Shaping identities in a Holy Land: crusader art in the Latin Kingdom of Jerusalem : patrons and viewers
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
[2024]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xiii, 361 Seiten Illustrationen, Pläne 25 cm |
| ISBN: | 9781032271712 |
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Datensatz im Suchindex
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Contents List of Figures Acknowledgements viii xii 1 Introduction Aim and Structure of the Book 1 On the Choice of the Term “Crusader Art” 7 1 The Historiography of Crusader Art Revisited: Conceptions and Revolutions 1.1 1.2 1.3 1.4 2 France Transplanted to Outremer: French Scholarship of the 19th and Early 20th Centuries 12 From French to Western, Byzantine, and Local: New Directions in the Scholarship of the Second and Third Quarters of the 20th Century 14 The Great Synthesis of the 1990s 22 Aspects of Crusader Historiography in the Late 20th and Early 21st Centuries - Patrons, Viewers, and Identities 24 Glorious Past(s): Tradition, Living Memory, and the Construction of Legitimacy 2.1 2.2 12 Biblical Models and Their Importance 29 2.1.1 Biblical Models as a Multilayered System of Meanings 30 2.1.2 Biblical Models in the Visual Culture and Monumental Landscape of the Latin Kingdom 36 2.1.3 Old Testament Heroes and the Discrepancies between Typological Function and Cultic Significance 49 The Craft of Past-Making - The Hospitaller Project 55 2.2.1 The Origins of the Hospitaller Order 56 2.2.2 The Fabrication of a Glorious Past - The Hospitaller Foundation Legends 59 2.2.3 The Hospitaller Cycle at Emmaus (Abu-Ghosh) and the Visual Manifestation of the Foundation Legends 60 29
vi Contents 2.2.4 2.2.5 2.3 3 Holy Sites: Pilgrims, Prestige, and Competition 3.1 3.2 3.3 3.4 3.5 4 The Mural Cycle as a Multilayered System 77 Expanding Sanctity: Additional Sites of the Hospitaller Project 89 2.2.6 The Headquarters of the Hospitaller Order in Jerusalem and Acre: Archaism and Spolia as an Architectural Expression of the Hospitaller Project 97 Political Legitimacy and the Restoration of the Golden-Age of the Early Church: The Early-Christian Basilica as a Model 102 Art and Architecture at the Loca Sancta: Archaism, Natural Materials, and the Tangible Presence of the Sacred 125 3.1.1 Archaism and the Use of Spolia 127 3.1.2 Topography and Materiality 131 3.1.3 Loca Sancta and the Uses of Site-Specific Iconography 134 Expectations and Experiences of Pilgrims between East and West: The Encounter with Local Reality and the Challenges of Contrasting Traditions 135 3.2.1 Bethany and the Disputed Identity of Mary Magdalene 135 3.2.2 Heads and Bodies of Saint James the Great: Between Santiago de Compostela and the Cathedral of Saint James in Jerusalem 142 Migration of Traditions, Innovative Iconographies, and the Originality of Crusader Art: Holy Prisons in Jerusalem 154 Ecclesiastical Hierarchy, Power, and Holy Sites: Nazareth and the Competition for Status in the Galilee 172 Relics, Images, and the Solicitation of Donations: The Churches of John the Baptist in Sebaste 182 3.5.1 Traditions of the Baptist in Sebaste: Migration and Competition 182 3.5.2 Relics and Fund Raising 189 3.5.3 Monumental Cycles of the Baptist in Sebaste and the Promotion of Holy Sites 190
3.5.4 The Architecture of Sebaste Cathedral: Between Western Donors and Local Context 204 The Image of the Muslim in the Art of the Latin Kingdom: Between Ideology, Demonization, and Encounter 4.1 125 The State of the Muslims in the Latin Kingdom of Jerusalem Subjugation, Confrontations, and Encounters 228 226
