Cinecepts, Deleuze, and Godard-Miéville: developing philosophy through audiovisual media
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburg University Press
[2023]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xv, 220 Seiten Illustrationen 24 cm |
| ISBN: | 9781474499989 |
Internformat
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Datensatz im Suchindex
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Contents List of Figures vii Acknowledgments viii Preface x Introduction I I. Towards a Theory of Cinecepts: A Reorganization of Deleuze's Categories 2. Setting the Stage: 2 or 3 Things, Le gai savoir, and Ici et ailleurs 3. The Problem of the New: Ideas, Cinema, Concepts 23 53 84 4. Sonimage: A Problem Space and Six Embryonic Cinecepts I 12 5. Rapprochement, Concepts. and Cineceptual Form 161 6, Scholarly Video Essays: A Critical Examination and a Cineceptual Alternative 7. Notes on Cinecepts as Multimedia Practice 169 189 Abbreviations of Works by Gilles Deleuze 196 References 199 Index 212
As the spread of knowledge and even theory becomes an increasingly audiovisual affair, how can philosophy adapt in ways that develop rather than dilute - philosophical rigour and specificity? How can philosophy harness the potential of audiovisual media ~ being more formally multidimensional than text-only - to conceptualise with greater precision and depth? Nilsson presents a theory of formal development of philosophy in this regard: a theory of cinecepts. While spanning film, media, art and critica theories, as well as philosophy, this study proceeds mainly through a close reimagination of Gilles Deleuze’s work, which allows fora merging of what he kept separated: filmic thinking and philosophical conceptualisation. Jean-Luc Godard and Anne-Marie Miéville's underexplored 1970s Sonimage works are also extensively examined, along with critical considerations of a contemporary era of academic video essays and phenomena like philosophy channels on YouTube. JAKOB A. NILSSON is Assistant Professor of Film Studies at Örebro University. |
| adam_txt |
Contents List of Figures vii Acknowledgments viii Preface x Introduction I I. Towards a Theory of Cinecepts: A Reorganization of Deleuze's Categories 2. Setting the Stage: 2 or 3 Things, Le gai savoir, and Ici et ailleurs 3. The Problem of the New: Ideas, Cinema, Concepts 23 53 84 4. Sonimage: A Problem Space and Six Embryonic Cinecepts I 12 5. Rapprochement, Concepts. and Cineceptual Form 161 6, Scholarly Video Essays: A Critical Examination and a Cineceptual Alternative 7. Notes on Cinecepts as Multimedia Practice 169 189 Abbreviations of Works by Gilles Deleuze 196 References 199 Index 212
As the spread of knowledge and even theory becomes an increasingly audiovisual affair, how can philosophy adapt in ways that develop rather than dilute - philosophical rigour and specificity? How can philosophy harness the potential of audiovisual media ~ being more formally multidimensional than text-only - to conceptualise with greater precision and depth? Nilsson presents a theory of formal development of philosophy in this regard: a theory of cinecepts. While spanning film, media, art and critica theories, as well as philosophy, this study proceeds mainly through a close reimagination of Gilles Deleuze’s work, which allows fora merging of what he kept separated: filmic thinking and philosophical conceptualisation. Jean-Luc Godard and Anne-Marie Miéville's underexplored 1970s Sonimage works are also extensively examined, along with critical considerations of a contemporary era of academic video essays and phenomena like philosophy channels on YouTube. JAKOB A. NILSSON is Assistant Professor of Film Studies at Örebro University. |
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| discipline | Allgemeines Philosophie |
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| spelling | Nilsson, Jakob 1975- Verfasser (DE-588)105694840X aut Cinecepts, Deleuze, and Godard-Miéville developing philosophy through audiovisual media Jakob A. Nilsson Edinburgh Edinburg University Press [2023] xv, 220 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Filmtheorie (DE-588)4071216-3 gnd rswk-swf Filmtheorie (DE-588)4071216-3 s DE-604 Erscheint auch als Online-Ausgabe, webready PDF 978-1-3995-0021-0 Erscheint auch als Online-Ausgabe, EPUB 978-1-4744-9999-6 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034880745&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034880745&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Cinecepts, Deleuze, and Godard-Miéville developing philosophy through audiovisual media |
| title_auth | Cinecepts, Deleuze, and Godard-Miéville developing philosophy through audiovisual media |
| title_exact_search | Cinecepts, Deleuze, and Godard-Miéville developing philosophy through audiovisual media |
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| title_full | Cinecepts, Deleuze, and Godard-Miéville developing philosophy through audiovisual media Jakob A. Nilsson |
| title_fullStr | Cinecepts, Deleuze, and Godard-Miéville developing philosophy through audiovisual media Jakob A. Nilsson |
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| title_short | Cinecepts, Deleuze, and Godard-Miéville |
| title_sort | cinecepts deleuze and godard mieville developing philosophy through audiovisual media |
| title_sub | developing philosophy through audiovisual media |
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