Sessue Hayakawa: silent cinema and transnational stardom
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
2007
|
| Schlagworte: | |
| Online-Zugang: | KUBA1 |
| Beschreibung: | "A John Hope Franklin Center book. Description based on print version record |
| Beschreibung: | 1 Online-Ressource (xvi, 379 p.) ill |
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| 245 | 1 | 0 | |a Sessue Hayakawa |b silent cinema and transnational stardom |c Daisuke Miyao |
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| 505 | 8 | |a A star is born: the transnational success of The Cheat and its race and gender politics -- Screen debut: O Mimi San, or the Mikado in picturesque Japan -- Christianity versus Buddhism: the melodramatic imagination in The wrath of the gods -- Doubleness: American images of Japanese spies in The typhoon -- The noble savage and the vanishing race: Japanese actors in "Indian films" -- The making of an Americanized Japanese gentleman: the honorable friend and Hashimura Togo -- More Americanized than the Mexican: the melodrama of self-sacrifice and the genteel tradition in Forbidden paths -- Sympathetic villains and victim-heroes: the soul of Kura San and The call of the east -- Self-sacrifice in the first World War: The secret game -- The cosmopolitan way of life: the Americanization of Sessue Hayakawa in magazines -- Balancing Japaneseness and Americanization: authenticity and patriotism in his birthright and Banzai return of the Americanized Orientals: Robertson-Cole's expansion and standardization of Sessue Hayakawa's star vehicles -- The mask: Sessue Hayakawa's redefinition of silent film acting -- The star falls: postwar nativism and the decline of Sessue Hayakawa's stardom -- -- Americanization and nationalism: the Japanese reception of Sessue Hayakawa | |
| 600 | 1 | 4 | |a Hayakawa, Sesshu / 1889-1973 |
| 600 | 1 | 4 | |a Hayakawa, Sesshu |d 1889-1973 |
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Datensatz im Suchindex
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| author | Miyao, Daisuke |
| author_facet | Miyao, Daisuke |
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| author_sort | Miyao, Daisuke |
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| building | Verbundindex |
| bvnumber | BV049560220 |
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| contents | A star is born: the transnational success of The Cheat and its race and gender politics -- Screen debut: O Mimi San, or the Mikado in picturesque Japan -- Christianity versus Buddhism: the melodramatic imagination in The wrath of the gods -- Doubleness: American images of Japanese spies in The typhoon -- The noble savage and the vanishing race: Japanese actors in "Indian films" -- The making of an Americanized Japanese gentleman: the honorable friend and Hashimura Togo -- More Americanized than the Mexican: the melodrama of self-sacrifice and the genteel tradition in Forbidden paths -- Sympathetic villains and victim-heroes: the soul of Kura San and The call of the east -- Self-sacrifice in the first World War: The secret game -- The cosmopolitan way of life: the Americanization of Sessue Hayakawa in magazines -- Balancing Japaneseness and Americanization: authenticity and patriotism in his birthright and Banzai return of the Americanized Orientals: Robertson-Cole's expansion and standardization of Sessue Hayakawa's star vehicles -- The mask: Sessue Hayakawa's redefinition of silent film acting -- The star falls: postwar nativism and the decline of Sessue Hayakawa's stardom -- -- Americanization and nationalism: the Japanese reception of Sessue Hayakawa |
| ctrlnum | (ZDB-30-PQE)EBC1170520 (ZDB-30-PAD)EBC1170520 (ZDB-89-EBL)EBL1170520 (ZDB-38-EBR)ebr10243719 (OCoLC)658055951 (DE-599)BVBBV049560220 |
| dewey-full | 791.4302/8092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/8092 B |
| dewey-search | 791.4302/8092 B |
| dewey-sort | 3791.4302 48092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:28:34Z |
| indexdate | 2024-07-10T10:10:42Z |
| institution | BVB |
| language | English |
