The Romantic crowd: sympathy, controversy and print culture
"In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive s...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2013
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Schlagworte: | |
Online-Zugang: | KUBA1 |
Zusammenfassung: | "In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology"-- |
Beschreibung: | ix, 294 p. ill |
ISBN: | 9781139613002 |
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245 | 1 | 0 | |a The Romantic crowd |b sympathy, controversy and print culture |c Mary Fairclough |
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505 | 8 | |a Machine generated contents note: Introduction: collective sympathy; Part I. Sympathetic Communication, 1750-1800: From Moral Philosophy to Revolutionary Crowds: 1. Sympathy and the crowd: eighteenth-century contexts; 2. Sympathetic communication and the French Revolution; Part II. Romantic Afterlives, 1800-1850: Sympathetic Communication, Mass Protest and Print Culture: 3. Sympathy and the press: mass protest and print culture in Regency England; 4. 'The contagious sympathy of popular and patriotic emotions': sympathy and loyalism after Waterloo; Afterword: sympathy and the Romantic crowd; Select bibliography; Index | |
520 | |a "In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology"-- | ||
650 | 4 | |a Sympathy |z Great Britain |x History |y 18th century | |
650 | 4 | |a Sympathy |z Great Britain |x History |y 19th century | |
650 | 4 | |a Romanticism |z Great Britain |x History |y 18th century | |
650 | 4 | |a Romanticism |z Great Britain |x History |y 19th century | |
650 | 4 | |a Social values |z Great Britain |x History |y 18th century | |
650 | 4 | |a Social values |z Great Britain |x History |y 19th century | |
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Datensatz im Suchindex
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author | Fairclough, Mary 1978- |
author_facet | Fairclough, Mary 1978- |
author_role | aut |
author_sort | Fairclough, Mary 1978- |
author_variant | m f mf |
building | Verbundindex |
bvnumber | BV049560504 |
collection | ZDB-30-PAD |
contents | Machine generated contents note: Introduction: collective sympathy; Part I. Sympathetic Communication, 1750-1800: From Moral Philosophy to Revolutionary Crowds: 1. Sympathy and the crowd: eighteenth-century contexts; 2. Sympathetic communication and the French Revolution; Part II. Romantic Afterlives, 1800-1850: Sympathetic Communication, Mass Protest and Print Culture: 3. Sympathy and the press: mass protest and print culture in Regency England; 4. 'The contagious sympathy of popular and patriotic emotions': sympathy and loyalism after Waterloo; Afterword: sympathy and the Romantic crowd; Select bibliography; Index |
ctrlnum | (ZDB-30-PQE)EBC1099943 (ZDB-30-PAD)EBC1099943 (ZDB-89-EBL)EBL1099943 (ZDB-38-EBR)ebr10643415 (OCoLC)828560077 (DE-599)BVBBV049560504 |
dewey-full | 941.07 |
dewey-hundreds | 900 - History & geography |
dewey-ones | 941 - British Isles |
dewey-raw | 941.07 |
dewey-search | 941.07 |
dewey-sort | 3941.07 |
dewey-tens | 940 - History of Europe |
discipline | Geschichte |
discipline_str_mv | Geschichte |
format | Electronic eBook |
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illustrated | Not Illustrated |
index_date | 2024-07-03T23:28:34Z |
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institution | BVB |
isbn | 9781139613002 |
language | English |
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spelling | Fairclough, Mary 1978- Verfasser aut The Romantic crowd sympathy, controversy and print culture Mary Fairclough Cambridge Cambridge University Press 2013 ix, 294 p. ill txt rdacontent c rdamedia cr rdacarrier Machine generated contents note: Introduction: collective sympathy; Part I. Sympathetic Communication, 1750-1800: From Moral Philosophy to Revolutionary Crowds: 1. Sympathy and the crowd: eighteenth-century contexts; 2. Sympathetic communication and the French Revolution; Part II. Romantic Afterlives, 1800-1850: Sympathetic Communication, Mass Protest and Print Culture: 3. Sympathy and the press: mass protest and print culture in Regency England; 4. 'The contagious sympathy of popular and patriotic emotions': sympathy and loyalism after Waterloo; Afterword: sympathy and the Romantic crowd; Select bibliography; Index "In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology"-- Sympathy Great Britain History 18th century Sympathy Great Britain History 19th century Romanticism Great Britain History 18th century Romanticism Great Britain History 19th century Social values Great Britain History 18th century Social values Great Britain History 19th century Press and politics Great Britain History 19th century Collective behavior Moral and ethical aspects |
spellingShingle | Fairclough, Mary 1978- The Romantic crowd sympathy, controversy and print culture Machine generated contents note: Introduction: collective sympathy; Part I. Sympathetic Communication, 1750-1800: From Moral Philosophy to Revolutionary Crowds: 1. Sympathy and the crowd: eighteenth-century contexts; 2. Sympathetic communication and the French Revolution; Part II. Romantic Afterlives, 1800-1850: Sympathetic Communication, Mass Protest and Print Culture: 3. Sympathy and the press: mass protest and print culture in Regency England; 4. 'The contagious sympathy of popular and patriotic emotions': sympathy and loyalism after Waterloo; Afterword: sympathy and the Romantic crowd; Select bibliography; Index Sympathy Great Britain History 18th century Sympathy Great Britain History 19th century Romanticism Great Britain History 18th century Romanticism Great Britain History 19th century Social values Great Britain History 18th century Social values Great Britain History 19th century Press and politics Great Britain History 19th century Collective behavior Moral and ethical aspects |
title | The Romantic crowd sympathy, controversy and print culture |
title_auth | The Romantic crowd sympathy, controversy and print culture |
title_exact_search | The Romantic crowd sympathy, controversy and print culture |
title_exact_search_txtP | The Romantic crowd sympathy, controversy and print culture |
title_full | The Romantic crowd sympathy, controversy and print culture Mary Fairclough |
title_fullStr | The Romantic crowd sympathy, controversy and print culture Mary Fairclough |
title_full_unstemmed | The Romantic crowd sympathy, controversy and print culture Mary Fairclough |
title_short | The Romantic crowd |
title_sort | the romantic crowd sympathy controversy and print culture |
title_sub | sympathy, controversy and print culture |
topic | Sympathy Great Britain History 18th century Sympathy Great Britain History 19th century Romanticism Great Britain History 18th century Romanticism Great Britain History 19th century Social values Great Britain History 18th century Social values Great Britain History 19th century Press and politics Great Britain History 19th century Collective behavior Moral and ethical aspects |
topic_facet | Sympathy Great Britain History 18th century Sympathy Great Britain History 19th century Romanticism Great Britain History 18th century Romanticism Great Britain History 19th century Social values Great Britain History 18th century Social values Great Britain History 19th century Press and politics Great Britain History 19th century Collective behavior Moral and ethical aspects |
work_keys_str_mv | AT faircloughmary theromanticcrowdsympathycontroversyandprintculture |