Obraz jako metafora: hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912)
The aim of the text is to assess the possibility of using the achievements of art-historical hermeneutics in the interpretation of Jacek Malczewski’s painting Christ and the Samaritan Woman (1912). The painting is the last in a series of four works devoted to the story from the Gospel of St. John, w...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | Polish |
| Veröffentlicht: |
2023
|
| Schlagworte: | |
| Zusammenfassung: | The aim of the text is to assess the possibility of using the achievements of art-historical hermeneutics in the interpretation of Jacek Malczewski’s painting Christ and the Samaritan Woman (1912). The painting is the last in a series of four works devoted to the story from the Gospel of St. John, which Malczewski executed between 1909 and 1912. In all the versions, Malczewski gave Christ his own features, while the Samaritan woman had the face of Maria Bal, his mistress. Malczewski’s contemporaries generally misunderstood these paintings. Over time, attempts were made to interpret them in various ways. The view that has recently become widespread is that they were a form of an "artist’s confession" and should be read according to a biographical key. However, this explanation ignores the visual structure of the work, which is the focus of hermeneutics. The analysis of this structure undertaken in the current essay has led to the conclusion that Malczewski’s painting is an innovative visualisation of the biblical metaphor used by Christ in his conversation with the Samaritan woman, comparing himself to a vessel of water. |
| Beschreibung: | Illustrationen |
| ISSN: | 0006-3967 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049567645 | ||
| 003 | DE-604 | ||
| 005 | 20240222 | ||
| 007 | t | ||
| 008 | 240213s2023 a||| |||| 00||| pol d | ||
| 035 | |a (OCoLC)1422415720 | ||
| 035 | |a (DE-599)BVBBV049567645 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a pol | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Haake, Michał |e Verfasser |0 (DE-588)1151833622 |4 aut | |
| 245 | 1 | 0 | |a Obraz jako metafora |b hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912) |c Michał Haake |
| 246 | 1 | 3 | |a An image as a metaphor |
| 264 | 1 | |c 2023 | |
| 300 | |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a The aim of the text is to assess the possibility of using the achievements of art-historical hermeneutics in the interpretation of Jacek Malczewski’s painting Christ and the Samaritan Woman (1912). The painting is the last in a series of four works devoted to the story from the Gospel of St. John, which Malczewski executed between 1909 and 1912. In all the versions, Malczewski gave Christ his own features, while the Samaritan woman had the face of Maria Bal, his mistress. Malczewski’s contemporaries generally misunderstood these paintings. Over time, attempts were made to interpret them in various ways. The view that has recently become widespread is that they were a form of an "artist’s confession" and should be read according to a biographical key. However, this explanation ignores the visual structure of the work, which is the focus of hermeneutics. The analysis of this structure undertaken in the current essay has led to the conclusion that Malczewski’s painting is an innovative visualisation of the biblical metaphor used by Christ in his conversation with the Samaritan woman, comparing himself to a vessel of water. | |
| 546 | |a Text polnisch. Zusammenfassung in englischer Sprache unter dem Titel: An image as a metaphor : a hermeneutic reading of Jacek Malczewski's painting "Christ and the samaritan woman" (1912) | ||
| 600 | 1 | 7 | |a Malczewski, Jacek |d 1854-1929 |0 (DE-588)119246449 |2 gnd |9 rswk-swf |
| 630 | 0 | 7 | |a Gespräch am Jakobsbrunnen |0 (DE-588)4312813-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Christusdarstellung |0 (DE-588)4070009-4 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Malczewski, Jacek |d 1854-1929 |0 (DE-588)119246449 |D p |
| 689 | 0 | 1 | |a Christusdarstellung |0 (DE-588)4070009-4 |D s |
| 689 | 0 | 2 | |a Gespräch am Jakobsbrunnen |0 (DE-588)4312813-0 |D u |
| 689 | 0 | |5 DE-604 | |
| 773 | 1 | 8 | |g volume:85 |g number:4 |g year:2023 |g pages:69-82 |
| 773 | 0 | 8 | |t Biuletyn historii sztuki / Państwowy Instytut Sztuki ; Stowarzyszenie Historyków Sztuki |d Warszawa, 2023 |g Band 85, Heft 4 (2023), Seite 69-82 |w (DE-604)BV002698928 |x 0006-3967 |o (DE-600)127366-8 |
| 940 | 1 | |n oeaufsaetze | |
| 940 | 1 | |q oeaufsaetze_KUBA2 | |
