American Independent Cinema: Second Edition
Redrawing the conventional map of Victorian Poetics
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
2017
|
| Ausgabe: | 2nd ed |
| Schlagworte: | |
| Online-Zugang: | DE-Y3 |
| Zusammenfassung: | Redrawing the conventional map of Victorian Poetics |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 Online-Ressource (353 pages) |
| ISBN: | 9781474416832 |
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| 505 | 8 | |a Cover -- Title page -- Contents -- List of tables -- List of case studies -- List of figures -- Acknowledgements for the first edition -- Acknowledgements for the second edition -- Preface to the second edition -- Introduction: problems of definition and the discourse of American independent cinema -- Notes -- Part I. American independent cinema in the studio years (mid-1920s to late 1940s) -- 1. Independent filmmaking in the studio era: tendencies within the studio system -- Introduction -- The first independents -- Independents before the formation of the studios -- Independents in the age of oligopoly -- The second period (1940-8) -- Conclusion -- Notes -- 2. Independent filmmaking in the studio era: the Poverty Row studios and beyond (1930s to 1950s) -- Introduction -- The first period (1930-9) -- The second period (1940 to early 1950s) -- Conclusion -- Beyond Poverty Row: ethnic films -- Notes -- Part II. American independent cinema in the post-studio era (late 1940s to late 1960s) -- 3. Independence by force: the effects of the Paramount decree on independent film production -- Introduction -- The Paramount decree -- The post-war recession -- Identity crisis -- United Artists' revival -- Independent production the United Artists way -- The reasons for United Artists' success -- The triumph of a brand of independent production … and of the majors -- Conclusion -- Notes -- 4. An audience for the independents: exploitation films for the nation's youth -- Introduction -- The emergence of the teenager and the rise of the youth audience -- From Poverty Row to exploitation and showmanship -- The era of the drive-in theatres -- Low-end independents against television -- The exploitation teenpic and the companies behind it -- The majors and the low-budget exploitation market -- Conclusion -- Notes | |
| 505 | 8 | |a Part III. American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The New Hollywood and the independent Hollywood -- Introduction -- The New American Cinema -- The influence of John Cassavetes -- The New Hollywood -- Conclusion -- Notes -- 6. American independent cinema in the age of the conglomerates -- Introduction -- Raising the stakes -- Economic opportunities in the low-budget independent sector (late 1960s to 1974) -- The end of exploitation as we know it -- The gradual rise and rapid fall of American International Pictures -- From the theatrical to the video market -- A new hope: the birth of the new American independent cinema -- Conclusion -- Notes -- Part IV. Contemporary American independent cinema (1980s to date) -- 7. Mini-majors and major independents -- Introduction -- A star is born -- The new Orion constellation -- The shining star -- The fading star -- The last bonfires -- The fall -- Conclusion -- Notes -- 8. The institutionalisation of American independent cinema -- Introduction -- A business of co-dependants -- Institutional framework (1): organisations dedicated to supporting independent filmmaking, finance opportunities and independent distributors -- Institutional framework (2): the studio specialty film divisions -- The aesthetics factor -- Conclusion -- Notes -- 9. American independent cinema in the age of media convergence -- Introduction -- The success of indiewood -- The studio pullout and the demise of Miramax -- Beyond indiewood: digital filmmaking and the regeneration of American independent cinema -- Conclusion: consolidation and independence, oligopoly and autonomy -- Notes -- Epilogue: from independent cinema to specialty content -- Notes -- Bibliography -- Index | |
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| contents | Cover -- Title page -- Contents -- List of tables -- List of case studies -- List of figures -- Acknowledgements for the first edition -- Acknowledgements for the second edition -- Preface to the second edition -- Introduction: problems of definition and the discourse of American independent cinema -- Notes -- Part I. American independent cinema in the studio years (mid-1920s to late 1940s) -- 1. Independent filmmaking in the studio era: tendencies within the studio system -- Introduction -- The first independents -- Independents before the formation of the studios -- Independents in the age of oligopoly -- The second period (1940-8) -- Conclusion -- Notes -- 2. Independent filmmaking in the studio era: the Poverty Row studios and beyond (1930s to 1950s) -- Introduction -- The first period (1930-9) -- The second period (1940 to early 1950s) -- Conclusion -- Beyond Poverty Row: ethnic films -- Notes -- Part II. American independent cinema in the post-studio era (late 1940s to late 1960s) -- 3. Independence by force: the effects of the Paramount decree on independent film production -- Introduction -- The Paramount decree -- The post-war recession -- Identity crisis -- United Artists' revival -- Independent production the United Artists way -- The reasons for United Artists' success -- The triumph of a brand of independent production … and of the majors -- Conclusion -- Notes -- 4. An audience for the independents: