Oi maskes tēs commedia dell'arte: ē epirroē apo to archaio ellēniko kai rōmaïko theatro
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Athēna
Ekdoseis Otan
2023
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| Beschreibung: | In griechischer Schrift |
| Beschreibung: | 239 Seiten Illustrationen |
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ΠΕΡΙΕΧΟΠΠΕΝΑ Εισαγωγικά στοιχεία για τη θεατρική μάσκα και την υπόκριση. 11 1. Η μάσκα στην commedia dell ’arte και η επιρροή της από την αρχαία ελληνική και ρωμαϊκή κωμωδία.19 2. Ο Αρλεκίνος κατά τη σύγχρονη εποχή 2.1. Οι σκηνοθεσίες του Αρλεκίνου από τον Giorgio Strehler. 47 2.2. Οι σκηνοθεσίες των Reinhardt, Meyerchol’d, Vakhtangov, Tairov και Copeau. 73 2.3. Η σκηνοθεσία του Αρλεκίνου από τον Nanni . 77 2.4. Η σκηνοθεσία του Αρλεκίνου από τον Michele Sambin. 82 2.5. Η σκηνοθεσία του Αρλεκίνου από τον Giuseppe Emiliani. 85 2.6. Οι παραστάσεις του Αρλεκίνου από τον Ferruccio Soleri.89 3. Το Piccolo Teatro του Μιλάνου. 93 4. Τα χαρακτηριστικά της υποκριτικής μεθοδολογίας, της ενδυματολογίας και της σκηνογραφίας στις μάσκες της commedia dell’arte και η καταγωγή τους από την αρχαία ελληνική, μέση και νέα κωμωδία. 101 9
4.1. Η μάσκα του Πουλτσινέλλα. 101 4.2. Η μάσκα του Μπριγκέλλα. 112 4.3. Η μάσκα του Πανταλόνε. 117 4.4. Η μάσκα του Δόκτορα Μπαλαντσόνε. 122 4.5. Η μάσκα του
Ταρτάλια. 126 4.6. Η μάσκα της Κολομπίνας. 129 4.7. Η μάσκα της ερωτευμένης νέας. 133 4.8. Η μάσκα του ερωτευμένου νέου. 140 4.9. Η μάσκα του
Καπετάνιου. 146 4.10. Η μάσκα του Στεντερέλλο. 151 4.11. Η μάσκα του Σκαπίνο. 154 4.12. Η μάσκα του Σκαραμούτσια. 157 4.13. Η μάσκα του
Τζανγκούργκολο. 160 4.14. Η μάσκα του Ταμπαρίνο. 163 4.15. Η μάσκα του Τριβελλίνο. 165 4.16. Η μάσκα του Τζαντούγια. 167 4.17. Η μάσκα του
Μενεγκίνο. 170 4.18. Η μάσκα του Κοβιέλο. 173 4.19. Η μάσκα του Ναρτσιζίνο.175 4.20. Η μάσκα του Φριτελλίνο. 177 4.21. Η μάσκα του
Πεντρολίνο.180 4.22. Η μάσκα της Κοραλλίνας.184 4.23. Η μάσκα του Μπελτράμε.187 4.24. Η μάσκα
του Μετζετίνο. 191 4.25. Η μάσκα του Παλιάτσου.194 5. Οι μάσκες της commedia dell’arte που γνώρισαν μικρότερη παραστασιμότητα .197 6. Βιβλιογραφία 1. Ξενόγλωσση.203 2. Ελληνική.227 7. Ευρετήριο ονομάτων.231 10
6. ΒΙΒΛΙΟΓΡΑΦΙΑ 6.1. Ξενόγλωσση Acerboni Giovanni, Progetto Arlecchino. Lo scenario del Mandajors, https://digilander.libero.it/giovanniacerboni/ , 24/11/2019. Alberts Patricia, Shadows, Fire, Snow. The life of Tina Midotti, University California Press, Berkeley, Los Angeles, London 1999. Allardyce Nicoll, The World of Harlequin: a critical study of the commedia dell’arte, Cambridge University Press, Cambridge, 1963. - Masks, Mimes and Miracles, Cooper Square Publishers 1963,σ. 231. Aioi Alfonso, Il Goldoni e la commedia dell ’arte. Breve saggio storico-critico, Tipografia di Francesco Matrinez, Catania 1883. Ambrogio Teodosio, I saturnali, επιμέλεια: Nino Marinone, Unione tipografico Editrice Torinese, Torino 1967. Anderson Michael, «The idea of Commedia in the Twentieth century», Theatre Research International, Vol. 23 No. 2, pp. 167-173. Andrews Richard, La commedia dell’arte di Flaminio Scala. A translation and analysis of 30 scenarios, The scarecrow Press, Lanham, Maryland, Toronto, Plymouth UK 2008. 203