| 940 | 1 | |q BSB_NED_20240213 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034912909 | ||
| 941 | |b 85 |h 4 |j 2023 |s 69-82 | ||
| 942 | 1 | 1 | |c 709 |e 22/bsb |f 0904 |g 438 |
Datensatz im Suchindex
| _version_ | 1804186423268474880 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV002698928 |
| author | Haake, Michał |
| author_GND | (DE-588)1151833622 |
| author_facet | Haake, Michał |
| author_role | aut |
| author_sort | Haake, Michał |
| author_variant | m h mh |
| building | Verbundindex |
| bvnumber | BV049567645 |
| ctrlnum | (OCoLC)1422415720 (DE-599)BVBBV049567645 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02995naa a2200445 c 4500</leader><controlfield tag="001">BV049567645</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240222 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240213s2023 a||| |||| 00||| pol d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422415720</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049567645</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">pol</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Haake, Michał</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1151833622</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Obraz jako metafora</subfield><subfield code="b">hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912)</subfield><subfield code="c">Michał Haake</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">An image as a metaphor</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The aim of the text is to assess the possibility of using the achievements of art-historical hermeneutics in the interpretation of Jacek Malczewski’s painting Christ and the Samaritan Woman (1912). The painting is the last in a series of four works devoted to the story from the Gospel of St. John, which Malczewski executed between 1909 and 1912. In all the versions, Malczewski gave Christ his own features, while the Samaritan woman had the face of Maria Bal, his mistress. Malczewski’s contemporaries generally misunderstood these paintings. Over time, attempts were made to interpret them in various ways. The view that has recently become widespread is that they were a form of an "artist’s confession" and should be read according to a biographical key. However, this explanation ignores the visual structure of the work, which is the focus of hermeneutics. The analysis of this structure undertaken in the current essay has led to the conclusion that Malczewski’s painting is an innovative visualisation of the biblical metaphor used by Christ in his conversation with the Samaritan woman, comparing himself to a vessel of water.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Text polnisch. Zusammenfassung in englischer Sprache unter dem Titel: An image as a metaphor : a hermeneutic reading of Jacek Malczewski's painting "Christ and the samaritan woman" (1912)</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Malczewski, Jacek</subfield><subfield code="d">1854-1929</subfield><subfield code="0">(DE-588)119246449</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="630" ind1="0" ind2="7"><subfield code="a">Gespräch am Jakobsbrunnen</subfield><subfield code="0">(DE-588)4312813-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Christusdarstellung</subfield><subfield code="0">(DE-588)4070009-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Malczewski, Jacek</subfield><subfield code="d">1854-1929</subfield><subfield code="0">(DE-588)119246449</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Christusdarstellung</subfield><subfield code="0">(DE-588)4070009-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Gespräch am Jakobsbrunnen</subfield><subfield code="0">(DE-588)4312813-0</subfield><subfield code="D">u</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:85</subfield><subfield code="g">number:4</subfield><subfield code="g">year:2023</subfield><subfield code="g">pages:69-82</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Biuletyn historii sztuki / Państwowy Instytut Sztuki ; Stowarzyszenie Historyków Sztuki</subfield><subfield code="d">Warszawa, 2023</subfield><subfield code="g">Band 85, Heft 4 (2023), Seite 69-82</subfield><subfield code="w">(DE-604)BV002698928</subfield><subfield code="x">0006-3967</subfield><subfield code="o">(DE-600)127366-8</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oeaufsaetze</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">oeaufsaetze_KUBA2</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20240213</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034912909</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">85</subfield><subfield code="h">4</subfield><subfield code="j">2023</subfield><subfield code="s">69-82</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">709</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">438</subfield></datafield></record></collection> |
