The contemporary American monologue: performance and politics
"Talk-show confessions, online rants, stand-up routines, inspirational speeches, banal reflections and calls to arms: we live in an age of solo voices demanding to be heard. In The Contemporary American Monologue Eddie Paterson looks at the pioneering work of US artists Spalding Gray, Laurie An...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Bloomsbury Methuen Drama
2015
|
| Schriftenreihe: | Methuen drama engage
|
| Schlagworte: | |
| Online-Zugang: | KUBA1 |
| Zusammenfassung: | "Talk-show confessions, online rants, stand-up routines, inspirational speeches, banal reflections and calls to arms: we live in an age of solo voices demanding to be heard. In The Contemporary American Monologue Eddie Paterson looks at the pioneering work of US artists Spalding Gray, Laurie Anderson, Anna Deavere Smith and Karen Finley, and the development of solo performance in the US as a method of cultural and political critique. Ironic confession, post-punk poetry, investigations of race and violence, and subversive polemic, this book reveals the link between the rise of radical monologue in the late 20th century and history of speechmaking, politics, civil rights, individual freedom and the American Dream in the United States. It shows how US artists are speaking back to the cultural, political and economic forces that shape the world. Eddie Patterson traces the importance of the monologue in Shakespeare, Brecht, Beckett, Chekov, Pinter, O'Neill and Williams, before offering a comprehensive analysis of several of the most influential and innovative American practitioners of monologue performance. The volume also contains an interview with artist Karen Finley, on the trajectory of her recent works. The Contemporary American Monologue constitutes the first book-length account of US monologists that links the tradition of oratory and speechmaking in the colony to the appearance of solo performance as a distinctly American phenomenon"-- |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 Online-Ressource (233 pages) illustrations |
| ISBN: | 9781472585042 |
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| 505 | 8 | |a Machine generated contents note: -- IntroductionChapter 1: Monologue in Drama Chapter 2: Monologue in the US Chapter 3: Confessional monologue: Spalding GrayChapter 4: Punk monologue: Laurie AndersonChapter 5: Rights monologue: Anna Deavere SmithChapter 6: Radical monologue: Karen FinleyChapter 7: Future monologues Addendum: 'I didn't fall asleep' an interview with Karen FinleyEndnotesIndex | |
| 520 | |a "Talk-show confessions, online rants, stand-up routines, inspirational speeches, banal reflections and calls to arms: we live in an age of solo voices demanding to be heard. In The Contemporary American Monologue Eddie Paterson looks at the pioneering work of US artists Spalding Gray, Laurie Anderson, Anna Deavere Smith and Karen Finley, and the development of solo performance in the US as a method of cultural and political critique. Ironic confession, post-punk poetry, investigations of race and violence, and subversive polemic, this book reveals the link between the rise of radical monologue in the late 20th century and history of speechmaking, politics, civil rights, individual freedom and the American Dream in the United States. It shows how US artists are speaking back to the cultural, political and economic forces that shape the world. Eddie Patterson traces the importance of the monologue in Shakespeare, Brecht, Beckett, Chekov, Pinter, O'Neill and Williams, before offering a comprehensive analysis of several of the most influential and innovative American practitioners of monologue performance. The volume also contains an interview with artist Karen Finley, on the trajectory of her recent works. The Contemporary American Monologue constitutes the first book-length account of US monologists that links the tradition of oratory and speechmaking in the colony to the appearance of solo performance as a distinctly American phenomenon"-- | ||
| 650 | 4 | |a Oratory |z United States |x History |y 21st century | |
| 650 | 4 | |a American drama |y 21st century |x History and criticism | |
| 650 | 4 | |a Monologues | |
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Datensatz im Suchindex
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| author | Paterson, Eddie |
| author_facet | Paterson, Eddie |
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| author_sort | Paterson, Eddie |
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| bvnumber | BV049560545 |
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| contents | Machine generated contents note: -- IntroductionChapter 1: Monologue in Drama Chapter 2: Monologue in the US Chapter 3: Confessional monologue: Spalding GrayChapter 4: Punk monologue: Laurie AndersonChapter 5: Rights monologue: Anna Deavere SmithChapter 6: Radical monologue: Karen FinleyChapter 7: Future monologues Addendum: 'I didn't fall asleep' an interview with Karen FinleyEndnotesIndex |