ΕΛΙΝΑ ΝΤΑΡΑΚΛΙΤΣΑ - «Molière, commedia dell’arte, and the Question of Influence in Early Modern European Theatre», The Modern Language Review, Apr., 2005, Vol. 100, No. 2, Modern Humanities Research Association 2005, pp. 444- 463. Apollonio Mario, Storia della commedia dell’arte, Sansoni Editore, Firenze 1982. Attinger Gustave, L ’esprit de la commedia dell ’arte dans le théâtre français, Slatkine Reprints, Genève 1993. Attisani Antonio, Atto seconda. Nel mare del teatro (19661993), LEXIS, Torino 2018. Attolini Giovanni, Teatro e spettacolo nel Rinascimento, Editori Laterza, Roma-Bari 1988. AA.VV. Le masque. Du rite au théâtre, Editions du CNRS, Paris 1991. AA.VV. Maschere del nostro teatro. Edizioni Laboratori Farmaceutici Maestretti Milano 1954. Azzoni Simone, «Un Arlecchino tra Strehler e Fo», Firenze University Press, 10/9/2001. Barbina Alfredo, Giangurgolo e la commedia dell’arte, Rubbettino Editore, Catanzaro 1989. Bazoli Giulietta, «Antonio Sacchi: ultimo atto», Rivista di letteratura teatrale, 3, 2010, pp. 27-54. Beadle Richard and Fletcher Alan J., The Cambridge companion to medieval English theatre, Cambridge University Press 2008. Beacham Richard, «Otium, Opulentia and Opsis: Setting, Performance and Perception within the mise-en-scène of the Roman House», Performance in Greek and Roman Theatre, edited by George W.M. Harrison and Vayos Liapis, Brill, Leiden-Boston 2013, pp. 361-408. 204
Ol MAzKEZ THZ COmmEDIA DELL’ARTE The Roman theatre and its audience, Harvard University Press 1991. Bell John, «Puppets, Masks, and Performing Objects at the End of the Century», TDR (1988-), Autumn, 1999, Vol. 43, No. 3, The MIT Press 1999, pp. 15-27. Bernabô Brea Luigi, Coen C. and Descudres J.-P., «Masks and characters of the Greek theatre in the terracottas of ancient Lipara», Mediterranean Archaeology, Vol. 5/6, Meditarch 1992/93, pp. 23-31. Bernard J. Michel, Le corps, Éditions du Seuil, Paris 1995. Cagianelli Francesca (επιμέλεια), La maschera e I’artista, Intermezzi, pantomime, acrobazie, sul palcoscenico del Novecento, Maschietto Editore, Pistoia 2005. Bizaki Vasiliki, «Marble theatre mask from Attica: Some preliminary results», στον τόμο: Luigi Μ. Caliô, Enzo Lippolis, Valeria Parisi (επιμέλεια), GU ateniesi e il loro modello di città, Edizioni Quasar, Roma 2014, pp.263-264 Balme Christopher B., The Cambridge introduction to theatre studies, Cambridge University Press 2008. Balme Christopher B., Vescovo Piermario, Vianello Danielle, Commedia dell ’arte in context, Cambridge University Press 2018. Banu Georges, «La langue ou l’autre du corps», στον τόμο: Travailler avec Grotowski sur les actions physiques, επιμέ λεια T. Richards, Actes Sud 1995, σσ. 11-20. Bargna Ivan, «L’entre-deux della maschera corne luogo di trans-formazione», La Ricerca Folklorica, Apr., 2004, No. 49, Luoghi dei vivi, luoghi dei morti. Spazi e politiche della morte (Apr. 2004), Grafo Spa 2004, pp. 143-152. Benini Enrica, «Un bullo barocco: Capitan Spavento», Quaderni di Teatro, a. I n. 4,