| id | DE-604.BV049567645 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:29:48Z |
| indexdate | 2024-07-10T10:10:53Z |
| institution | BVB |
| issn | 0006-3967 |
| language | Polish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034912909 |
| oclc_num | 1422415720 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | Illustrationen |
| psigel | oeaufsaetze_KUBA2 BSB_NED_20240213 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| record_format | marc |
| spelling | Haake, Michał Verfasser (DE-588)1151833622 aut Obraz jako metafora hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912) Michał Haake An image as a metaphor 2023 Illustrationen txt rdacontent n rdamedia nc rdacarrier The aim of the text is to assess the possibility of using the achievements of art-historical hermeneutics in the interpretation of Jacek Malczewski’s painting Christ and the Samaritan Woman (1912). The painting is the last in a series of four works devoted to the story from the Gospel of St. John, which Malczewski executed between 1909 and 1912. In all the versions, Malczewski gave Christ his own features, while the Samaritan woman had the face of Maria Bal, his mistress. Malczewski’s contemporaries generally misunderstood these paintings. Over time, attempts were made to interpret them in various ways. The view that has recently become widespread is that they were a form of an "artist’s confession" and should be read according to a biographical key. However, this explanation ignores the visual structure of the work, which is the focus of hermeneutics. The analysis of this structure undertaken in the current essay has led to the conclusion that Malczewski’s painting is an innovative visualisation of the biblical metaphor used by Christ in his conversation with the Samaritan woman, comparing himself to a vessel of water. Text polnisch. Zusammenfassung in englischer Sprache unter dem Titel: An image as a metaphor : a hermeneutic reading of Jacek Malczewski's painting "Christ and the samaritan woman" (1912) Malczewski, Jacek 1854-1929 (DE-588)119246449 gnd rswk-swf Gespräch am Jakobsbrunnen (DE-588)4312813-0 gnd rswk-swf Christusdarstellung (DE-588)4070009-4 gnd rswk-swf Malczewski, Jacek 1854-1929 (DE-588)119246449 p Christusdarstellung (DE-588)4070009-4 s Gespräch am Jakobsbrunnen (DE-588)4312813-0 u DE-604 volume:85 number:4 year:2023 pages:69-82 Biuletyn historii sztuki / Państwowy Instytut Sztuki ; Stowarzyszenie Historyków Sztuki Warszawa, 2023 Band 85, Heft 4 (2023), Seite 69-82 (DE-604)BV002698928 0006-3967 (DE-600)127366-8 |
| spellingShingle | Haake, Michał Obraz jako metafora hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912) Malczewski, Jacek 1854-1929 (DE-588)119246449 gnd Gespräch am Jakobsbrunnen (DE-588)4312813-0 gnd Christusdarstellung (DE-588)4070009-4 gnd |
| subject_GND | (DE-588)119246449 (DE-588)4312813-0 (DE-588)4070009-4 |
| title | Obraz jako metafora hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912) |
| title_alt | An image as a metaphor |
| title_auth | Obraz jako metafora hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912) |
| title_exact_search | Obraz jako metafora hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912) |
| title_exact_search_txtP | Obraz jako metafora hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912) |
| title_full | Obraz jako metafora hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912) Michał Haake |
| title_fullStr | Obraz jako metafora hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912) Michał Haake |
| title_full_unstemmed | Obraz jako metafora hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912) Michał Haake |
| title_short | Obraz jako metafora |
| title_sort | obraz jako metafora hermeneutyczne ujecie obrazu chrystus i samarytanka jacka malczewskiego 1912 |
| title_sub | hermeneutyczne ujęcie obrazu Chrystus i Samarytanka Jacka Malczewskiego (1912) |
| topic | Malczewski, Jacek 1854-1929 (DE-588)119246449 gnd Gespräch am Jakobsbrunnen (DE-588)4312813-0 gnd Christusdarstellung (DE-588)4070009-4 gnd |
| topic_facet | Malczewski, Jacek 1854-1929 Gespräch am Jakobsbrunnen Christusdarstellung |
| work_keys_str_mv | AT haakemichał obrazjakometaforahermeneutyczneujecieobrazuchrystusisamarytankajackamalczewskiego1912 AT haakemichał animageasametaphor |