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| spelling | Miyao, Daisuke Verfasser aut Sessue Hayakawa silent cinema and transnational stardom Daisuke Miyao Durham Duke University Press 2007 1 Online-Ressource (xvi, 379 p.) ill txt rdacontent c rdamedia cr rdacarrier "A John Hope Franklin Center book. Description based on print version record A star is born: the transnational success of The Cheat and its race and gender politics -- Screen debut: O Mimi San, or the Mikado in picturesque Japan -- Christianity versus Buddhism: the melodramatic imagination in The wrath of the gods -- Doubleness: American images of Japanese spies in The typhoon -- The noble savage and the vanishing race: Japanese actors in "Indian films" -- The making of an Americanized Japanese gentleman: the honorable friend and Hashimura Togo -- More Americanized than the Mexican: the melodrama of self-sacrifice and the genteel tradition in Forbidden paths -- Sympathetic villains and victim-heroes: the soul of Kura San and The call of the east -- Self-sacrifice in the first World War: The secret game -- The cosmopolitan way of life: the Americanization of Sessue Hayakawa in magazines -- Balancing Japaneseness and Americanization: authenticity and patriotism in his birthright and Banzai return of the Americanized Orientals: Robertson-Cole's expansion and standardization of Sessue Hayakawa's star vehicles -- The mask: Sessue Hayakawa's redefinition of silent film acting -- The star falls: postwar nativism and the decline of Sessue Hayakawa's stardom -- -- Americanization and nationalism: the Japanese reception of Sessue Hayakawa Hayakawa, Sesshu / 1889-1973 Hayakawa, Sesshu 1889-1973 Original |
| spellingShingle | Miyao, Daisuke Sessue Hayakawa silent cinema and transnational stardom A star is born: the transnational success of The Cheat and its race and gender politics -- Screen debut: O Mimi San, or the Mikado in picturesque Japan -- Christianity versus Buddhism: the melodramatic imagination in The wrath of the gods -- Doubleness: American images of Japanese spies in The typhoon -- The noble savage and the vanishing race: Japanese actors in "Indian films" -- The making of an Americanized Japanese gentleman: the honorable friend and Hashimura Togo -- More Americanized than the Mexican: the melodrama of self-sacrifice and the genteel tradition in Forbidden paths -- Sympathetic villains and victim-heroes: the soul of Kura San and The call of the east -- Self-sacrifice in the first World War: The secret game -- The cosmopolitan way of life: the Americanization of Sessue Hayakawa in magazines -- Balancing Japaneseness and Americanization: authenticity and patriotism in his birthright and Banzai return of the Americanized Orientals: Robertson-Cole's expansion and standardization of Sessue Hayakawa's star vehicles -- The mask: Sessue Hayakawa's redefinition of silent film acting -- The star falls: postwar nativism and the decline of Sessue Hayakawa's stardom -- -- Americanization and nationalism: the Japanese reception of Sessue Hayakawa Hayakawa, Sesshu / 1889-1973 Hayakawa, Sesshu 1889-1973 |
| title | Sessue Hayakawa silent cinema and transnational stardom |
| title_auth | Sessue Hayakawa silent cinema and transnational stardom |
| title_exact_search | Sessue Hayakawa silent cinema and transnational stardom |
| title_exact_search_txtP | Sessue Hayakawa silent cinema and transnational stardom |
| title_full | Sessue Hayakawa silent cinema and transnational stardom Daisuke Miyao |
| title_fullStr | Sessue Hayakawa silent cinema and transnational stardom Daisuke Miyao |
| title_full_unstemmed | Sessue Hayakawa silent cinema and transnational stardom Daisuke Miyao |
| title_short | Sessue Hayakawa |
| title_sort | sessue hayakawa silent cinema and transnational stardom |
| title_sub | silent cinema and transnational stardom |
| topic | Hayakawa, Sesshu / 1889-1973 Hayakawa, Sesshu 1889-1973 |
| topic_facet | Hayakawa, Sesshu / 1889-1973 Hayakawa, Sesshu 1889-1973 |
| work_keys_str_mv | AT miyaodaisuke sessuehayakawasilentcinemaandtransnationalstardom |