Homesick blues: politics, protest, and musical storytelling in modern Japan
"Homesick Blues explores how artists, fans, amateur practitioners, and others have used music to tell stories of everyday life in Japan from the late 1940s to 2018, a practice that the book calls "musical storytelling." At its core, musical storytelling is a political practice, presen...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaiʻi Press
[2023]
|
| Schriftenreihe: | Music and performing arts of Asia and the Pacific
|
| Schlagworte: | |
| Zusammenfassung: | "Homesick Blues explores how artists, fans, amateur practitioners, and others have used music to tell stories of everyday life in Japan from the late 1940s to 2018, a practice that the book calls "musical storytelling." At its core, musical storytelling is a political practice, presenting potent--if ambiguous--world-producing potentials as social actors generate and share stories of themselves and others in ways that intersect with and inform social and political life. Sometimes, musical storytelling is used by powerful entities to reinforce dominant geopolitical, cultural, or economic visions. More often, it is deployed as a means of interfering in or redirecting those visions. The author pushes beyond the upheavals of the 1960s and early 70s, challenging well-established characterization of these years as fleeting moments when critical politics in Japan--especially in music--reached an apex, and an end. Instead, Aalgaard asserts that musical storytelling is robust and ongoing, and proposes more nuanced and comprehensive understandings of critical political and cultural engagement in modern Japan. From postwar jazz to contemporary rock, from 1960s "anti-war folk" to Japanese pops (enka) and the "girls' rock" of the 1980s, the book explores the political uses of music, reassesses so-called "protest music," and grapples with the complex political-ness of artists themselves, many of whom have continued to interrogate conditions of everyday life in Japan well into the contemporary moment. An equally diverse selection of scholarship and methodology, from ethnomusicology to literary studies, from philosophy to history, creates a richly interdisciplinary and accessible analysis of musical modes of politics"-- |
| Beschreibung: | x, 256 Seiten Illustrationen 24 cm |
| ISBN: | 9780824895587 |
Internformat
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| 505 | 8 | |a Liner notes -- "Friendship Through Music": Musical Storytelling and the U.S.-Japan Alliance -- Takada Wataru, Kansai Folk, and the Tactical Conjuring of the Everyday -- A Most Unusual "Lesson": Kagawa Ryō, Anti-Folk, and "Japan's One More Time" -- Singing My Song: Karaoke Politics on the Eve of Japan's Dark Spring -- Winds Out of the South: Kagoshima, Crisis, and the Critical Potentials of a "Provincialized Japan" -- Overture | |
| 520 | 3 | |a "Homesick Blues explores how artists, fans, amateur practitioners, and others have used music to tell stories of everyday life in Japan from the late 1940s to 2018, a practice that the book calls "musical storytelling." At its core, musical storytelling is a political practice, presenting potent--if ambiguous--world-producing potentials as social actors generate and share stories of themselves and others in ways that intersect with and inform social and political life. Sometimes, musical storytelling is used by powerful entities to reinforce dominant geopolitical, cultural, or economic visions. More often, it is deployed as a means of interfering in or redirecting those visions. The author pushes beyond the upheavals of the 1960s and early 70s, challenging well-established characterization of these years as fleeting moments when critical politics in Japan--especially in music--reached an apex, and an end. Instead, Aalgaard asserts that musical storytelling is robust and ongoing, and proposes more nuanced and comprehensive understandings of critical political and cultural engagement in modern Japan. From postwar jazz to contemporary rock, from 1960s "anti-war folk" to Japanese pops (enka) and the "girls' rock" of the 1980s, the book explores the political uses of music, reassesses so-called "protest music," and grapples with the complex political-ness of artists themselves, many of whom have continued to interrogate conditions of everyday life in Japan well into the contemporary moment. An equally diverse selection of scholarship and methodology, from ethnomusicology to literary studies, from philosophy to history, creates a richly interdisciplinary and accessible analysis of musical modes of politics"-- | |
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Datensatz im Suchindex
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| author | Aalgaard, Scott W. |
| author_GND | (DE-588)1308845243 |
| author_facet | Aalgaard, Scott W. |
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| bvnumber | BV049568226 |
| contents | Liner notes -- "Friendship Through Music": Musical Storytelling and the U.S.-Japan Alliance -- Takada Wataru, Kansai Folk, and the Tactical Conjuring of the Everyday -- A Most Unusual "Lesson": Kagawa Ryō, Anti-Folk, and "Japan's One More Time" -- Singing My Song: Karaoke Politics on the Eve of Japan's Dark Spring -- Winds Out of the South: Kagoshima, Crisis, and the Critical Potentials of a "Provincialized Japan" -- Overture |
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| geographic | Japan (DE-588)4028495-5 gnd |
| geographic_facet | Japan |
