Serial killing on screen: adaptation, true crime and popular culture
Gespeichert in:
Weitere Verfasser: | , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2023]
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Schriftenreihe: | Palgrave studies in crime, media and culture
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | xxvi, 382 Seiten Illustrationen |
ISBN: | 9783031178146 |
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650 | 4 | |a Adaptation Studies | |
650 | 4 | |a Gender Studies | |
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650 | 4 | |a Critical criminology | |
650 | 4 | |a Criminal behavior | |
650 | 4 | |a Motion pictures | |
650 | 4 | |a Television broadcasting | |
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Datensatz im Suchindex
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adam_text | Contents 1 Introduction: Screening Serial Murder—Adaptation, True Crime, and Popular Culture 1 Sarah E. Fanning and Claire O’Callaghan Part I 2 Re-viewing Victims: Sex, Gender and Spectacle Serial Killer “Monster” Woman (?): Aileen Wuornos on Trial and on Screen 35 Jo Aldridge 3 The Diminished Figure of the Serial Killer in A Confession 57 Louise Wattis 4 The House at the End of the World: Seriality, Death, and the Collapse of Meaning in Twin Peaks 79 Chase Bucklew xiii
xiv Contents Psycho Paths: Re-creating the Scenes of Crime Part II Wolf Creek·, Mick Taylor, and Australian Horror 5 101 Penny Spirou A Strange Sort of Comfort: Domestic Architecture, Home-Bodies, and the Nostalgia of Suburban Containment in American Serial Killer Narratives 6 121 Brenda S. Gardenour Walter Sweet Uncle Charlie: The Unsuspecting Killer in Shadow ofa Doubt 7 143 Douglas C. MacLeod Jr. See No Evil·. The Moors Murders on Screen 8 163 Ian Cummins, Marian Foley, and Martin King Part III Monstrous Makeovers Innocent Until Proven Guilty? Two Cinematic Portrayals ofJohann ‘Jack Unterweger 9 189 Michael Fuchs 10 ‘Homicidal Hams’ and ‘Psycho Clowns’: Serial Killer Humour in American Television Comedies 215 David Scott Diffrient 11 Jazz Hands and Strangulation: The Musical and the Serial Killer 245 Louise Creechan Part IV 12 ‘Based On’: Truth, Authenticity and the Politics of Representation One Anonymous UNSUB and the Five: Fact, Biofiction, and Mythography of Jack the Ripper and His Victims Sarah E. Maier 269
Contents 13 ‘Graze Culture’ and Serial Murder: Brushing Up Against ‘Familiar Monsters’ in the Wake of 9/11 XV 295 Craig Kelly, Adam Lynes, and Max Hart 14 “We’re Here for Something Else”: Mindhunter, Serial Murder, and the Reverential 323 Michele Byers and Rachael Collins 15 ‘What follows is based on actual case files’: Adapting the “Truth” in David Fincher’s Zodiac 345 Sarah E. Fanning Index 377
PALGRAVE STUDIES IN CRIME, MEDIA AND CULTURE Series Editors: Michelle Brown · Eamonn Carrabine This book explores the representation of real-life serial murders as adapted for the screen and popular culture. Bringing together a selection of essays from international scholars. Serial Killing on Screen: Adaptation, True Crime and Popular Culture examines the ways in which the screen has become a crucial site through which the most troubling of real-life crimes are represented, (re)constructed and made accessible to the public. Situated at the nexus of film and screen studies, theatre studies, cultural studies, criminology and sociology, this interdisciplinary collection raises questions about, and implications for, thinking about the adaptation and representation of true crime in popular culture, and the ideologies at stake in such narratives. It discusses the ways in which the adaptation of reallife serial murder intersects with other markers of cultural identity (gender, race, class, disability), as well as aspects of criminology (offenders, victims, policing, and profiling) and psychology (psychopathy, sociopathy, and paraphilia). This collection is unique in its combined focus on the adaptation of crimes committed by real-life criminal figures who have gained international notoriety for their plural offences, including, for example, Ted Bundy, Ian Brady and Myra Hindley, Aileen Wuornos, Jack the Ripper, and the Zodiac, and for situating the tales of these crimes and their victims stories within the field of adaptation studies. Sarah E. Fanning is Assistant Professor of
Drama and Screen Studies and Director of Drama at Mount Allison University, Canada. Claire О Callaghan is Lecturer in English in the School of Social Sciences and Humanities at Loughborough University, UK.
