Gothic dreams and nightmares:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester
Manchester University Press
2024
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiv, 284 Seiten Illustrationen |
| ISBN: | 9781526160621 |
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Datensatz im Suchindex
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| adam_text |
Contents List of figures Contributors Acknowledgements page ix xi xv Introduction - Gothic parasomnias and oneirocriticism: the sleep, dreams, and nightmares of Enlightenment reason and beyond - Carol Margaret Davison 1 Part I: Gothic dream and nightmare theory 1 2 3 The theology of Gothic dreams - Sam Hirst Morphean Space and the metaphysics of nightmare: Gothic theories of dreaming in Samuel Taylor Coleridge’s Notebooks - Kirstin A. Mills The devil’s light: Marx, Engels, and diabolic Enlightenment Jayson Althofer and Brian Musgrove 47 63 83 Part II: Early classic Gothic dreams and nightmares 4 5 The monsters of prophecy in the Gothic dream, 1764-1818 - Richard W. Moore Jr Haunted beyond dreams: the Gothic and Enlightenment in Mary Wollstonecraft’s Mary, A Fiction - Liz Wan Yuen-Yuk 107 Part ΠΙ: Victorian and nineteenth-century European Gothic dreams and nightmares 6 7 8 Wide awake and dreaming: the night, the haunt, and the female vampire - Maria Giakaniki 149 Spectral traces: dream manifestation in the Gothic short story - Nicola Bowring 167 Ί have seen faces in the dark’: Gothic visions in the Society for Psychical Research’s Census of Hallucinations - Alice Vernon 184 128
Contents viii Part IV: Twentieth- and twenty-first-century Gothic dreams and nightmares: weird fiction, horror film, television, and video games Stranger things: nightmarish realities in Thomas Ligotti’s fiction - Elisabete Lopes 203 10 Night walking: the oneiric horror cinema - Murray Leeder 222 11 Building the Gothic channel: dreams, spectral memories, and temporal disjunctions in The Witcher - Lorna Piatti-Farnell 244 12 ‘Lest the night carry on forever’: the transcendent Gothic unconscious in Bloodborne - James Aaron Green 261 9 Index 279
Ranging across more than two centuries of literature, the visual arts, and visual media, this edited collection of thirteen original essays examines the compelling yet overlooked subject of Gothic dreams and nightmares. Written by an international group of experts, including leading and lesserknown scholars, this interdisciplinary study promotes the reconsideration of the vastly under-theorised role of the subliminal in the Gothic. It begins with an exploration of the varied intellectual and cultural matrices of the eighteenth- and nineteenth-century Gothic, recognising the Gothic’s frequent oneiric inspiration, thematic focus, and atmospherics. This line of inspirational transmission and aesthetic experimentation with the subliminal was often signposted by the artists themselves. It goes on to examine the range of literary forms and experimental aesthetics through which these phenomena were conceived - from Horace Walpoles incorporation of Giovanni Battista Piranesi’s ‘sublime dreams’ in The Castle of Otranto into the early Gothic novel and Romantic poetry, through the paintings of Henry Fuseli and Francisco Goya, nineteenth-century British and European Gothic novels and short stories, into Surrealism and twenty-firstcentury visual media. Remaining attentive to the cross-fertilisation between medical, philosophical, scientific, and psychological discourses about sleep and sleep disorders (parasomnias), and their cultural representations, this volume considers Gothic dreams and nightmares in various national, cultural, and socio-historical contexts. Engaging with questions
of metaphysics, morality, rationality, consciousness, and creativity, the cross-disciplinary interrogations undertaken in Gothic dreams and nightmares have theoretical ramifications for Gothic, literary, and cultural studies more broadly. |
| adam_txt |
Contents List of figures Contributors Acknowledgements page ix xi xv Introduction - Gothic parasomnias and oneirocriticism: the sleep, dreams, and nightmares of Enlightenment reason and beyond - Carol Margaret Davison 1 Part I: Gothic dream and nightmare theory 1 2 3 The theology of Gothic dreams - Sam Hirst Morphean Space and the metaphysics of nightmare: Gothic theories of dreaming in Samuel Taylor Coleridge’s Notebooks - Kirstin A. Mills The devil’s light: Marx, Engels, and diabolic Enlightenment Jayson Althofer and Brian Musgrove 47 63 83 Part II: Early classic Gothic dreams and nightmares 4 5 The monsters of prophecy in the Gothic dream, 1764-1818 - Richard W. Moore Jr Haunted beyond dreams: the Gothic and Enlightenment in Mary Wollstonecraft’s Mary, A Fiction - Liz Wan Yuen-Yuk 107 Part ΠΙ: Victorian and nineteenth-century European Gothic dreams and nightmares 6 7 8 Wide awake and dreaming: the night, the haunt, and the female vampire - Maria Giakaniki 149 Spectral traces: dream manifestation in the Gothic short story - Nicola Bowring 167 Ί have seen faces in the dark’: Gothic visions in the Society for Psychical Research’s Census of Hallucinations - Alice Vernon 184 128
Contents viii Part IV: Twentieth- and twenty-first-century Gothic dreams and nightmares: weird fiction, horror film, television, and video games Stranger things: nightmarish realities in Thomas Ligotti’s fiction - Elisabete Lopes 203 10 Night walking: the oneiric horror cinema - Murray Leeder 222 11 Building the Gothic channel: dreams, spectral memories, and temporal disjunctions in The Witcher - Lorna Piatti-Farnell 244 12 ‘Lest the night carry on forever’: the transcendent Gothic unconscious in Bloodborne - James Aaron Green 261 9 Index 279
Ranging across more than two centuries of literature, the visual arts, and visual media, this edited collection of thirteen original essays examines the compelling yet overlooked subject of Gothic dreams and nightmares. Written by an international group of experts, including leading and lesserknown scholars, this interdisciplinary study promotes the reconsideration of the vastly under-theorised role of the subliminal in the Gothic. It begins with an exploration of the varied intellectual and cultural matrices of the eighteenth- and nineteenth-century Gothic, recognising the Gothic’s frequent oneiric inspiration, thematic focus, and atmospherics. This line of inspirational transmission and aesthetic experimentation with the subliminal was often signposted by the artists themselves. It goes on to examine the range of literary forms and experimental aesthetics through which these phenomena were conceived - from Horace Walpoles incorporation of Giovanni Battista Piranesi’s ‘sublime dreams’ in The Castle of Otranto into the early Gothic novel and Romantic poetry, through the paintings of Henry Fuseli and Francisco Goya, nineteenth-century British and European Gothic novels and short stories, into Surrealism and twenty-firstcentury visual media. Remaining attentive to the cross-fertilisation between medical, philosophical, scientific, and psychological discourses about sleep and sleep disorders (parasomnias), and their cultural representations, this volume considers Gothic dreams and nightmares in various national, cultural, and socio-historical contexts. Engaging with questions
of metaphysics, morality, rationality, consciousness, and creativity, the cross-disciplinary interrogations undertaken in Gothic dreams and nightmares have theoretical ramifications for Gothic, literary, and cultural studies more broadly. |
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