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| 020 | |a 9780203104699 |c electronic bk. |9 978-0-203-10469-9 | ||
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| 082 | 0 | |a 791.43/6581 |2 23 | |
| 100 | 1 | |a Kosmidou, Eleftheria Rania |d 1971- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a European civil war films |b memory, conflict, and nostalgia |c Eleftheria Rania Kosmidou |
| 264 | 1 | |a New York |b Routledge |c 2013 | |
| 300 | |a 196 p | ||
| 336 | |b txt |2 rdacontent | ||
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| 505 | 8 | |a Introduction -- Collective and cultural memory and their limitations: postmemory and cinematic modes of representations -- The Spanish Civil War: cinematic postmemories of the "last great cause" -- Cinematic representations of the Irish Civil War: Michael Collins and The wind that shakes the barley -- Cinematic representations of the former Yugoslavian civil war: Underground and No man's land -- Representation of the Greek Civil War in Theo Angelopoulos's The travelling players: the uses of intertextuality -- Conclusion | |
| 650 | 4 | |a Civil war in motion pictures | |
| 650 | 4 | |a Collective memory |z Europe | |
| 650 | 4 | |a Historical films |z Europe |x History and criticism | |
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Datensatz im Suchindex
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| author | Kosmidou, Eleftheria Rania 1971- |
| author_facet | Kosmidou, Eleftheria Rania 1971- |
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| author_sort | Kosmidou, Eleftheria Rania 1971- |
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| bvnumber | BV049556283 |
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| contents | Introduction -- Collective and cultural memory and their limitations: postmemory and cinematic modes of representations -- The Spanish Civil War: cinematic postmemories of the "last great cause" -- Cinematic representations of the Irish Civil War: Michael Collins and The wind that shakes the barley -- Cinematic representations of the former Yugoslavian civil war: Underground and No man's land -- Representation of the Greek Civil War in Theo Angelopoulos's The travelling players: the uses of intertextuality -- Conclusion |
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| dewey-full | 791.43/6581 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/6581 |
| dewey-search | 791.43/6581 |
| dewey-sort | 3791.43 46581 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| format | Electronic eBook |
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| id | DE-604.BV049556283 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:28:28Z |
| indexdate | 2024-07-10T10:10:34Z |
| institution | BVB |
| isbn | 9780203104699 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034901737 |
| oclc_num | 812911572 |
| open_access_boolean | |
| owner | DE-Y3 |
| owner_facet | DE-Y3 |
| physical | 196 p |
| psigel | ZDB-30-PAD KUBA1-ZDB-30-PAD-2023 ZDB-30-PAD KHI |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | Routledge |
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| spelling | Kosmidou, Eleftheria Rania 1971- Verfasser aut European civil war films memory, conflict, and nostalgia Eleftheria Rania Kosmidou New York Routledge 2013 196 p txt rdacontent c rdamedia cr rdacarrier Introduction -- Collective and cultural memory and their limitations: postmemory and cinematic modes of representations -- The Spanish Civil War: cinematic postmemories of the "last great cause" -- Cinematic representations of the Irish Civil War: Michael Collins and The wind that shakes the barley -- Cinematic representations of the former Yugoslavian civil war: Underground and No man's land -- Representation of the Greek Civil War in Theo Angelopoulos's The travelling players: the uses of intertextuality -- Conclusion Civil war in motion pictures Collective memory Europe Historical films Europe History and criticism |
| spellingShingle | Kosmidou, Eleftheria Rania 1971- European civil war films memory, conflict, and nostalgia Introduction -- Collective and cultural memory and their limitations: postmemory and cinematic modes of representations -- The Spanish Civil War: cinematic postmemories of the "last great cause" -- Cinematic representations of the Irish Civil War: Michael Collins and The wind that shakes the barley -- Cinematic representations of the former Yugoslavian civil war: Underground and No man's land -- Representation of the Greek Civil War in Theo Angelopoulos's The travelling players: the uses of intertextuality -- Conclusion Civil war in motion pictures Collective memory Europe Historical films Europe History and criticism |
| title | European civil war films memory, conflict, and nostalgia |
| title_auth | European civil war films memory, conflict, and nostalgia |
| title_exact_search | European civil war films memory, conflict, and nostalgia |
| title_exact_search_txtP | European civil war films memory, conflict, and nostalgia |
| title_full | European civil war films memory, conflict, and nostalgia Eleftheria Rania Kosmidou |
| title_fullStr | European civil war films memory, conflict, and nostalgia Eleftheria Rania Kosmidou |
| title_full_unstemmed | European civil war films memory, conflict, and nostalgia Eleftheria Rania Kosmidou |
| title_short | European civil war films |
| title_sort | european civil war films memory conflict and nostalgia |
| title_sub | memory, conflict, and nostalgia |
| topic | Civil war in motion pictures Collective memory Europe Historical films Europe History and criticism |
| topic_facet | Civil war in motion pictures Collective memory Europe Historical films Europe History and criticism |
| work_keys_str_mv | AT kosmidoueleftheriarania europeancivilwarfilmsmemoryconflictandnostalgia |