Comedy and the public sphere: the rebirth of theatre as comedy and the genealogy of the modern public arena
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge
2013
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| Schlagworte: | |
| Online-Zugang: | KUBA1 |
| Beschreibung: | xvii, 357 p |
| ISBN: | 9780203081266 |
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| 505 | 8 | |a Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion | |
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Datensatz im Suchindex
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| contents | Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion |
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| dewey-full | 792.094 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.094 |
| dewey-search | 792.094 |
| dewey-sort | 3792.094 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:28:33Z |
| indexdate | 2024-07-10T10:10:41Z |
| institution | BVB |
| isbn | 9780203081266 |
| language | English |
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| spelling | Szakolczai, Arpad Verfasser aut Comedy and the public sphere the rebirth of theatre as comedy and the genealogy of the modern public arena Arpad Szakolczai New York Routledge 2013 xvii, 357 p txt rdacontent c rdamedia cr rdacarrier Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion Theater Europe History Theater and society Europe History Comedy |
| spellingShingle | Szakolczai, Arpad Comedy and the public sphere the rebirth of theatre as comedy and the genealogy of the modern public arena Introduction -- The public sphere as a theatrical arena of mocking contest: comedy, mask, laughter. The public and its masks: permanent hyper-critique and hypocritical performance -- Nietzsche's intuitions: from theatre through humanist philology to Richard Wagner, or the genealogy of the modern world as stage -- Ridiculing as public weapon --The rebirth of theatre as comedy out of the spirit of the Byzantium -- The Byzantine spirit and its sources. Transmitting, receiving and nurturing the Byzantine spirit -- The rise of theatre in Venice -- The effect mechanism of Commedia dell'Arte: visions and realities of commedification -- Commedia dell'Arte: schismogenic sub-plots and irresistible stock-types -- Shakespeare: the tragedy of world history being a comedy -- Representing representation: visionary images of Commedia dell'Arte -- The rebirth of Commedia dell'Arte as the Avant-garde. The rebirth of Pierrot as suffering victim -- Obsessed with Paris and public fame: Richard Wagner, the mimomaniac revolutionary -- Pierrot and Pulcinella in between Paris and Petersburg: the Avant-Garde of Diaghilev and Meyerhold -- Conclusion Theater Europe History Theater and society Europe History Comedy |
| title | Comedy and the public sphere the rebirth of theatre as comedy and the genealogy of the modern public arena |
| title_auth | Comedy and the public sphere the rebirth of theatre as comedy and the genealogy of the modern public arena |
| title_exact_search | Comedy and the public sphere the rebirth of theatre as comedy and the genealogy of the modern public arena |
| title_exact_search_txtP | Comedy and the public sphere the rebirth of theatre as comedy and the genealogy of the modern public arena |
| title_full | Comedy and the public sphere the rebirth of theatre as comedy and the genealogy of the modern public arena Arpad Szakolczai |
| title_fullStr | Comedy and the public sphere the rebirth of theatre as comedy and the genealogy of the modern public arena Arpad Szakolczai |
| title_full_unstemmed | Comedy and the public sphere the rebirth of theatre as comedy and the genealogy of the modern public arena Arpad Szakolczai |
| title_short | Comedy and the public sphere |
| title_sort | comedy and the public sphere the rebirth of theatre as comedy and the genealogy of the modern public arena |
| title_sub | the rebirth of theatre as comedy and the genealogy of the modern public arena |
| topic | Theater Europe History Theater and society Europe History Comedy |
| topic_facet | Theater Europe History Theater and society Europe History Comedy |
| work_keys_str_mv | AT szakolczaiarpad comedyandthepublicspheretherebirthoftheatreascomedyandthegenealogyofthemodernpublicarena |