Rem Koolhaas as scriptwriter: OMA architecture script for West Berlin
This book is the first survey of a new field in architecture theory: script writing. Rem Koolhaas as Scriptwriter explores the intersection of architecture, film, and text using the example of the working method of scriptwriter, Rem Koolhaas, and the Office for Metropolitan Architecture (OMA).This b...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
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| Schriftenreihe: | Routledge research in architecture
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This book is the first survey of a new field in architecture theory: script writing. Rem Koolhaas as Scriptwriter explores the intersection of architecture, film, and text using the example of the working method of scriptwriter, Rem Koolhaas, and the Office for Metropolitan Architecture (OMA).This book argues that Koolhaas formulates his approach to architecture on the basis of the "written sketch" or script, and questions its transformations into built environment in the oeuvre of OMA. Divided into two parts, the first part is a theoretical outline that explores the notion of scriptwriting in film. It provides in-depth insights into the definition and historical evolution of the script - as a blueprint, Hollywood script, avant-garde script, storyboard, the relation to auteur theory, and the difference between the script and scenario. It surveys the first original script for the Exodus, of the Voluntary Prisoners of Architecture. The second part offers a unique perspective on the urban development of West Berlin, in which Koolhaas created a metropolitan script, or blueprint, that spans the period 1971-1989, from his first visit to Berlin to the fall of the Berlin Wall.This book will be of interest to researchers and students of architectural theory, urban history, and film studies. |
| Beschreibung: | xiv, 243 Seiten Illustrationen, Pläne, Faksimiles |
| ISBN: | 9781032431130 9781032456997 |
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Datensatz im Suchindex
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Contents 1 2 List offigures xi Introduction 1 Script: Conceptual framework 1.1 Film, script, architecture 9 1.1.1 Only through film one can grasp the new architecture! 11 1.1.2 Media transfers 16 1.2 Scriptwriting in film 20 1.2.1 The Hollywood script 24 1.2.2 The avant-garde script 25 1.2.3 Scriptwriting and the independent cinema after 1945 1.2.4 The storyboard 29 1.3 Rem Koolhaas as a scriptwriter. Early career in the Netherlands 30 1.3.1 De Haagse Post: The “new style” 30 1.3.2 Film group 1, 2, 3 enz. 32 1.3.3 Construction of the script 34 1.3.4 The revaluing ofvalues 36 1.3.5 St Hubertus hunting lodge 40 9 Between film and architecture: Exodus, or The Voluntary Prisoners ofArchitecture (1972-1973) 2.1 Avant-garde art and architecture in London after 1945 2.2 The Unit 9 and the metropolitan scenarios 55 2.3 Exodus, or The Voluntary Prisoners of Architecture (1972-1973) 58 2.3.1 Typescript versions А, В, C 59 28 52 52
viii Contents 2.3.2 Structural logic of the script 2.4 Architectural storyboard 69 2.4.1 Drawings 73 2.4.2 Photomontages 76 64 3 West Berlin: The Berlin Wall 3.1 Social and economic situation in West Berlin after 1945 91 3.1.1 The Berlin Wall as symbol of the Cold War 93 3.1.2 Identity crisis 94 3.2 Typescript Summer Survey: The Berlin Wall (1971) 95 3.3 Veldwerk/Field Trip. A(A) MEMOIR (First and Last.) (1993-1995) 96 3.3.1 Photography sequence 100 3.4 Passage, dérive and spatial sequence 103 3.4.1 The mobilized view—The Netherlands Embassy in Berlin 106 4 The archipelago 4.1 Ruin and void in Berlin 115 4.2 Oswald Μ. Ungers—Berliner Brandwände (Berlin Firewalls, 1969) 117 4.2.1 Ghostwriting 120 4.3 Berlin: A Green Archipelago (1977) 122 4.3.1 Typescript versions 124 4.4 Revision of architecture—the “as found” and the metaphor in architecture 134 4.4.1 The metaphor theory 136 4.4.2 The archipelago metaphor and détournement 138 4.4.3 Constitutive metaphor—the void 145 4.4.4 Strategy of the void—Axel Springer Campus 147 113 5 Friedrichstrasse and Checkpoint Charlie 5.1 Berlin 750th anniversary and the Internationale Bauausstellung 156 5.1.1 The IBA's “critical reconstruction ” of the European City 158 5.1.2 Friedrichstrasse and Südliche Friedrichstadt 159 5.2 OMA competition proposals—Lützowstrasse, Koch-/Friedrichstrasse 161 5.3 Ship\NreckeA(1980) 162 5.3.1 Friedrichstrasse design anchorings 164 156 90
Contents 5.4 5.3.2 Housing program 167 Retroactive montage and program 168 5.4.1 Excursus: Collage vs. dialectical city 5.4.2 House at Checkpoint Charlie 175 Conclusion Appendix Bibliography Index ix 172 190 195 231 241 |
| adam_txt |