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| dewey-full | 808.5/109730905 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 808 - Rhetoric & collections of literature |
| dewey-raw | 808.5/109730905 |
| dewey-search | 808.5/109730905 |
| dewey-sort | 3808.5 9109730905 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| discipline_str_mv | Literaturwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV049560545 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:28:34Z |
| indexdate | 2024-07-10T10:10:42Z |
| institution | BVB |
| isbn | 9781472585042 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034905999 |
| oclc_num | 919201876 |
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| owner_facet | DE-Y3 |
| physical | 1 Online-Ressource (233 pages) illustrations |
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| publishDate | 2015 |
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| publisher | Bloomsbury Methuen Drama |
| record_format | marc |
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| spelling | Paterson, Eddie Verfasser aut The contemporary American monologue performance and politics Eddie Paterson London ; New York Bloomsbury Methuen Drama 2015 1 Online-Ressource (233 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Methuen drama engage Description based on print version record Machine generated contents note: -- IntroductionChapter 1: Monologue in Drama Chapter 2: Monologue in the US Chapter 3: Confessional monologue: Spalding GrayChapter 4: Punk monologue: Laurie AndersonChapter 5: Rights monologue: Anna Deavere SmithChapter 6: Radical monologue: Karen FinleyChapter 7: Future monologues Addendum: 'I didn't fall asleep' an interview with Karen FinleyEndnotesIndex "Talk-show confessions, online rants, stand-up routines, inspirational speeches, banal reflections and calls to arms: we live in an age of solo voices demanding to be heard. In The Contemporary American Monologue Eddie Paterson looks at the pioneering work of US artists Spalding Gray, Laurie Anderson, Anna Deavere Smith and Karen Finley, and the development of solo performance in the US as a method of cultural and political critique. Ironic confession, post-punk poetry, investigations of race and violence, and subversive polemic, this book reveals the link between the rise of radical monologue in the late 20th century and history of speechmaking, politics, civil rights, individual freedom and the American Dream in the United States. It shows how US artists are speaking back to the cultural, political and economic forces that shape the world. Eddie Patterson traces the importance of the monologue in Shakespeare, Brecht, Beckett, Chekov, Pinter, O'Neill and Williams, before offering a comprehensive analysis of several of the most influential and innovative American practitioners of monologue performance. The volume also contains an interview with artist Karen Finley, on the trajectory of her recent works. The Contemporary American Monologue constitutes the first book-length account of US monologists that links the tradition of oratory and speechmaking in the colony to the appearance of solo performance as a distinctly American phenomenon"-- Oratory United States History 21st century American drama 21st century History and criticism Monologues Erscheint auch als Druck-Ausgabe Paterson, Eddie Contemporary American monologue : performance and politics London : Bloomsbury Methuen Drama, 2015 Methuen drama engage 9781472585011 |
| spellingShingle | Paterson, Eddie The contemporary American monologue performance and politics Machine generated contents note: -- IntroductionChapter 1: Monologue in Drama Chapter 2: Monologue in the US Chapter 3: Confessional monologue: Spalding GrayChapter 4: Punk monologue: Laurie AndersonChapter 5: Rights monologue: Anna Deavere SmithChapter 6: Radical monologue: Karen FinleyChapter 7: Future monologues Addendum: 'I didn't fall asleep' an interview with Karen FinleyEndnotesIndex Oratory United States History 21st century American drama 21st century History and criticism Monologues |
| title | The contemporary American monologue performance and politics |
| title_auth | The contemporary American monologue performance and politics |
| title_exact_search | The contemporary American monologue performance and politics |
| title_exact_search_txtP | The contemporary American monologue performance and politics |
| title_full | The contemporary American monologue performance and politics Eddie Paterson |
| title_fullStr | The contemporary American monologue performance and politics Eddie Paterson |
| title_full_unstemmed | The contemporary American monologue performance and politics Eddie Paterson |
| title_short | The contemporary American monologue |
| title_sort | the contemporary american monologue performance and politics |
| title_sub | performance and politics |
| topic | Oratory United States History 21st century American drama 21st century History and criticism Monologues |
| topic_facet | Oratory United States History 21st century American drama 21st century History and criticism Monologues |
| work_keys_str_mv | AT patersoneddie thecontemporaryamericanmonologueperformanceandpolitics |