Music, dance and translation:
"How is music affected by its translation, interpretation and adaptation with, through, and by dance? How might notation of dance and music act as a form of translation? How does music influence the creation of dance? How might dance and music be understood to exchange and transfer their conten...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
BLOOMSBURY ACADEMIC
[2023]
|
| Schriftenreihe: | Bloomsbury collections
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "How is music affected by its translation, interpretation and adaptation with, through, and by dance? How might notation of dance and music act as a form of translation? How does music influence the creation of dance? How might dance and music be understood to exchange and transfer their content, sense and process during both the creative process and the interpretative process? Bringing together chapters that explore theory and practice, this book questions the process and role translation has to play in the context of music and dance. It provides a range of case studies across this interdisciplinary field, and is not restricted by genre, style or cultural location. As one of very few volumes to explore translation in relation to music and to overtly tackle this topic in terms of dance, it moves the argument from a broad notion of text and translation, to think critically about the sound and movement arts of music and dance, using translation as a model to better understand the collaboration of these art forms." |
| Beschreibung: | Angekündigt mit dem Titelzusatz "Abstract art at MoMA 1937-1939" |
| Beschreibung: | xv, 200 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781350175730 |
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Datensatz im Suchindex
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Contents List of Figures List of Examples and Tables Notes on Contributors Acknowledgements Note on the Text vii viii ix xiv xvi Part One Translation and Dance 1 2 Translation in Music and Dance Discourse Helen Julia Minors The Role of Translation in the Practice of Dance Reconstruction Helen Julia Minors, in conversation with Millicent Hodson and Kenneth Archer 3 17 Part Two Gestures between Music and Dance 3 Points of Contact: Bases for Translations between Music and Dance Lawrence Μ. Zbikowski 29 4 Interactions and Correspondences between Music/Sound and Dance/Movement as Permanent Negotiations of Translation Processes Stephanie Schroedter 49 5 Collaborative Ballet Dialogues in Translation and Creating La Parade (1917) in Paris Helen Julia Minors 63 Part Three Translation through Music-Dance Performance 6 Maurice Béjarfs Variations on Wild’s Salome and Kinetic Translation of Words and Music in La Mort Subite (1991) and Boléro (1960) Juliette Loesch 81
vi 7 8 Contents The Music has Movement in It Lesley Main 99 Cranko’s Reinvention of Pushkins Text in his Ballet Onegin (1965) Anna Ponomareva 117 Part Four Institutional Representation: Notation, Archives and the Museum 9 Two National Estonian Ballet Translations of Theodor Amadeus Hofmanns Coppélia to Leo Délibes’ Music by Mauro Bigonzetti (2002) and Ronald Hynd (2010) Heili Einasto 133 10 Fruitful Intersemiotic Transfers between Music and Choreography in the National Ballet of Canada’s Romeo and Juliet Denise Merkle 147 11 Dancing Symbols and Movement Notation as a Form of Translation Mary Wardle 163 Bibliography Index 179 197 |
| adam_txt |
Contents List of Figures List of Examples and Tables Notes on Contributors Acknowledgements Note on the Text vii viii ix xiv xvi Part One Translation and Dance 1 2 Translation in Music and Dance Discourse Helen Julia Minors The Role of Translation in the Practice of Dance Reconstruction Helen Julia Minors, in conversation with Millicent Hodson and Kenneth Archer 3 17 Part Two Gestures between Music and Dance 3 Points of Contact: Bases for Translations between Music and Dance Lawrence Μ. Zbikowski 29 4 Interactions and Correspondences between Music/Sound and Dance/Movement as Permanent Negotiations of Translation Processes Stephanie Schroedter 49 5 Collaborative Ballet Dialogues in Translation and Creating La Parade (1917) in Paris Helen Julia Minors 63 Part Three Translation through Music-Dance Performance 6 Maurice Béjarfs Variations on Wild’s Salome and Kinetic Translation of Words and Music in La Mort Subite (1991) and Boléro (1960) Juliette Loesch 81
vi 7 8 Contents The Music has Movement in It Lesley Main 99 Cranko’s Reinvention of Pushkins Text in his Ballet Onegin (1965) Anna Ponomareva 117 Part Four Institutional Representation: Notation, Archives and the Museum 9 Two National Estonian Ballet Translations of Theodor Amadeus Hofmanns Coppélia to Leo Délibes’ Music by Mauro Bigonzetti (2002) and Ronald Hynd (2010) Heili Einasto 133 10 Fruitful Intersemiotic Transfers between Music and Choreography in the National Ballet of Canada’s Romeo and Juliet Denise Merkle 147 11 Dancing Symbols and Movement Notation as a Form of Translation Mary Wardle 163 Bibliography Index 179 197 |
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| title | Music, dance and translation |
| title_alt | Music, dance & translation Abstract art at MoMA 1937-1939 |
| title_auth | Music, dance and translation |
| title_exact_search | Music, dance and translation |
| title_exact_search_txtP | Music, dance and translation |
| title_full | Music, dance and translation edited by Helen Julia Minors ; contributors: Heili Einasto [und zahlreiche weitere] |
| title_fullStr | Music, dance and translation edited by Helen Julia Minors ; contributors: Heili Einasto [und zahlreiche weitere] |
| title_full_unstemmed | Music, dance and translation edited by Helen Julia Minors ; contributors: Heili Einasto [und zahlreiche weitere] |
| title_short | Music, dance and translation |
| title_sort | music dance and translation |
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