Close reading fotografii reporteskiej: Nick Ut, Groza wojny
N The essay brings an exhaustive analysis of the semantically productive features discernible in the visual structure of the photograph The Terror of War, taken by Nick Ut near the mistakenly napalm-bombed town of Trảng Bàng. The unique nature of the famous photograph lies in the fact that, despite...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | Polish |
| Veröffentlicht: |
2023
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| Schlagworte: | |
| Zusammenfassung: | N The essay brings an exhaustive analysis of the semantically productive features discernible in the visual structure of the photograph The Terror of War, taken by Nick Ut near the mistakenly napalm-bombed town of Trảng Bàng. The unique nature of the famous photograph lies in the fact that, despite circumstances that were extremely restrictive in terms of the timing, perspective and composition of the frame, by a sheer stroke of luck it proved possible to capture on film an image that is extremely meaningful and semantically loaded. The semantics of the image was determined by the author by comparing this image and the original frame with a photograph of the same situation taken by Ut a moment later, as well as, above all, through a detailed analysis of the image’s structure. This structure reveals the essential characteristics of the language of narrative images, which constitute the close dependence of semantics on the rigour of composition as syntax. Through them, the photograph acquires a highly expressive iconic character, not only in the sense that it has become a kind of an "icon" perpetuating the image of a specific event in collective consciousness and historical memory, but above all in the sense defined by Max Imdahl’s conception of the iconics. |
| Beschreibung: | Illustrationen |
| ISSN: | 0006-3967 |
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| 520 | 3 | |a N The essay brings an exhaustive analysis of the semantically productive features discernible in the visual structure of the photograph The Terror of War, taken by Nick Ut near the mistakenly napalm-bombed town of Trảng Bàng. The unique nature of the famous photograph lies in the fact that, despite circumstances that were extremely restrictive in terms of the timing, perspective and composition of the frame, by a sheer stroke of luck it proved possible to capture on film an image that is extremely meaningful and semantically loaded. The semantics of the image was determined by the author by comparing this image and the original frame with a photograph of the same situation taken by Ut a moment later, as well as, above all, through a detailed analysis of the image’s structure. This structure reveals the essential characteristics of the language of narrative images, which constitute the close dependence of semantics on the rigour of composition as syntax. Through them, the photograph acquires a highly expressive iconic character, not only in the sense that it has become a kind of an "icon" perpetuating the image of a specific event in collective consciousness and historical memory, but above all in the sense defined by Max Imdahl’s conception of the iconics. | |
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| index_date | 2024-07-03T23:29:49Z |
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| institution | BVB |
| issn | 0006-3967 |
| language | Polish |
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| spelling | Czekalski, Stanisław 1967- Verfasser (DE-588)1057310808 aut Close reading fotografii reporteskiej Nick Ut, Groza wojny Stanisław Czekalski A close reading of a reportage photograph 2023 Illustrationen txt rdacontent n rdamedia nc rdacarrier N The essay brings an exhaustive analysis of the semantically productive features discernible in the visual structure of the photograph The Terror of War, taken by Nick Ut near the mistakenly napalm-bombed town of Trảng Bàng. The unique nature of the famous photograph lies in the fact that, despite circumstances that were extremely restrictive in terms of the timing, perspective and composition of the frame, by a sheer stroke of luck it proved possible to capture on film an image that is extremely meaningful and semantically loaded. The semantics of the image was determined by the author by comparing this image and the original frame with a photograph of the same situation taken by Ut a moment later, as well as, above all, through a detailed analysis of the image’s structure. This structure reveals the essential characteristics of the language of narrative images, which constitute the close dependence of semantics on the rigour of composition as syntax. Through them, the photograph acquires a highly expressive iconic character, not only in the sense that it has become a kind of an "icon" perpetuating the image of a specific event in collective consciousness and historical memory, but above all in the sense defined by Max Imdahl’s conception of the iconics. Text polnisch. Zusammenfassung in englischer Sprache unter dem Titel: A close reading of a reportage photograph : Nick Ut. "The terror of war" Ut, Nick 1951- (DE-588)122452003 gnd rswk-swf Kim Phúc 1963- (DE-588)122488911 gnd rswk-swf Pressefotografie (DE-588)4047166-4 gnd rswk-swf Kriegsfotografie (DE-588)1246891271 gnd rswk-swf Vietnamkrieg (DE-588)4063516-8 gnd rswk-swf Ut, Nick 1951- (DE-588)122452003 p Kriegsfotografie (DE-588)1246891271 s Pressefotografie (DE-588)4047166-4 s Vietnamkrieg (DE-588)4063516-8 s Kim Phúc 1963- (DE-588)122488911 p DE-604 volume:85 number:4 year:2023 pages:83-98 Biuletyn historii sztuki / Państwowy Instytut Sztuki ; Stowarzyszenie Historyków Sztuki Warszawa, 2023 Band 85, Heft 4 (2023), Seite 83-98 (DE-604)BV002698928 0006-3967 (DE-600)127366-8 |
| spellingShingle | Czekalski, Stanisław 1967- Close reading fotografii reporteskiej Nick Ut, Groza wojny Ut, Nick 1951- (DE-588)122452003 gnd Kim Phúc 1963- (DE-588)122488911 gnd Pressefotografie (DE-588)4047166-4 gnd Kriegsfotografie (DE-588)1246891271 gnd Vietnamkrieg (DE-588)4063516-8 gnd |
| subject_GND | (DE-588)122452003 (DE-588)122488911 (DE-588)4047166-4 (DE-588)1246891271 (DE-588)4063516-8 |
| title | Close reading fotografii reporteskiej Nick Ut, Groza wojny |
| title_alt | A close reading of a reportage photograph |
| title_auth | Close reading fotografii reporteskiej Nick Ut, Groza wojny |
| title_exact_search | Close reading fotografii reporteskiej Nick Ut, Groza wojny |
| title_exact_search_txtP | Close reading fotografii reporteskiej Nick Ut, Groza wojny |
| title_full | Close reading fotografii reporteskiej Nick Ut, Groza wojny Stanisław Czekalski |
| title_fullStr | Close reading fotografii reporteskiej Nick Ut, Groza wojny Stanisław Czekalski |
| title_full_unstemmed | Close reading fotografii reporteskiej Nick Ut, Groza wojny Stanisław Czekalski |
| title_short | Close reading fotografii reporteskiej |
| title_sort | close reading fotografii reporteskiej nick ut groza wojny |
| title_sub | Nick Ut, Groza wojny |
| topic | Ut, Nick 1951- (DE-588)122452003 gnd Kim Phúc 1963- (DE-588)122488911 gnd Pressefotografie (DE-588)4047166-4 gnd Kriegsfotografie (DE-588)1246891271 gnd Vietnamkrieg (DE-588)4063516-8 gnd |
| topic_facet | Ut, Nick 1951- Kim Phúc 1963- Pressefotografie Kriegsfotografie Vietnamkrieg |
| work_keys_str_mv | AT czekalskistanisław closereadingfotografiireporteskiejnickutgrozawojny AT czekalskistanisław aclosereadingofareportagephotograph |