Sounding human: music and machines, 1740/2020
"From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing "human" musicality from its "merely mechani...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
The University of Chicago Press
2023
|
| Schriftenreihe: | New material histories of music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing "human" musicality from its "merely mechanical" simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the "human or machine" logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of "sound wave instruments" by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers' voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been-or can be-used to help explain and contest what it is to be human." |
| Beschreibung: | Literaturverzeichnis Seite [219]-231. - Index |
| Beschreibung: | XI, 238 Seiten Illustrationen 24 cm |
| ISBN: | 9780226830117 9780226830094 |
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| 505 | 8 | |a Introduction. Sounding human with machines -- Becoming android : reinterpreting the automaton flute player -- Hybrids : voice & resonance -- Analogies : Diderot's harpsichord & Oram's machine -- Personifications : piano death & life -- Genres of being posthuman : chopped & pitched -- Coda. learning machines | |
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Datensatz im Suchindex
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| adam_text |
Contents List ofAudio Examples ix INTRODUCTION: SOUNDING HUMAN WITH MACHINES 1 1: BECOMING android: REINTERPRETING THE AUTOMATON FLUTE PLAYER 19 2: HYBRIDS: VOICE RESONANCE 51 3: ANALOGIES: DIDEROT’S HARPSICHORD ORAM’S MACHINE 79 4: PERSONIFICATIONS: PIANO DEATH LIFE 113 5: GENRES OF BEING POSTHUMAN: CHOPPED PITCHED 133 CODA: LEARNING MACHINES 159 Acknowledgments 177 Notes 181 Works Cited 219 Index 233 |
| adam_txt |
Contents List ofAudio Examples ix INTRODUCTION: SOUNDING HUMAN WITH MACHINES 1 1: BECOMING android: REINTERPRETING THE AUTOMATON FLUTE PLAYER 19 2: HYBRIDS: VOICE RESONANCE 51 3: ANALOGIES: DIDEROT’S HARPSICHORD ORAM’S MACHINE 79 4: PERSONIFICATIONS: PIANO DEATH LIFE 113 5: GENRES OF BEING POSTHUMAN: CHOPPED PITCHED 133 CODA: LEARNING MACHINES 159 Acknowledgments 177 Notes 181 Works Cited 219 Index 233 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Loughridge, Deirdre |
| author_GND | (DE-588)104215189X |
| author_facet | Loughridge, Deirdre |
| author_role | aut |
| author_sort | Loughridge, Deirdre |
| author_variant | d l dl |
| building | Verbundindex |
| bvnumber | BV049568205 |
| classification_rvk | AP 14900 LR 57600 |
| contents | Introduction. Sounding human with machines -- Becoming android : reinterpreting the automaton flute player -- Hybrids : voice & resonance -- Analogies : Diderot's harpsichord & Oram's machine -- Personifications : piano death & life -- Genres of being posthuman : chopped & pitched -- Coda. learning machines |
| ctrlnum | (OCoLC)1417057604 (DE-599)BVBBV049568205 |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1740-2020 gnd |
| era_facet | Geschichte 1740-2020 |
| format | Book |
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| index_date | 2024-07-03T23:29:55Z |
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| institution | BVB |
| isbn | 9780226830117 9780226830094 |
| language | English |
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| physical | XI, 238 Seiten Illustrationen 24 cm |
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| spelling | Loughridge, Deirdre Verfasser (DE-588)104215189X aut Sounding human music and machines, 1740/2020 Deirdre Loughridge Chicago ; London The University of Chicago Press 2023 XI, 238 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier New material histories of music Literaturverzeichnis Seite [219]-231. - Index Introduction. Sounding human with machines -- Becoming android : reinterpreting the automaton flute player -- Hybrids : voice & resonance -- Analogies : Diderot's harpsichord & Oram's machine -- Personifications : piano death & life -- Genres of being posthuman : chopped & pitched -- Coda. learning machines "From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing "human" musicality from its "merely mechanical" simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the "human or machine" logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of "sound wave instruments" by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers' voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been-or can be-used to help explain and contest what it is to be human." Geschichte 1740-2020 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Mechanisches Musikinstrument (DE-588)4129391-5 gnd rswk-swf Mensch-Maschine-Kommunikation (DE-588)4125909-9 gnd rswk-swf Mechanical musical instruments / History Music and technology / History Electronic music / History and criticism Music / Performance / Philosophy and aesthetics Popular music / Production and direction Auto-tune (Computer file) Criticism, interpretation, etc History Musik (DE-588)4040802-4 s Mensch-Maschine-Kommunikation (DE-588)4125909-9 s Geschichte 1740-2020 z DE-604 Mechanisches Musikinstrument (DE-588)4129391-5 s Elektronische Musik (DE-588)4014355-7 s Erscheint auch als Online-Ausgabe 978-0-226-83010-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034913458&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Loughridge, Deirdre Sounding human music and machines, 1740/2020 Introduction. Sounding human with machines -- Becoming android : reinterpreting the automaton flute player -- Hybrids : voice & resonance -- Analogies : Diderot's harpsichord & Oram's machine -- Personifications : piano death & life -- Genres of being posthuman : chopped & pitched -- Coda. learning machines Elektronische Musik (DE-588)4014355-7 gnd Musik (DE-588)4040802-4 gnd Mechanisches Musikinstrument (DE-588)4129391-5 gnd Mensch-Maschine-Kommunikation (DE-588)4125909-9 gnd |
| subject_GND | (DE-588)4014355-7 (DE-588)4040802-4 (DE-588)4129391-5 (DE-588)4125909-9 |
| title | Sounding human music and machines, 1740/2020 |
| title_auth | Sounding human music and machines, 1740/2020 |
| title_exact_search | Sounding human music and machines, 1740/2020 |
| title_exact_search_txtP | Sounding human music and machines, 1740/2020 |
| title_full | Sounding human music and machines, 1740/2020 Deirdre Loughridge |
| title_fullStr | Sounding human music and machines, 1740/2020 Deirdre Loughridge |
| title_full_unstemmed | Sounding human music and machines, 1740/2020 Deirdre Loughridge |
| title_short | Sounding human |
| title_sort | sounding human music and machines 1740 2020 |
| title_sub | music and machines, 1740/2020 |
| topic | Elektronische Musik (DE-588)4014355-7 gnd Musik (DE-588)4040802-4 gnd Mechanisches Musikinstrument (DE-588)4129391-5 gnd Mensch-Maschine-Kommunikation (DE-588)4125909-9 gnd |
| topic_facet | Elektronische Musik Musik Mechanisches Musikinstrument Mensch-Maschine-Kommunikation |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034913458&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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