|
adam_txt |
Contents 1 Introduction: Screening Serial Murder—Adaptation, True Crime, and Popular Culture 1 Sarah E. Fanning and Claire O’Callaghan Part I 2 Re-viewing Victims: Sex, Gender and Spectacle Serial Killer “Monster” Woman (?): Aileen Wuornos on Trial and on Screen 35 Jo Aldridge 3 The Diminished Figure of the Serial Killer in A Confession 57 Louise Wattis 4 The House at the End of the World: Seriality, Death, and the Collapse of Meaning in Twin Peaks 79 Chase Bucklew xiii
xiv Contents Psycho Paths: Re-creating the Scenes of Crime Part II Wolf Creek·, Mick Taylor, and Australian Horror 5 101 Penny Spirou A Strange Sort of Comfort: Domestic Architecture, Home-Bodies, and the Nostalgia of Suburban Containment in American Serial Killer Narratives 6 121 Brenda S. Gardenour Walter Sweet Uncle Charlie: The Unsuspecting Killer in Shadow ofa Doubt 7 143 Douglas C. MacLeod Jr. See No Evil·. The Moors Murders on Screen 8 163 Ian Cummins, Marian Foley, and Martin King Part III Monstrous Makeovers Innocent Until Proven Guilty? Two Cinematic Portrayals ofJohann ‘Jack Unterweger 9 189 Michael Fuchs 10 ‘Homicidal Hams’ and ‘Psycho Clowns’: Serial Killer Humour in American Television Comedies 215 David Scott Diffrient 11 Jazz Hands and Strangulation: The Musical and the Serial Killer 245 Louise Creechan Part IV 12 ‘Based On’: Truth, Authenticity and the Politics of Representation One Anonymous UNSUB and the Five: Fact, Biofiction, and Mythography of Jack the Ripper and His Victims Sarah E. Maier 269
Contents 13 ‘Graze Culture’ and Serial Murder: Brushing Up Against ‘Familiar Monsters’ in the Wake of 9/11 XV 295 Craig Kelly, Adam Lynes, and Max Hart 14 “We’re Here for Something Else”: Mindhunter, Serial Murder, and the Reverential 323 Michele Byers and Rachael Collins 15 ‘What follows is based on actual case files’: Adapting the “Truth” in David Fincher’s Zodiac 345 Sarah E. Fanning Index 377
PALGRAVE STUDIES IN CRIME, MEDIA AND CULTURE Series Editors: Michelle Brown · Eamonn Carrabine This book explores the representation of real-life serial murders as adapted for the screen and popular culture. Bringing together a selection of essays from international scholars. Serial Killing on Screen: Adaptation, True Crime and Popular Culture examines the ways in which the screen has become a crucial site through which the most troubling of real-life crimes are represented, (re)constructed and made accessible to the public. Situated at the nexus of film and screen studies, theatre studies, cultural studies, criminology and sociology, this interdisciplinary collection raises questions about, and implications for, thinking about the adaptation and representation of true crime in popular culture, and the ideologies at stake in such narratives. It discusses the ways in which the adaptation of reallife serial murder intersects with other markers of cultural identity (gender, race, class, disability), as well as aspects of criminology (offenders, victims, policing, and profiling) and psychology (psychopathy, sociopathy, and paraphilia). This collection is unique in its combined focus on the adaptation of crimes committed by real-life criminal figures who have gained international notoriety for their plural offences, including, for example, Ted Bundy, Ian Brady and Myra Hindley, Aileen Wuornos, Jack the Ripper, and the Zodiac, and for situating the tales of these crimes and their victims' stories within the field of adaptation studies. Sarah E. Fanning is Assistant Professor of
Drama and Screen Studies and Director of Drama at Mount Allison University, Canada. Claire О Callaghan is Lecturer in English in the School of Social Sciences and Humanities at Loughborough University, UK. |
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spelling | Serial killing on screen adaptation, true crime and popular culture Sarah E. Fanning, Claire O’Callaghan, editors Cham, Switzerland Palgrave Macmillan [2023] xxvi, 382 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Palgrave studies in crime, media and culture Crime and the Media Critical Criminology Criminal Behavior Film and Television Studies Adaptation Studies Gender Studies Mass media and crime Critical criminology Criminal behavior Motion pictures Television broadcasting Adaptation (Literary, artistic, etc.) Sex Fanning, Sarah E. (DE-588)1279989599 edt O’Callaghan, Claire edt Erscheint auch als Druck-Ausgabe 978-3-031-17813-9 Erscheint auch als Online-Ausgabe 978-3-031-17812-2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034911928&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034911928&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Serial killing on screen adaptation, true crime and popular culture Crime and the Media Critical Criminology Criminal Behavior Film and Television Studies Adaptation Studies Gender Studies Mass media and crime Critical criminology Criminal behavior Motion pictures Television broadcasting Adaptation (Literary, artistic, etc.) Sex |
title | Serial killing on screen adaptation, true crime and popular culture |
title_auth | Serial killing on screen adaptation, true crime and popular culture |
title_exact_search | Serial killing on screen adaptation, true crime and popular culture |
title_exact_search_txtP | Serial killing on screen adaptation, true crime and popular culture |
title_full | Serial killing on screen adaptation, true crime and popular culture Sarah E. Fanning, Claire O’Callaghan, editors |
title_fullStr | Serial killing on screen adaptation, true crime and popular culture Sarah E. Fanning, Claire O’Callaghan, editors |
title_full_unstemmed | Serial killing on screen adaptation, true crime and popular culture Sarah E. Fanning, Claire O’Callaghan, editors |
title_short | Serial killing on screen |
title_sort | serial killing on screen adaptation true crime and popular culture |
title_sub | adaptation, true crime and popular culture |
topic | Crime and the Media Critical Criminology Criminal Behavior Film and Television Studies Adaptation Studies Gender Studies Mass media and crime Critical criminology Criminal behavior Motion pictures Television broadcasting Adaptation (Literary, artistic, etc.) Sex |
topic_facet | Crime and the Media Critical Criminology Criminal Behavior Film and Television Studies Adaptation Studies Gender Studies Mass media and crime Critical criminology Criminal behavior Motion pictures Television broadcasting Adaptation (Literary, artistic, etc.) Sex |
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