789048557677?locatt=mode:legacy |
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