exploitation films for the nation's youth -- Introduction -- The emergence of the teenager and the rise of the youth audience -- From Poverty Row to exploitation and showmanship -- The era of the drive-in theatres -- Low-end independents against television -- The exploitation teenpic and the companies behind it -- The majors and the low-budget exploitation market -- Conclusion -- Notes Part III. American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The New Hollywood and the independent Hollywood -- Introduction -- The New American Cinema -- The influence of John Cassavetes -- The New Hollywood -- Conclusion -- Notes -- 6. American independent cinema in the age of the conglomerates -- Introduction -- Raising the stakes -- Economic opportunities in the low-budget independent sector (late 1960s to 1974) -- The end of exploitation as we know it -- The gradual rise and rapid fall of American International Pictures -- From the theatrical to the video market -- A new hope: the birth of the new American independent cinema -- Conclusion -- Notes -- Part IV. Contemporary American independent cinema (1980s to date) -- 7. Mini-majors and major independents -- Introduction -- A star is born -- The new Orion constellation -- The shining star -- The fading star -- The last bonfires -- The fall -- Conclusion -- Notes -- 8. The institutionalisation of American independent cinema -- Introduction -- A business of co-dependants -- Institutional framework (1): organisations dedicated to supporting independent filmmaking, finance opportunities and independent distributors -- Institutional framework (2): the studio specialty film divisions -- The aesthetics factor -- Conclusion -- Notes -- 9. American independent cinema in the age of media convergence -- Introduction -- The success of indiewood -- The studio pullout and the demise of Miramax -- Beyond indiewood: digital filmmaking and the regeneration of American independent cinema -- Conclusion: consolidation and independence, oligopoly and autonomy -- Notes -- Epilogue: from independent cinema to specialty content -- Notes -- Bibliography -- Index |
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| edition | 2nd ed |
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| spelling | Tzioumakis, Yannis Verfasser aut American Independent Cinema Second Edition 2nd ed Edinburgh Edinburgh University Press 2017 ©2017 1 Online-Ressource (353 pages) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources Cover -- Title page -- Contents -- List of tables -- List of case studies -- List of figures -- Acknowledgements for the first edition -- Acknowledgements for the second edition -- Preface to the second edition -- Introduction: problems of definition and the discourse of American independent cinema -- Notes -- Part I. American independent cinema in the studio years (mid-1920s to late 1940s) -- 1. Independent filmmaking in the studio era: tendencies within the studio system -- Introduction -- The first independents -- Independents before the formation of the studios -- Independents in the age of oligopoly -- The second period (1940-8) -- Conclusion -- Notes -- 2. Independent filmmaking in the studio era: the Poverty Row studios and beyond (1930s to 1950s) -- Introduction -- The first period (1930-9) -- The second period (1940 to early 1950s) -- Conclusion -- Beyond Poverty Row: ethnic films -- Notes -- Part II. American independent cinema in the post-studio era (late 1940s to late 1960s) -- 3. Independence by force: the effects of the Paramount decree on independent film production -- Introduction -- The Paramount decree -- The post-war recession -- Identity crisis -- United Artists' revival -- Independent production the United Artists way -- The reasons for United Artists' success -- The triumph of a brand of independent production … and of the majors -- Conclusion -- Notes -- 4. An audience for the independents: exploitation films for the nation's youth -- Introduction -- The emergence of the teenager and the rise of the youth audience -- From Poverty Row to exploitation and showmanship -- The era of the drive-in theatres -- Low-end independents against television -- The exploitation teenpic and the companies behind it -- The majors and the low-budget exploitation market -- Conclusion -- Notes Part III. American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The New Hollywood and the independent Hollywood -- Introduction -- The New American Cinema -- The influence of John Cassavetes -- The New Hollywood -- Conclusion -- Notes -- 6. American independent cinema in the age of the conglomerates -- Introduction -- Raising the stakes -- Economic opportunities in the low-budget independent sector (late 1960s to 1974) -- The end of exploitation as we know it -- The gradual rise and rapid fall of American International Pictures -- From the theatrical to the video market -- A new hope: the birth of the new American independent cinema -- Conclusion -- Notes -- Part IV. Contemporary American independent cinema (1980s to date) -- 7. Mini-majors and major independents -- Introduction -- A star is born -- The new Orion constellation -- The shining star -- The fading star -- The last bonfires -- The fall -- Conclusion -- Notes -- 8. The institutionalisation of American independent cinema -- Introduction -- A business of co-dependants -- Institutional framework (1): organisations dedicated to supporting independent filmmaking, finance opportunities and independent distributors -- Institutional framework (2): the studio