Diseased cinema: plagues, pandemics and zombies in American movies
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2024
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 251 Seiten Illustrationen Breite 156 mm, Hoehe 234 mm, Dicke 21 mm |
| ISBN: | 9781399521659 9781399521666 |
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Datensatz im Suchindex
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| adam_text |
CONTENTS Figures Preface vni x Introduction Disease Movies Past and Present Early Disease Movies from the Advent of Film to the Early 1990s The Rise of Viral Disease Movies and a Nostalgia for the Past Post-Apocalyptic Worlds and Posthumanity Future Pandemics in Movies 1 3 6 10 12 15 1. Early Disease Movies: American Norms and Containment 24 Introduction 24 The Origins of Disease Movies: From Silent Films to World War II 26 The Heroic Public Servant and the American Dream: Panic in the Streets (1950) 30 An Alternative Vision: The Seventh Seal (1957) 36 Revealing the Rot in American Values: Night of the Living Dead (1968) 37 A Critique of Values and a Global Pandemic: Shivers (1975) and Virus (1980) 41 Conclusion 45
DISEASED CINEMA 2. Disease Movies in Transition: Globalization and Imagined Containment Introduction 5^ The Disease Is Contained: Outbreak (1995) Prescient Transitions: 12 Monkeys {1995} and 28 Days Later (2002) Fast Zombies and Fragmentation: Dawn of the Dead (2004) Dark Disease Movies and a Pandemic Sequel: 28 Weeks Later (2007) Conclusion 53 56 63 67 73 76 3. Post-Apocalyptic Disease Movies: Pandemics and Posthumanity 84 Introduction 84 Spiritual Faith in the Twenty-First Century: Children of Men (2006) and Black Death (2010) 86 Individual Choice in a Fractured Society: Contagion (2011) 90 Patriarchal Zombie Pandemics: Zombieland (2009) and World War Z (2013) 96 Hope for a New Society: Rise of the Planet of the Apes (2011) and Its Sequels 100 Conclusion 105 4. Remaking Humanity: The Body Snatchers 110 Introduction 110 The Infection of Small-Town America: Invasion of the Body Snatchers (1956) 113 The Spread to Urban America: Invasion of the Body Snatchers (1978) 116 An Aggressive Expansion across America: Body Snatchers (1993) 119 The Attractive Threat: The Invasion (2007) 123 The Happy, Bio-Engineered Transformation: Little Joe (2019) 127 Conclusion 132 5. Popularizing the Pandemic: The Resident Evil Franchise Introduction Nostalgia for an Imagined Containment: Resident Evil (2002) Transitions and New Paradigms: Apocalypse (2004), Extinction (2007), Afterlife (2010) and Retribution (2012) The New Apotheosis: The Final Chapter (2016) Conclusion 139 139 142 6. Movie Myths: The COVID-19 Pandemic Introduction Consuming Movie Pandemics during СОУР The Blurring of CO VID and
the Movie Pandemic Landscape The Wrong Lessons of Movie Stories 161 161 163 164 170 146 152 155
CONTENTS The Stories Missing in Movies Conclusion 174 178 Conclusion The Historical Arc of Disease Movies Depicting an End of Times Landscape The CO VID Story Movie Myths and Stories for the Future 192 192 196 198 200 Bibliography Index 206 237
Throughout the last century, movies about infectious diseases have reflected and driven dominant cultural narratives. As the projected impact of disease has grown exponentially, these movies have increasingly shifted focus from trying to identify the source of a disease and potentially stopping it, to a dystopian, post-pandemic world in which nobody is safe and humans simply try to survive. Diseased Cinema explores how this narrative mirrors and shapes two thematic transformations. Firstly, the narrative change demonstrates how America has shifted from a belief in solving social problems to despair and acceptance of America's failure to fulfil its social contract. Secondly, this altered narrative reflects a development of capitalism which has spread globally with entrenched American ideas about individualism at the expense of the public good. As capitalism becomes more ubiquitous through newly developed technologies and global trade, movies gradually flatten individual differences or advocate for a complete destruction of the present world ostensibly to offer humanity a fresh start. Robert Alpert is an Adjunct Instructor in the Computer and Information Science Department at Fordham University. Merle Eisenberg is an Assistant Professor of History at Oklahoma State University. Lee Mordechai is a Senior Lecturer in the History Department at the Hebrew University of Jerusalem. |
| adam_txt |
CONTENTS Figures Preface vni x Introduction Disease Movies Past and Present Early Disease Movies from the Advent of Film to the Early 1990s The Rise of Viral Disease Movies and a Nostalgia for the Past Post-Apocalyptic Worlds and Posthumanity Future Pandemics in Movies 1 3 6 10 12 15 1. Early Disease Movies: American Norms and Containment 24 Introduction 24 The Origins of Disease Movies: From Silent Films to World War II 26 The Heroic Public Servant and the American Dream: Panic in the Streets (1950) 30 An Alternative Vision: The Seventh Seal (1957) 36 Revealing the Rot in American Values: Night of the Living Dead (1968) 37 A Critique of Values and a Global Pandemic: Shivers (1975) and Virus (1980) 41 Conclusion 45
