Writing historical fiction: a writers' and artists' companion
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury
[2014]
|
| Schlagworte: | |
| Online-Zugang: | KUBA1 |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 Online-Ressource (340 pages) |
| ISBN: | 9781780938387 |
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| 245 | 1 | 0 | |a Writing historical fiction |b a writers' and artists' companion |c Celia Brayfield and Duncan Sprott |
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| 505 | 8 | |a Machine generated contents note: -- | |
| 505 | 8 | |a PART 1: HISTORICAL FICTION \ REFLECTIONS 1 by Celia Brayfield \ 1. The Past Polemical : Voices Heard and Voices Silenced \ 2. Love and Sex, Fact and Fiction: Interpreting the Emotional and Physical Reality of Past Times \ 3. History and Hollywood: Historical Fiction in Adaptation \ 4. Dialogue and Speech Schemes: Accessibility, Authenticity and Understanding \ 5. Speculative History: What Can We Learn by Asking What If? \ 6. Heroine Addiction: The Female Protagonist in Historical Fiction \ REFLECTIONS 2 by Duncan Sprott \ 7. Resurrection Man: Why Historical Fiction? Why I Do What I Do \ 8. Telling Lies About the Past: Homer, Herodotus, Virgil \ 9. Not Quite Proper? The Historical Novel as a 'Discredited Class' of Novel \ 10. Away With the Pharaohs: Reflections on the Delight/Nightmare of Writing About Antiquity \ 11. Talking With Ghosts: Some Justifications for Historical Fiction \ A SHORT HISTORY OF HISTORICAL FICTION \ 12. Ancient \ 13. Medieval \ 14. Early Modern \ 15. Modern \ 16. | |
| 505 | 8 | |a Postmodern & the Future \ PART 2: GUEST CONTRIBUTIONS \ Peter Ackroyd \ Margaret Atwood \ John Banville \ Madison Smartt Bell \ Pat Barker \ Ronan Bennett \ Peter Carey \ Tracey Chevalier \ Lindsey Davis \ Sarah Dunant \ Umberto Eco \ Ken Follett \ Antonia Fraser \ Charles Fraser \ Jane Gardam \ Margaret George \ Amitav Ghosh \ Arthur Golden \ Philippa Gregory \ Kate Grenville \ Robert Harris \ Kazuo Ishiguro \ Christian Jacq \ Barbara Kingsolver \ Jonathan Littell \ David Malouf \ Hilary Mantel \ Allan Massie \ Ian McEwan \ Valerio Massimo Manfredi \ Andrew Miller \ Timothy Mo \ Orhan Pamuk \ Iain Pears \ Manda Scott \ Wilbur Smith \ Patrick Suskind \ Colm Toibin \ Barry Unsworth \ Gore Vidal \ Alison Weir \ Louisa Young \ PART 3: EXERCISES AND APPLICATIONS \ 1. Beginning \ How to Get Going \ Finding Your Voice \ Finding a Subject \ Choosing Your Period \ 2. | |
| 505 | 8 | |a Research \ Compiling a Reading List \ Advice from Experts \ What You'll Need to Know \ Genealogical Research and Family Records \ Archives and How to Use Them \ Libraries of Record \ Museums, Art Galleries, Historic Houses \ Historical Societies and Journals \ Online Sources \ A Research Plan \ 3. Writing \ Idea into Action \ Spaces between Words\ Writing a Life \ Voices \ Making it Happen \ Animating a Character \ Building a Storyworld \ 4. Exercises \ 5. Finally \ Fresh Eyes: Editing and Re-writing \ Ending \ Writing Courses \ Getting Published: Agents, Publishers, Grants, Online Publishing \ What NOT To Do \ Reading Lists and Bibliography \ Index | |
| 650 | 7 | |a LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing |2 bisacsh | |
| 650 | 4 | |a Historical fiction |x Authorship |v Handbooks, manuals, etc | |
| 650 | 4 | |a Authorship | |
| 700 | 1 | |a Sprott, Duncan |d 1952- |4 aut | |
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Datensatz im Suchindex
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| author | Brayfield, Celia Sprott, Duncan 1952- |
