To the court of the Tsarinas and back again: Italian performers' itineraries, careers, and networks across Europe
In the 18th century Italian theatre and its artists became vital to Russian rulers, who employed Italian musico-dramatic works to advance their political agendas and emphasize Russia's cultural uniqueness and its cosmopolitan character. Innumerable playwrights and composers, actors and singers...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2023]
|
Schriftenreihe: | WeltLiteraturen / World Literatures : Schriftenreihe der Friedrich Schlegel Graduiertenschule für literaturwissenschaftliche Studien
23 |
Schlagworte: | |
Online-Zugang: | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-739 Volltext |
Zusammenfassung: | In the 18th century Italian theatre and its artists became vital to Russian rulers, who employed Italian musico-dramatic works to advance their political agendas and emphasize Russia's cultural uniqueness and its cosmopolitan character. Innumerable playwrights and composers, actors and singers were active at the Russian court. Usually considered at best peripheral to Europe, the faraway Russian Empire represents a particularly powerful example of the mobility of theatre agents and the circulation of artistic practices. This book sets a new regional accent on imperial Russia, thus mitigating the traditional historiographical emphasis on Western Europe, and adopts a transnational approach to theatre and music history. Its aim is twofold. First, to explore Italian music-theatrical repertoires that occupied a crucial position within the spectacle of absolutism in Russia. Second, to investigate careers and travel routes of the Italian theatre professionals. The examination of their activities at the Russian court aims not only to provide a fuller understanding of their vital role in the transmission of socio-political and artistic ideas, but also to more firmly situate Russia in the broader arena of European cultural production |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) |
Beschreibung: | 1 Online-Ressource (XV, 183 Seiten) |
ISBN: | 9783110751062 |
DOI: | 10.1515/9783110751062 |
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author | Korneeva, Tatiana 1982- |
author_GND | (DE-588)1028624352 |
author_facet | Korneeva, Tatiana 1982- |
author_role | aut |
author_sort | Korneeva, Tatiana 1982- |
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dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.0945 |
dewey-search | 792.0945 |
dewey-sort | 3792.0945 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Slavistik Romanistik |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.1515/9783110751062 |
era | Geschichte 1700-1800 gnd |
era_facet | Geschichte 1700-1800 |
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series2 | WeltLiteraturen / World Literatures : Schriftenreihe der Friedrich Schlegel Graduiertenschule für literaturwissenschaftliche Studien |
spelling | Korneeva, Tatiana 1982- Verfasser (DE-588)1028624352 aut To the court of the Tsarinas and back again Italian performers' itineraries, careers, and networks across Europe Tatiana Korneeva Berlin ; Boston De Gruyter [2023] © 2023 1 Online-Ressource (XV, 183 Seiten) txt rdacontent c rdamedia cr rdacarrier WeltLiteraturen / World Literatures : Schriftenreihe der Friedrich Schlegel Graduiertenschule für literaturwissenschaftliche Studien 23 Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) In the 18th century Italian theatre and its artists became vital to Russian rulers, who employed Italian musico-dramatic works to advance their political agendas and emphasize Russia's cultural uniqueness and its cosmopolitan character. Innumerable playwrights and composers, actors and singers were active at the Russian court. Usually considered at best peripheral to Europe, the faraway Russian Empire represents a particularly powerful example of the mobility of theatre agents and the circulation of artistic practices. This book sets a new regional accent on imperial Russia, thus mitigating the traditional historiographical emphasis on Western Europe, and adopts a transnational approach to theatre and music history. Its aim is twofold. First, to explore Italian music-theatrical repertoires that occupied a crucial position within the spectacle of absolutism in Russia. Second, to investigate careers and travel routes of the Italian theatre professionals. The examination of their activities at the Russian court aims not only to provide a fuller understanding of their vital role in the transmission of socio-political and artistic ideas, but also to more firmly situate Russia in the broader arena of European cultural production In English Geschichte 1700-1800 gnd rswk-swf Aufklärung Italien / Theater Musik Performance Russland LITERARY CRITICISM / Comparative Literature bisacsh Entertainers Italy History 18th century Entertainers Russia History 18th century Theater Italy History 18th century Italiener (DE-588)4027835-9 gnd rswk-swf Theaterschaffender (DE-588)4185043-9 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Russland (DE-588)4076899-5 g Italiener (DE-588)4027835-9 s Theaterschaffender (DE-588)4185043-9 s Geschichte 1700-1800 z DE-604 Erscheint auch als Druck-Ausgabe 9783110751048 https://doi.org/10.1515/9783110751062?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Korneeva, Tatiana 1982- To the court of the Tsarinas and back again Italian performers' itineraries, careers, and networks across Europe Aufklärung Italien / Theater Musik Performance Russland LITERARY CRITICISM / Comparative Literature bisacsh Entertainers Italy History 18th century Entertainers Russia History 18th century Theater Italy History 18th century Italiener (DE-588)4027835-9 gnd Theaterschaffender (DE-588)4185043-9 gnd |
subject_GND | (DE-588)4027835-9 (DE-588)4185043-9 (DE-588)4076899-5 |
title | To the court of the Tsarinas and back again Italian performers' itineraries, careers, and networks across Europe |
title_auth | To the court of the Tsarinas and back again Italian performers' itineraries, careers, and networks across Europe |
title_exact_search | To the court of the Tsarinas and back again Italian performers' itineraries, careers, and networks across Europe |
title_exact_search_txtP | To the court of the Tsarinas and back again Italian performers' itineraries, careers, and networks across Europe |
title_full | To the court of the Tsarinas and back again Italian performers' itineraries, careers, and networks across Europe Tatiana Korneeva |
title_fullStr | To the court of the Tsarinas and back again Italian performers' itineraries, careers, and networks across Europe Tatiana Korneeva |
title_full_unstemmed | To the court of the Tsarinas and back again Italian performers' itineraries, careers, and networks across Europe Tatiana Korneeva |
title_short | To the court of the Tsarinas and back again |
title_sort | to the court of the tsarinas and back again italian performers itineraries careers and networks across europe |
title_sub | Italian performers' itineraries, careers, and networks across Europe |
topic | Aufklärung Italien / Theater Musik Performance Russland LITERARY CRITICISM / Comparative Literature bisacsh Entertainers Italy History 18th century Entertainers Russia History 18th century Theater Italy History 18th century Italiener (DE-588)4027835-9 gnd Theaterschaffender (DE-588)4185043-9 gnd |
topic_facet | Aufklärung Italien / Theater Musik Performance Russland LITERARY CRITICISM / Comparative Literature Entertainers Italy History 18th century Entertainers Russia History 18th century Theater Italy History 18th century Italiener Theaterschaffender |
url | https://doi.org/10.1515/9783110751062?locatt=mode:legacy |
work_keys_str_mv | AT korneevatatiana tothecourtofthetsarinasandbackagainitalianperformersitinerariescareersandnetworksacrosseurope |