DISEASED CINEMA 2. Disease Movies in Transition: Globalization and Imagined Containment Introduction 5^ The Disease Is Contained: Outbreak (1995) Prescient Transitions: 12 Monkeys {1995} and 28 Days Later (2002) Fast Zombies and Fragmentation: Dawn of the Dead (2004) Dark Disease Movies and a Pandemic Sequel: 28 Weeks Later (2007) Conclusion 53 56 63 67 73 76 3. Post-Apocalyptic Disease Movies: Pandemics and Posthumanity 84 Introduction 84 Spiritual Faith in the Twenty-First Century: Children of Men (2006) and Black Death (2010) 86 Individual Choice in a Fractured Society: Contagion (2011) 90 Patriarchal Zombie Pandemics: Zombieland (2009) and World War Z (2013) 96 Hope for a New Society: Rise of the Planet of the Apes (2011) and Its Sequels 100 Conclusion 105 4. Remaking Humanity: The Body Snatchers 110 Introduction 110 The Infection of Small-Town America: Invasion of the Body Snatchers (1956) 113 The Spread to Urban America: Invasion of the Body Snatchers (1978) 116 An Aggressive Expansion across America: Body Snatchers (1993) 119 The Attractive Threat: The Invasion (2007) 123 The Happy, Bio-Engineered Transformation: Little Joe (2019) 127 Conclusion 132 5. Popularizing the Pandemic: The Resident Evil Franchise Introduction Nostalgia for an Imagined Containment: Resident Evil (2002) Transitions and New Paradigms: Apocalypse (2004), Extinction (2007), Afterlife (2010) and Retribution (2012) The New Apotheosis: The Final Chapter (2016) Conclusion 139 139 142 6. Movie Myths: The COVID-19 Pandemic Introduction Consuming Movie Pandemics during СОУР The Blurring of CO VID and
the Movie Pandemic Landscape The Wrong Lessons of Movie Stories 161 161 163 164 170 146 152 155
CONTENTS The Stories Missing in Movies Conclusion 174 178 Conclusion The Historical Arc of Disease Movies Depicting an End of Times Landscape The CO VID Story Movie Myths and Stories for the Future 192 192 196 198 200 Bibliography Index 206 237
Throughout the last century, movies about infectious diseases have reflected and driven dominant cultural narratives. As the projected impact of disease has grown exponentially, these movies have increasingly shifted focus from trying to identify the source of a disease and potentially stopping it, to a dystopian, post-pandemic world in which nobody is safe and humans simply try to survive. Diseased Cinema explores how this narrative mirrors and shapes two thematic transformations. Firstly, the narrative change demonstrates how America has shifted from a belief in solving social problems to despair and acceptance of America's failure to fulfil its social contract. Secondly, this altered narrative reflects a development of capitalism which has spread globally with entrenched American ideas about individualism at the expense of the public good. As capitalism becomes more ubiquitous through newly developed technologies and global trade, movies gradually flatten individual differences or advocate for a complete destruction of the present world ostensibly to offer humanity a fresh start. Robert Alpert is an Adjunct Instructor in the Computer and Information Science Department at Fordham University. Merle Eisenberg is an Assistant Professor of History at Oklahoma State University. Lee Mordechai is a Senior Lecturer in the History Department at the Hebrew University of Jerusalem. |
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| spelling | Alpert, Robert Verfasser (DE-588)170626083 aut Diseased cinema plagues, pandemics and zombies in American movies Robert Alpert, Merle Eisenberg and Lee Mordechai Edinburgh Edinburgh University Press 2024 xii, 251 Seiten Illustrationen Breite 156 mm, Hoehe 234 mm, Dicke 21 mm txt rdacontent n rdamedia nc rdacarrier Zombie (DE-588)4407180-2 gnd rswk-swf Epidemie Motiv (DE-588)4323083-0 gnd rswk-swf Pandemie Motiv (DE-588)1060077914 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Epidemie Motiv (DE-588)4323083-0 s Pandemie Motiv (DE-588)1060077914 s Zombie (DE-588)4407180-2 s DE-604 Eisenberg, Merle Verfasser (DE-588)1325655058 aut Mordechai, Lee Verfasser (DE-588)1325655368 aut Erscheint auch als Online-Ausgabe, webready PDF 978-1-3995-2167-3 Erscheint auch als Online-Ausgabe, EPUB 978-1-3995-2168-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034908292&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034908292&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Alpert, Robert Eisenberg, Merle Mordechai, Lee Diseased cinema plagues, pandemics and zombies in American movies Zombie (DE-588)4407180-2 gnd Epidemie Motiv (DE-588)4323083-0 gnd Pandemie Motiv (DE-588)1060077914 gnd Film (DE-588)4017102-4 gnd |
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| title | Diseased cinema plagues, pandemics and zombies in American movies |
| title_auth | Diseased cinema plagues, pandemics and zombies in American movies |
| title_exact_search | Diseased cinema plagues, pandemics and zombies in American movies |
| title_exact_search_txtP | Diseased cinema plagues, pandemics and zombies in American movies |
| title_full | Diseased cinema plagues, pandemics and zombies in American movies Robert Alpert, Merle Eisenberg and Lee Mordechai |
| title_fullStr | Diseased cinema plagues, pandemics and zombies in American movies Robert Alpert, Merle Eisenberg and Lee Mordechai |
| title_full_unstemmed | Diseased cinema plagues, pandemics and zombies in American movies Robert Alpert, Merle Eisenberg and Lee Mordechai |
| title_short | Diseased cinema |
| title_sort | diseased cinema plagues pandemics and zombies in american movies |
| title_sub | plagues, pandemics and zombies in American movies |
| topic | Zombie (DE-588)4407180-2 gnd Epidemie Motiv (DE-588)4323083-0 gnd Pandemie Motiv (DE-588)1060077914 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Zombie Epidemie Motiv Pandemie Motiv Film USA |
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