| author_facet | Brayfield, Celia Sprott, Duncan 1952- |
| author_role | aut aut |
| author_sort | Brayfield, Celia |
| author_variant | c b cb d s ds |
| building | Verbundindex |
| bvnumber | BV049560666 |
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| contents | Machine generated contents note: -- PART 1: HISTORICAL FICTION \ REFLECTIONS 1 by Celia Brayfield \ 1. The Past Polemical : Voices Heard and Voices Silenced \ 2. Love and Sex, Fact and Fiction: Interpreting the Emotional and Physical Reality of Past Times \ 3. History and Hollywood: Historical Fiction in Adaptation \ 4. Dialogue and Speech Schemes: Accessibility, Authenticity and Understanding \ 5. Speculative History: What Can We Learn by Asking What If? \ 6. Heroine Addiction: The Female Protagonist in Historical Fiction \ REFLECTIONS 2 by Duncan Sprott \ 7. Resurrection Man: Why Historical Fiction? Why I Do What I Do \ 8. Telling Lies About the Past: Homer, Herodotus, Virgil \ 9. Not Quite Proper? The Historical Novel as a 'Discredited Class' of Novel \ 10. Away With the Pharaohs: Reflections on the Delight/Nightmare of Writing About Antiquity \ 11. Talking With Ghosts: Some Justifications for Historical Fiction \ A SHORT HISTORY OF HISTORICAL FICTION \ 12. Ancient \ 13. Medieval \ 14. Early Modern \ 15. Modern \ 16. Postmodern & the Future \ PART 2: GUEST CONTRIBUTIONS \ Peter Ackroyd \ Margaret Atwood \ John Banville \ Madison Smartt Bell \ Pat Barker \ Ronan Bennett \ Peter Carey \ Tracey Chevalier \ Lindsey Davis \ Sarah Dunant \ Umberto Eco \ Ken Follett \ Antonia Fraser \ Charles Fraser \ Jane Gardam \ Margaret George \ Amitav Ghosh \ Arthur Golden \ Philippa Gregory \ Kate Grenville \ Robert Harris \ Kazuo Ishiguro \ Christian Jacq \ Barbara Kingsolver \ Jonathan Littell \ David Malouf \ Hilary Mantel \ Allan Massie \ Ian McEwan \ Valerio Massimo Manfredi \ Andrew Miller \ Timothy Mo \ Orhan Pamuk \ Iain Pears \ Manda Scott \ Wilbur Smith \ Patrick Suskind \ Colm Toibin \ Barry Unsworth \ Gore Vidal \ Alison Weir \ Louisa Young \ PART 3: EXERCISES AND APPLICATIONS \ 1. Beginning \ How to Get Going \ Finding Your Voice \ Finding a Subject \ Choosing Your Period \ 2. Research \ Compiling a Reading List \ Advice from Experts \ What You'll Need to Know \ Genealogical Research and Family Records \ Archives and How to Use Them \ Libraries of Record \ Museums, Art Galleries, Historic Houses \ Historical Societies and Journals \ Online Sources \ A Research Plan \ 3. Writing \ Idea into Action \ Spaces between Words\ Writing a Life \ Voices \ Making it Happen \ Animating a Character \ Building a Storyworld \ 4. Exercises \ 5. Finally \ Fresh Eyes: Editing and Re-writing \ Ending \ Writing Courses \ Getting Published: Agents, Publishers, Grants, Online Publishing \ What NOT To Do \ Reading Lists and Bibliography \ Index |
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| dewey-full | 808.06/69 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.06/69 |
| dewey-search | 808.06/69 |
| dewey-sort | 3808.06 269 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| format | Electronic eBook |
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| index_date | 2024-07-03T23:28:34Z |
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| institution | BVB |
| isbn | 9781780938387 |
| language | English |