Contents 1 2 List offigures xi Introduction 1 Script: Conceptual framework 1.1 Film, script, architecture 9 1.1.1 Only through film one can grasp the new architecture! 11 1.1.2 Media transfers 16 1.2 Scriptwriting in film 20 1.2.1 The Hollywood script 24 1.2.2 The avant-garde script 25 1.2.3 Scriptwriting and the independent cinema after 1945 1.2.4 The storyboard 29 1.3 Rem Koolhaas as a scriptwriter. Early career in the Netherlands 30 1.3.1 De Haagse Post: The “new style” 30 1.3.2 Film group 1, 2, 3 enz. 32 1.3.3 Construction of the script 34 1.3.4 The revaluing ofvalues 36 1.3.5 St Hubertus hunting lodge 40 9 Between film and architecture: Exodus, or The Voluntary Prisoners ofArchitecture (1972-1973) 2.1 Avant-garde art and architecture in London after 1945 2.2 The Unit 9 and the metropolitan scenarios 55 2.3 Exodus, or The Voluntary Prisoners of Architecture (1972-1973) 58 2.3.1 Typescript versions А, В, C 59 28 52 52
viii Contents 2.3.2 Structural logic of the script 2.4 Architectural storyboard 69 2.4.1 Drawings 73 2.4.2 Photomontages 76 64 3 West Berlin: The Berlin Wall 3.1 Social and economic situation in West Berlin after 1945 91 3.1.1 The Berlin Wall as symbol of the Cold War 93 3.1.2 Identity crisis 94 3.2 Typescript Summer Survey: The Berlin Wall (1971) 95 3.3 Veldwerk/Field Trip. A(A) MEMOIR (First and Last.) (1993-1995) 96 3.3.1 Photography sequence 100 3.4 Passage, dérive and spatial sequence 103 3.4.1 The mobilized view—The Netherlands Embassy in Berlin 106 4 The archipelago 4.1 Ruin and void in Berlin 115 4.2 Oswald Μ. Ungers—Berliner Brandwände (Berlin Firewalls, 1969) 117 4.2.1 Ghostwriting 120 4.3 Berlin: A Green Archipelago (1977) 122 4.3.1 Typescript versions 124 4.4 Revision of architecture—the “as found” and the metaphor in architecture 134 4.4.1 The metaphor theory 136 4.4.2 The archipelago metaphor and détournement 138 4.4.3 Constitutive metaphor—the void 145 4.4.4 Strategy of the void—Axel Springer Campus 147 113 5 Friedrichstrasse and Checkpoint Charlie 5.1 Berlin 750th anniversary and the Internationale Bauausstellung 156 5.1.1 The IBA's “critical reconstruction ” of the European City 158 5.1.2 Friedrichstrasse and Südliche Friedrichstadt 159 5.2 OMA competition proposals—Lützowstrasse, Koch-/Friedrichstrasse 161 5.3 Ship\NreckeA(1980) 162 5.3.1 Friedrichstrasse design anchorings 164 156 90
Contents 5.4 5.3.2 Housing program 167 Retroactive montage and program 168 5.4.1 Excursus: Collage vs. dialectical city 5.4.2 House at Checkpoint Charlie 175 Conclusion Appendix Bibliography Index ix 172 190 195 231 241 |
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| spelling | Huber-Doudová, Helena Verfasser (DE-588)1290171270 aut Rem Koolhaas as scriptwriter OMA architecture script for West Berlin Helena Huber-Doudová London ; New York Routledge, Taylor & Francis Group 2024 xiv, 243 Seiten Illustrationen, Pläne, Faksimiles txt rdacontent n rdamedia nc rdacarrier Routledge research in architecture This book is the first survey of a new field in architecture theory: script writing. Rem Koolhaas as Scriptwriter explores the intersection of architecture, film, and text using the example of the working method of scriptwriter, Rem Koolhaas, and the Office for Metropolitan Architecture (OMA).This book argues that Koolhaas formulates his approach to architecture on the basis of the "written sketch" or script, and questions its transformations into built environment in the oeuvre of OMA. Divided into two parts, the first part is a theoretical outline that explores the notion of scriptwriting in film. It provides in-depth insights into the definition and historical evolution of the script - as a blueprint, Hollywood script, avant-garde script, storyboard, the relation to auteur theory, and the difference between the script and scenario. It surveys the first original script for the Exodus, of the Voluntary Prisoners of Architecture. The second part offers a unique perspective on the urban development of West Berlin, in which Koolhaas created a metropolitan script, or blueprint, that spans the period 1971-1989, from his first visit to Berlin to the fall of the Berlin Wall.This book will be of interest to researchers and students of architectural theory, urban history, and film studies. Koolhaas, Rem 1944- (DE-588)119070502 gnd rswk-swf Geschichte 1971-1989 gnd rswk-swf Stadtplanung (DE-588)4056754-0 gnd rswk-swf Drehbuch (DE-588)4127976-1 gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf Berlin (DE-588)4005728-8 gnd rswk-swf Koolhaas, Rem / Criticism and interpretation Office for Metropolitan Architecture City planning / Germany / Berlin / History / 20th century Architectural writing Motion picture authorship Architecture / Art d'écrire Cinéma / Art d'écrire Architektur (DE-588)4002851-3 s Drehbuch (DE-588)4127976-1 s DE-604 Koolhaas, Rem 1944- (DE-588)119070502 p Berlin (DE-588)4005728-8 g Stadtplanung (DE-588)4056754-0 s Geschichte 1971-1989 z Erscheint auch als Online-Ausgabe 978-1-003-37828-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034918341&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Rem Koolhaas as scriptwriter OMA architecture script for West Berlin |
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| title_exact_search | Rem Koolhaas as scriptwriter OMA architecture script for West Berlin |
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| title_full | Rem Koolhaas as scriptwriter OMA architecture script for West Berlin Helena Huber-Doudová |
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