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ΕΛΙΝΑ NTAPAKAITZR XIV», Revue d’histoire moderne et contemporaine, tome 26 №3, Juillet-septembre 1979. pp. 422-43 8. Borowitz Helen О., «Three Guitars: Reflections of Italian Comedy in Watteau, Daumier, and Picasso», The Bulletin of the Cleveland Museum ofArt, Apr., 1984, Vol. 71, No. 4, Cleveland Museum of Art 1984, pp. 116-129. - «Painted Smiles: Sad Clowns in French Art and Literature», The Bulletin of the Cleveland Museum of Art, Jan., 1984, Vol. 71, No. 1, Cleveland Museum of Art 1984, pp. 23-35. Bosisio Paolo, Il teatro di Goldoni sule scene italiane del Novecento, Electa, Milano, 1993, pp. 67-80. Bottini Michele, «You must have heard for Harlequin», The Routledge companion to commedia dell’arte, Routledge, London and New York 2015, pp. 55-61. Bragaglia Anton Giulio, Il segreto di Tabarrino, Vallecchi, Firenze 1933. Buckley Matthew, «Eloquent action: the body and meaning in early commedia dell’arte». Theatre Survey, 50:2 (November 2009), American Society for Theatre Research, 2009, pp. 251-315. Burattelli Claudia, «Borghese e gentiluomo. La vita e il mestiere di Pier Maria Cechini, tra i comici detto Frittellino», Il castello di Elsinore 2, 1988, σσ. 33-63. Calame Claude, «Facing otherness: The tragic mask in ancient Greece», History of religions 26,2, Nov. 1986, pp. 125-142. - «La tragedia: la Maschera per mettere in scena l’alterità», στον τόμο II racconto in Grecia, Laterza, Roma-Bari 1988, pp. 95-114. - «Smascherare con la Maschera: effetti enunciative della commedia antica», La maschera, il doppio e il ritratto, Laterza, Bari 1991, pp. 159-174. 206
ΟΙ ΠΟΣΚΕΣΤΗΣ COmmEDIA DELL’ARTE - «Démasquer par le masque: Effets énonciatifs dans la Comédie ancienne», Revue de l’histoire des religions, Vol. 206, No. 4, Association de la Revue de l’histoire des religions (Octobre - Decémbre 1989), pp. 357-376. Caniato Manuela, «Lingua e dialetto corne espressione dell’altro nella commedia del Cinquecento», Atti del XV congresso dell’A.I.P.I. Firenze: Cesati, 2004, pp. 49-53. Canziani Roberto, Strehlerprivato. Carattere, ajfetti, passioni, Comune di Trieste Civici Musei di Storia ed Arte, Trieste 2007. Carpenter Ian, Comic Violence: From Commedia dell’ Arte to Contemporary Cinema, Copyright by A. Carpenter 2001, pp. 132-188. Cavallo Giorgio Enrico, A la manera ‘d Gianduja, Editrice II Punto Piemonte in Bancarella, Torino 2019. Clementi Carlo Mazzone, «Commedia and the Actor», The Drama Review: TDR,No\. 