| id | DE-604.BV049568226 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:29:56Z |
| indexdate | 2024-07-20T07:54:16Z |
| institution | BVB |
| isbn | 9780824895587 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034913479 |
| oclc_num | 1413253324 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | x, 256 Seiten Illustrationen 24 cm |
| psigel | BSB_NED_20240624 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University of Hawaiʻi Press |
| record_format | marc |
| series2 | Music and performing arts of Asia and the Pacific |
| spelling | Aalgaard, Scott W. Verfasser (DE-588)1308845243 aut Homesick blues politics, protest, and musical storytelling in modern Japan Scott W. Aalgaard Honolulu University of Hawaiʻi Press [2023] © 2023 x, 256 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Music and performing arts of Asia and the Pacific Liner notes -- "Friendship Through Music": Musical Storytelling and the U.S.-Japan Alliance -- Takada Wataru, Kansai Folk, and the Tactical Conjuring of the Everyday -- A Most Unusual "Lesson": Kagawa Ryō, Anti-Folk, and "Japan's One More Time" -- Singing My Song: Karaoke Politics on the Eve of Japan's Dark Spring -- Winds Out of the South: Kagoshima, Crisis, and the Critical Potentials of a "Provincialized Japan" -- Overture "Homesick Blues explores how artists, fans, amateur practitioners, and others have used music to tell stories of everyday life in Japan from the late 1940s to 2018, a practice that the book calls "musical storytelling." At its core, musical storytelling is a political practice, presenting potent--if ambiguous--world-producing potentials as social actors generate and share stories of themselves and others in ways that intersect with and inform social and political life. Sometimes, musical storytelling is used by powerful entities to reinforce dominant geopolitical, cultural, or economic visions. More often, it is deployed as a means of interfering in or redirecting those visions. The author pushes beyond the upheavals of the 1960s and early 70s, challenging well-established characterization of these years as fleeting moments when critical politics in Japan--especially in music--reached an apex, and an end. Instead, Aalgaard asserts that musical storytelling is robust and ongoing, and proposes more nuanced and comprehensive understandings of critical political and cultural engagement in modern Japan. From postwar jazz to contemporary rock, from 1960s "anti-war folk" to Japanese pops (enka) and the "girls' rock" of the 1980s, the book explores the political uses of music, reassesses so-called "protest music," and grapples with the complex political-ness of artists themselves, many of whom have continued to interrogate conditions of everyday life in Japan well into the contemporary moment. An equally diverse selection of scholarship and methodology, from ethnomusicology to literary studies, from philosophy to history, creates a richly interdisciplinary and accessible analysis of musical modes of politics"-- Geschichte 1948-2018 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Alltag Motiv (DE-588)4212310-0 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf Popular music / Political aspects / Japan Popular music / Japan / History and criticism Narrative in music Musique populaire / Aspect politique / Japon Musique populaire / Japon / Histoire et critique Narrativité musicale Popular music Popular music / Political aspects Japan Criticism, interpretation, etc Japan (DE-588)4028495-5 g Musik (DE-588)4040802-4 s Alltag Motiv (DE-588)4212310-0 s Geschichte 1948-2018 z DE-604 Online version 9780824896652 Aalgaard, Scott W. Homesick blues Honolulu : University of Hawaiʻi Press, 2023 |
| spellingShingle | Aalgaard, Scott W. Homesick blues politics, protest, and musical storytelling in modern Japan Liner notes -- "Friendship Through Music": Musical Storytelling and the U.S.-Japan Alliance -- Takada Wataru, Kansai Folk, and the Tactical Conjuring of the Everyday -- A Most Unusual "Lesson": Kagawa Ryō, Anti-Folk, and "Japan's One More Time" -- Singing My Song: Karaoke Politics on the Eve of Japan's Dark Spring -- Winds Out of the South: Kagoshima, Crisis, and the Critical Potentials of a "Provincialized Japan" -- Overture Musik (DE-588)4040802-4 gnd Alltag Motiv (DE-588)4212310-0 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4212310-0 (DE-588)4028495-5 |
| title | Homesick blues politics, protest, and musical storytelling in modern Japan |
| title_auth | Homesick blues politics, protest, and musical storytelling in modern Japan |
| title_exact_search | Homesick blues politics, protest, and musical storytelling in modern Japan |
| title_exact_search_txtP | Homesick blues politics, protest, and musical storytelling in modern Japan |
| title_full | Homesick blues politics, protest, and musical storytelling in modern Japan Scott W. Aalgaard |
| title_fullStr | Homesick blues politics, protest, and musical storytelling in modern Japan Scott W. Aalgaard |
| title_full_unstemmed | Homesick blues politics, protest, and musical storytelling in modern Japan Scott W. Aalgaard |
| title_short | Homesick blues |
| title_sort | homesick blues politics protest and musical storytelling in modern japan |
| title_sub | politics, protest, and musical storytelling in modern Japan |
| topic | Musik (DE-588)4040802-4 gnd Alltag Motiv (DE-588)4212310-0 gnd |
| topic_facet | Musik Alltag Motiv Japan |
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