specialty film divisions -- The aesthetics factor -- Conclusion -- Notes -- 9. American independent cinema in the age of media convergence -- Introduction -- The success of indiewood -- The studio pullout and the demise of Miramax -- Beyond indiewood: digital filmmaking and the regeneration of American independent cinema -- Conclusion: consolidation and independence, oligopoly and autonomy -- Notes -- Epilogue: from independent cinema to specialty content -- Notes -- Bibliography -- Index Redrawing the conventional map of Victorian Poetics Geschichte 1920-2015 gnd rswk-swf Geschichte 1920-2000 gnd rswk-swf Unabhängiger Film (DE-588)4485045-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4522595-3 Fallstudiensammlung gnd-content USA (DE-588)4078704-7 g Unabhängiger Film (DE-588)4485045-1 s Geschichte 1920-2015 z DE-604 Geschichte 1920-2000 z Erscheint auch als Druck-Ausgabe Tzioumakis, Yannis American Independent Cinema Edinburgh : Edinburgh University Press,c2017 9781474416825 |
| spellingShingle | Tzioumakis, Yannis American Independent Cinema Second Edition Cover -- Title page -- Contents -- List of tables -- List of case studies -- List of figures -- Acknowledgements for the first edition -- Acknowledgements for the second edition -- Preface to the second edition -- Introduction: problems of definition and the discourse of American independent cinema -- Notes -- Part I. American independent cinema in the studio years (mid-1920s to late 1940s) -- 1. Independent filmmaking in the studio era: tendencies within the studio system -- Introduction -- The first independents -- Independents before the formation of the studios -- Independents in the age of oligopoly -- The second period (1940-8) -- Conclusion -- Notes -- 2. Independent filmmaking in the studio era: the Poverty Row studios and beyond (1930s to 1950s) -- Introduction -- The first period (1930-9) -- The second period (1940 to early 1950s) -- Conclusion -- Beyond Poverty Row: ethnic films -- Notes -- Part II. American independent cinema in the post-studio era (late 1940s to late 1960s) -- 3. Independence by force: the effects of the Paramount decree on independent film production -- Introduction -- The Paramount decree -- The post-war recession -- Identity crisis -- United Artists' revival -- Independent production the United Artists way -- The reasons for United Artists' success -- The triumph of a brand of independent production … and of the majors -- Conclusion -- Notes -- 4. An audience for the independents: exploitation films for the nation's youth -- Introduction -- The emergence of the teenager and the rise of the youth audience -- From Poverty Row to exploitation and showmanship -- The era of the drive-in theatres -- Low-end independents against television -- The exploitation teenpic and the companies behind it -- The majors and the low-budget exploitation market -- Conclusion -- Notes Part III. American independent cinema and the 'New Hollywood' (late 1960s to late 1970s) -- 5. The New Hollywood and the independent Hollywood -- Introduction -- The New American Cinema -- The influence of John Cassavetes -- The New Hollywood -- Conclusion -- Notes -- 6. American independent cinema in the age of the conglomerates -- Introduction -- Raising the stakes -- Economic opportunities in the low-budget independent sector (late 1960s to 1974) -- The end of exploitation as we know it -- The gradual rise and rapid fall of American International Pictures -- From the theatrical to the video market -- A new hope: the birth of the new American independent cinema -- Conclusion -- Notes -- Part IV. Contemporary American independent cinema (1980s to date) -- 7. Mini-majors and major independents -- Introduction -- A star is born -- The new Orion constellation -- The shining star -- The fading star -- The last bonfires -- The fall -- Conclusion -- Notes -- 8. The institutionalisation of American independent cinema -- Introduction -- A business of co-dependants -- Institutional framework (1): organisations dedicated to supporting independent filmmaking, finance opportunities and independent distributors -- Institutional framework (2): the studio specialty film divisions -- The aesthetics factor -- Conclusion -- Notes -- 9. American independent cinema in the age of media convergence -- Introduction -- The success of indiewood -- The studio pullout and the demise of Miramax -- Beyond indiewood: digital filmmaking and the regeneration of American independent cinema -- Conclusion: consolidation and independence, oligopoly and autonomy -- Notes -- Epilogue: from independent cinema to specialty content -- Notes -- Bibliography -- Index Unabhängiger Film (DE-588)4485045-1 gnd |
| subject_GND | (DE-588)4485045-1 (DE-588)4078704-7 (DE-588)4522595-3 |
| title | American Independent Cinema Second Edition |
| title_auth | American Independent Cinema Second Edition |
| title_exact_search | American Independent Cinema Second Edition |
| title_exact_search_txtP | American Independent Cinema Second Edition |
| title_full | American Independent Cinema Second Edition |
| title_fullStr | American Independent Cinema Second Edition |
| title_full_unstemmed | American Independent Cinema Second Edition |
| title_short | American Independent Cinema |
| title_sort | american independent cinema second edition |
| title_sub | Second Edition |
| topic | Unabhängiger Film (DE-588)4485045-1 gnd |
| topic_facet | Unabhängiger Film USA Fallstudiensammlung |
| work_keys_str_mv | AT tzioumakisyannis americanindependentcinemasecondedition |