Contents vii The Eastern Lintel of the Holy Sepulchre and the Muslims: A System of Coexisting Meanings and the Interpretation of Monsters 235 4.2.1 Visual Polemics and Demonization: Muslims as Centaurs 238 4.2.2 The “Other” Centaurs: Good Centaurs and the Chivalrous Muslim 243 4.2.3 Naked Bodies, Circumcision, and Identity 247 4.2.4 The Shooting of a Bow and Arrow and the Cowardly Nature of the Muslim Enemy 253 4.3 The Rectangular Capital from Nazareth and the Sexual and Monstrous Body: An Additional Example of the Flexibility Model 255 4.4 Conclusion 258 4.2 5 Eastern Christians, Byzantine Style, and the Pictorial Language of Crusader Art 5.1 5.2 5.3 6 7 Eastern-Christian Communities within the Fabric of the Latin Kingdom: Contacts, Tensions, and Acculturation 271 The Southern Façade of the Church of the Holy Sepulchre and Its Eastern-Christian Audiences 279 Eastern-Christian Viewers and the Byzantine Style: The Case of the Church of the Resurrection at Abu-Ghosh 287 The Complexities of Patronage 6.1 271 299 The Church of the Nativity at Bethlehem: Program and Agency between Emperor, King, Bishop, and Donors 299 6.1.1 The Bilingual Dedicatory Inscriptions 301 6.1.2 The Conciliar Mosaics 304 6.1.3 The Column Paintings 312 Conclusion: Crusader Art as a Multilayered System 321 Bibliography Index 324 355 |
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| spelling | Fishhof, Gil 1977- Verfasser (DE-588)132559072 aut Shaping identities in a Holy Land crusader art in the Latin Kingdom of Jerusalem : patrons and viewers Gil Fishhof London ; New York Routledge [2024] xiii, 361 Seiten Illustrationen, Pläne 25 cm txt rdacontent n rdamedia nc rdacarrier Identität (DE-588)4026482-8 gnd rswk-swf Kirchenbau (DE-588)4073436-5 gnd rswk-swf Christliche Kunst (DE-588)4010109-5 gnd rswk-swf Königreich Jerusalem (DE-588)4028588-1 gnd rswk-swf Crusader art Church architecture / Palestine / History / To 1500 Art and society / Palestine / History / To 1500 Architecture and society / Palestine / History / To 1500 Christian pilgrims and pilgrimages / Palestine / History / To 1500 Jerusalem / History / Latin Kingdom, 1099-1244 Art des Croisés Jérusalem (Royaume latin, 1099-1244) Architecture and society Art and society Christian pilgrims and pilgrimages Church architecture Middle East / Jerusalem Middle East / Palestine To 1500 History Königreich Jerusalem (DE-588)4028588-1 g Christliche Kunst (DE-588)4010109-5 s Kirchenbau (DE-588)4073436-5 s Identität (DE-588)4026482-8 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-032-27172-9 Erscheint auch als Online-Ausgabe 978-1-003-29165-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034915162&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fishhof, Gil 1977- Shaping identities in a Holy Land crusader art in the Latin Kingdom of Jerusalem : patrons and viewers Identität (DE-588)4026482-8 gnd Kirchenbau (DE-588)4073436-5 gnd Christliche Kunst (DE-588)4010109-5 gnd |
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| title | Shaping identities in a Holy Land crusader art in the Latin Kingdom of Jerusalem : patrons and viewers |
| title_auth | Shaping identities in a Holy Land crusader art in the Latin Kingdom of Jerusalem : patrons and viewers |
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| title_full | Shaping identities in a Holy Land crusader art in the Latin Kingdom of Jerusalem : patrons and viewers Gil Fishhof |
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| title_full_unstemmed | Shaping identities in a Holy Land crusader art in the Latin Kingdom of Jerusalem : patrons and viewers Gil Fishhof |
| title_short | Shaping identities in a Holy Land |
| title_sort | shaping identities in a holy land crusader art in the latin kingdom of jerusalem patrons and viewers |
| title_sub | crusader art in the Latin Kingdom of Jerusalem : patrons and viewers |
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