18, No. 1, Popular Entertainments, The MIT Press (Mar., 1974), pp. 59-64. Chan Victor, «Watteau’s ‘Les Comédiens Italiens’ Once More», RACAR: revue d’art canadienne / Canadian Art Review, 1978-79, Vol. 5, No. 2, Association des universités d’art du Canada / Universities Art Association of Canada, pp. 107-112. Choen Beth, Not the classical ideal Athens and the construction of the Other in Greek art, Brill, Leiden-Boston-Köln 2000, pp. 275-311. Clubb Louise George, «Looking Back on Shakespeare and Italian Theater», Renaissance Drama, 2010, New Series, Vol. 36/37, Italy in the Drama of Europe, The University of Chicago Press for Northwestern University 2010, pp. 3-19. Colla Elena, «Tipi da commedia? Personaggi e trame nel 207
ΕΛΙΝΑ ΝΤΑΡΑΚΛΙΤΣΑ Corpus Lysiacum», Rhetorica: A Journal of the History of Rhetoric, Vol. 33, No. 2 (Spring 2015), University of California Press on behalf of the International Society for the History of Rhetoric 2015, pp. 109-133. Colli Gian Giacomo, The impossible tempest: Giorgio Strehler or the director interpreter, Thesis, Centre for Study of Drama University of Toronto, Gian Giacomo Colli 2009. Compton-Engle Gwendolyn, Costume in the comedies of Aristophanes, Cambridge University Press London and New York 2015. - «Control of Costume in Three Plays of Aristophanes», The American Journal ofPhilology, Winter, 2003, Vol. 124, No. 4, The Johns Hopkins University Press 2003, pp. 507-535. Crick, Oliver Harold, Approaching Aesthetic Positions for Neo-Commedia (1946-2016): A Dramaturgical Investigation, Mindful of the Potential for Local, Social and Political Relevance, Thesis, Edge Hill University 2018. Crohn Schmitt Natalie, «Commedia dell’Arte: characters, scenarios, and rhetoric», Text and Performance Quarterly 2007, pp.55-73. - Befriending the Commedia dell ’arte ofFlaminio Scala. The comic scenarios, University of Toronto Press 2014. - «Dissimulation in the Commedia dell’Arte Scenarios of Flaminio Scala, 1611», ntq, November 2015, Cambridge university press, pp. 312-328. - «Improvisation in the Commedia dell’Arte in its Golden Age: Why, What, How», Renaissance Drama, New Series, Vol. 38, The University of Chicago Press for Northwestern University 2010, pp. 225-249. - «The Style of Commedia dell’Arte Acting: Observations Drawn from the Scenarios of Flaminio Scala», New
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Ol MAZKEZ THZ COmmEDIA DELL’ARTE - Performing Commedia dell'Arte, 157-1630, Routledge Focus 2020. D’amico Silvio, Palcoscenico del dopognerra, vol. II, Eri, Torino, 1953. D’ Anna Chiara, A Journey Back Home. Through a Mask for the 21st century: The Legacy of Commedia dell’Arte in Postdramatic Theatre with particularfocus on the centrality of the actor in Devised Performance, PaR PhD, London Metropolitan University, 2019. Daraklitsa Elina, «II risveglio dei sensi nel corpo dell'attore. Uno sguardo al teatro fisico della Grecia contemporanea», Itinera, vol. 13,2017, pp. 198-212. De Agostini