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| spelling | Brayfield, Celia Verfasser aut Writing historical fiction a writers' and artists' companion Celia Brayfield and Duncan Sprott London Bloomsbury [2014] 2014 1 Online-Ressource (340 pages) txt rdacontent c rdamedia cr rdacarrier Description based on print version record Machine generated contents note: -- PART 1: HISTORICAL FICTION \ REFLECTIONS 1 by Celia Brayfield \ 1. The Past Polemical : Voices Heard and Voices Silenced \ 2. Love and Sex, Fact and Fiction: Interpreting the Emotional and Physical Reality of Past Times \ 3. History and Hollywood: Historical Fiction in Adaptation \ 4. Dialogue and Speech Schemes: Accessibility, Authenticity and Understanding \ 5. Speculative History: What Can We Learn by Asking What If? \ 6. Heroine Addiction: The Female Protagonist in Historical Fiction \ REFLECTIONS 2 by Duncan Sprott \ 7. Resurrection Man: Why Historical Fiction? Why I Do What I Do \ 8. Telling Lies About the Past: Homer, Herodotus, Virgil \ 9. Not Quite Proper? The Historical Novel as a 'Discredited Class' of Novel \ 10. Away With the Pharaohs: Reflections on the Delight/Nightmare of Writing About Antiquity \ 11. Talking With Ghosts: Some Justifications for Historical Fiction \ A SHORT HISTORY OF HISTORICAL FICTION \ 12. Ancient \ 13. Medieval \ 14. Early Modern \ 15. Modern \ 16. Postmodern & the Future \ PART 2: GUEST CONTRIBUTIONS \ Peter Ackroyd \ Margaret Atwood \ John Banville \ Madison Smartt Bell \ Pat Barker \ Ronan Bennett \ Peter Carey \ Tracey Chevalier \ Lindsey Davis \ Sarah Dunant \ Umberto Eco \ Ken Follett \ Antonia Fraser \ Charles Fraser \ Jane Gardam \ Margaret George \ Amitav Ghosh \ Arthur Golden \ Philippa Gregory \ Kate Grenville \ Robert Harris \ Kazuo Ishiguro \ Christian Jacq \ Barbara Kingsolver \ Jonathan Littell \ David Malouf \ Hilary Mantel \ Allan Massie \ Ian McEwan \ Valerio Massimo Manfredi \ Andrew Miller \ Timothy Mo \ Orhan Pamuk \ Iain Pears \ Manda Scott \ Wilbur Smith \ Patrick Suskind \ Colm Toibin \ Barry Unsworth \ Gore Vidal \ Alison Weir \ Louisa Young \ PART 3: EXERCISES AND APPLICATIONS \ 1. Beginning \ How to Get Going \ Finding Your Voice \ Finding a Subject \ Choosing Your Period \ 2. Research \ Compiling a Reading List \ Advice from Experts \ What You'll Need to Know \ Genealogical Research and Family Records \ Archives and How to Use Them \ Libraries of Record \ Museums, Art Galleries, Historic Houses \ Historical Societies and Journals \ Online Sources \ A Research Plan \ 3. Writing \ Idea into Action \ Spaces between Words\ Writing a Life \ Voices \ Making it Happen \ Animating a Character \ Building a Storyworld \ 4. Exercises \ 5. Finally \ Fresh Eyes: Editing and Re-writing \ Ending \ Writing Courses \ Getting Published: Agents, Publishers, Grants, Online Publishing \ What NOT To Do \ Reading Lists and Bibliography \ Index LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing bisacsh Historical fiction Authorship Handbooks, manuals, etc Authorship Sprott, Duncan 1952- aut Erscheint auch als Druck-Ausgabe Brayfield, Celia Writing historical fiction : a writers' and artists' companion London : Bloomsbury, c2014 340 pages 9781780937854 |