Raggazzi (επιμέλεια), «Carnevale», Maximus. Dizionario enciclopedico, Istituto Geografico De Agostini, Torino 1992, σ. 537. Dearrault Harris, «Contribution à l’analyse sémiotique de la gestualité mimique», στον τόμο: Le corps en jeu, επιμέλεια: О. Aslan, Editions du CNRS, Paris 2000. Degl’Innocenti Luca- Richardson Brian- Sbordoni Chiara (edited), Interactions between orality and writing in Early modem Italian culture, Routledge, London-New York 2016, p. 100. De Marinis Marco, «Teoria, pratica e storia: problemi metodologici degli studi teatrali», in Annali Online di Ferrara, Facoltà di Lettere e Filosofia, τόμ. 1, 2007, σσ. 262-272. Dickie M.W., Mimes, Taumaturgy and the Theatre, Classical Quarterly, τόμος 51 (2), σσ. 599-603, 2001. Di Francia Litterio, «Il Servitore di due padroni di Carlo Goldoni», in Etudes italiennes, 1933, t. Ill, pp. 17-34 και 96-102. 209
ΕΛΙΝA ΝΤΑΡΑΚΛΙΤΣΑ Di Tondo Ornella, «Arlecchino: un italiano in Europa tra Lambranzi e Le Roussau», Aspetti della cultura di danza nell’Europa del Settecento. Atti del Convegno Bologna e la cultura europea di danza, Bologna 2-4 June 2000, pp. 57-77. Douël dell’Agnola Catherine, «Cinq versions d’Arlequin». Evolution de la scénographie». Le voies de la création théâtrale, n. 16, σσ. 141-53, Centre national de la recherche scientifique, Paris, 1989 - GH spettacoli goldoniani di Giorgio Strehler (1947-1991), Bulzoni, Milano 1992, pp. 25-82. Drâbek Pavel, «What is Commedia dell’Arte Today?», Early Theatre: A Journal associated with the Records of Early English Drama, Volume 22, Number 2, 2019, pp. 199-216. Drusi Riccardo, Popular Traditions, Carnival, Dance, Edited by Christopher B. Balme, Ludwig-Maximilians-Universität Munchen, Piermario Vescovo, Universita Ca’Foscari, Venezia, Cambridge University Press 2018, pp. 34-45. Duchartre Pierre Luis, The Italian comedy, Dover Pubblications, New York 1966. Ebong Inih A., «Mask and Masking: A Survey of Their Universal Application to Theatre Practice», Anthropos, 1984, Bd. 79, H. 1./3, Nomos Verlagsgesellschaft 1984, pp. 1-12. Faherty Teresa J., «Othello dell’ Arte”: The Presence of “Commedia” in Shakespeare’s Tragedy», Theatre Journal, May, 1991, Vol. 43, No. 2, The Johns Hopkins University Press 1991, pp.179-194. Fano Nicola, Le maschere italiane, Il Mulino, Bologna 2001. - La tragedia di Arlecchino, Picasso e la maschera del Novecento, Donzelli Editore, Roma 2012. 210
01 MAzKEZ THZ COmmEDIA DELL’ARTE Fantham Elaine, Quintilian on Performance: Traditional and Personal Elements in “Institutio” 11.3, Phoenix, Autumn, 1982, Vol. 36, No. 3 (Autumn, 1982), Classical Association of Canada 1982, pp. 243-263. Fava Antonio, «Official recognition of Pulcinella», The Routledge companion to commedia dell’arte, Routledge, London and New York 2015, p. 109. Ferrari Franco, «LaMascheranegata:riflessionisuipcrsonaggi di Menandro», Studi Classici e Orientait, Dicembre 1998, Vol. 46, No. 1, Pisa University