| spellingShingle | Brayfield, Celia Sprott, Duncan 1952- Writing historical fiction a writers' and artists' companion Machine generated contents note: -- PART 1: HISTORICAL FICTION \ REFLECTIONS 1 by Celia Brayfield \ 1. The Past Polemical : Voices Heard and Voices Silenced \ 2. Love and Sex, Fact and Fiction: Interpreting the Emotional and Physical Reality of Past Times \ 3. History and Hollywood: Historical Fiction in Adaptation \ 4. Dialogue and Speech Schemes: Accessibility, Authenticity and Understanding \ 5. Speculative History: What Can We Learn by Asking What If? \ 6. Heroine Addiction: The Female Protagonist in Historical Fiction \ REFLECTIONS 2 by Duncan Sprott \ 7. Resurrection Man: Why Historical Fiction? Why I Do What I Do \ 8. Telling Lies About the Past: Homer, Herodotus, Virgil \ 9. Not Quite Proper? The Historical Novel as a 'Discredited Class' of Novel \ 10. Away With the Pharaohs: Reflections on the Delight/Nightmare of Writing About Antiquity \ 11. Talking With Ghosts: Some Justifications for Historical Fiction \ A SHORT HISTORY OF HISTORICAL FICTION \ 12. Ancient \ 13. Medieval \ 14. Early Modern \ 15. Modern \ 16. Postmodern & the Future \ PART 2: GUEST CONTRIBUTIONS \ Peter Ackroyd \ Margaret Atwood \ John Banville \ Madison Smartt Bell \ Pat Barker \ Ronan Bennett \ Peter Carey \ Tracey Chevalier \ Lindsey Davis \ Sarah Dunant \ Umberto Eco \ Ken Follett \ Antonia Fraser \ Charles Fraser \ Jane Gardam \ Margaret George \ Amitav Ghosh \ Arthur Golden \ Philippa Gregory \ Kate Grenville \ Robert Harris \ Kazuo Ishiguro \ Christian Jacq \ Barbara Kingsolver \ Jonathan Littell \ David Malouf \ Hilary Mantel \ Allan Massie \ Ian McEwan \ Valerio Massimo Manfredi \ Andrew Miller \ Timothy Mo \ Orhan Pamuk \ Iain Pears \ Manda Scott \ Wilbur Smith \ Patrick Suskind \ Colm Toibin \ Barry Unsworth \ Gore Vidal \ Alison Weir \ Louisa Young \ PART 3: EXERCISES AND APPLICATIONS \ 1. Beginning \ How to Get Going \ Finding Your Voice \ Finding a Subject \ Choosing Your Period \ 2. Research \ Compiling a Reading List \ Advice from Experts \ What You'll Need to Know \ Genealogical Research and Family Records \ Archives and How to Use Them \ Libraries of Record \ Museums, Art Galleries, Historic Houses \ Historical Societies and Journals \ Online Sources \ A Research Plan \ 3. Writing \ Idea into Action \ Spaces between Words\ Writing a Life \ Voices \ Making it Happen \ Animating a Character \ Building a Storyworld \ 4. Exercises \ 5. Finally \ Fresh Eyes: Editing and Re-writing \ Ending \ Writing Courses \ Getting Published: Agents, Publishers, Grants, Online Publishing \ What NOT To Do \ Reading Lists and Bibliography \ Index LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing bisacsh Historical fiction Authorship Handbooks, manuals, etc Authorship |
| title | Writing historical fiction a writers' and artists' companion |
| title_auth | Writing historical fiction a writers' and artists' companion |
| title_exact_search | Writing historical fiction a writers' and artists' companion |
| title_exact_search_txtP | Writing historical fiction a writers' and artists' companion |
| title_full | Writing historical fiction a writers' and artists' companion Celia Brayfield and Duncan Sprott |
| title_fullStr | Writing historical fiction a writers' and artists' companion Celia Brayfield and Duncan Sprott |
| title_full_unstemmed | Writing historical fiction a writers' and artists' companion Celia Brayfield and Duncan Sprott |
| title_short | Writing historical fiction |
| title_sort | writing historical fiction a writers and artists companion |
| title_sub | a writers' and artists' companion |
| topic | LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing bisacsh Historical fiction Authorship Handbooks, manuals, etc Authorship |
| topic_facet | LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing Historical fiction Authorship Handbooks, manuals, etc Authorship |
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