Press S.R.L 1998, pp. 219251. Ferrario Giulio, Il costume antico e moderno di tutti I popoli, vol. 3, Dalia Tipografia dell’Editore, Milano 1823. Fido Franco, I rapporti con la Commedia dell ’arte, la lingua, l’impegno sociale nell'opera di Goldoni, Longo, Ravenna 2008. Fiorini Costantina, Le maschere. Volti della commedia dell’arte, Giunti, Firenze 2002. Fisher James, «Harlequinade: Commedia dell’Arte on the Early Twentieth-Century British Stage», Theatre Journal, Mar., 1989, Vol. 41, No. 1, The Johns Hopkins University Press 1989, pp. 30-44. Fischer-Lichte Erika, Theatre, sacrifice, ritual. Exploring forms ofpolitical theatre, Routledge, London New York 2005. - History of European Drama and Theatre, Routledge, London-New York 2002. Fischer-Lichte Erika - Kolesch Doris - Warstat Matthias, Metzler Lexikon Theaterthéorie, Verlag J. В. Metzler Stuttgart, Weimar 2014, pp. 203-205. Felver Charles S., «The commedia dell’arte and English drama in the sixteenth and early seventeenth centuries», 211
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Ol MAzKEZ THZ COmmEDIA DELL'ARTE Highlights (Διμηνιαία Έκδοση για τις Τέχνες και τον Πο λιτισμό), τχ. 1°, περίοδος Β', Οκτώβριος-Νοέμβριος 2002, σσ. 72-75. - «Εισαγωγή», Λουίτζι Πιραντέλλο, Το πανηγύρι της πίστης, Στην έξοδο. Το χρέος του γιατρού, Τσετσέ, Αιγόκερως, Αθήνα 2008, σσ. 5-26. Παππάς
Θεόδωρος Γ. - Μαρκαντωνάτος Ανδρέας Γερ. (επι μέλεια), Αττική κωμωδία, πρόσωπα και προσεγγίσεις, Εκδό σεις Gutenberg, Αθήνα 2011. Πετρίδης Αντώνης, «Προσωπείο και παράσταση στη Νέα Κω μωδία», Το αρχαίο θέατρο και η πρόσληψή του, Πρακτικά Δ’ Πανελληνίου Συνεδρίου, Πάτρα 26-29 Μαΐου 2011, Τμήμα
Θεατρικών Σπουδών Πανεπιστημίου Πατρών, Πάτρα 2015, σσ. 21-32. Πλωρίτης Μάριος, Μίμος και μίμοι, Καστανιώτης, Αθήνα 1990. Πούχνερ Βάλτερ, «Η πρόσληψη του Carlo Goldoni στην Ελ λάδα», Δραματουργικές αναζητήσεις-Πέντε μελετήματα, Κα στανιώτης, Αθήνα, 1995, σσ. 345-358. - «Σχέσεις του ελληνικού
θεάτρου με το ιταλικό», Teatrum Mundi. Δέκα Θεατρολογικά μελετήματα, Ελληνικά Γράμματα 2000, σσ. 191-200. - «Νέα δεδομένα στην έρευνα για τα σενάρια της commedia all’improviso του 16ου-Που αιώνα. Ο γραπτός λόγος μετα ξύ δραματικής λογοτεχνίας και σκηνικού αυτοσχεδιασμού», Παράβασις, 14/2, Αθήνα
2016, σσ. 15-52. - Η επιστήμη του Θεάτρου στον 21° αιώνα. Σύντομος απολογι σμός και σκέψεις για τις προοπτικές, Εκδόσεις Κίχλη, Αθήνα 2014. Σιδέρης Γιάννης, «La fortuna di Carlo Goldoni in Grecia (1791-1961)», Studi Goldoniani, 2, Venezia 1970, σσ. 7-48. 229
ΕΛΙΝA ΝΤΑΡΑΚΛΙΤΣΑ Σολωμός Αλεξης, Άγιος Βάκχος: άγνωστα χρόνια του ελληνικού θεάτρου 300π.χ.-1600μ.χ., Δωδώνη, Αθήνα-Γιάννενα, 1987. Σπάθης Αημήτρης, «Η παρουσία του Γκολντόνι στο νεοελ ληνικό θέατρο», Ο Διαφωτισμός και το νεοελληνικό θέατρο, University Studio Press, Θεσσαλονίκη, 1986, σσ. 199-214.
Σπυριδωνίδης Ηλίας, «Carlo Goldoni. La vedova Scaltra και L’amore materno. Ο κοσμοπολιτισμός και ο πρώιμος φεμι νισμός της Μητιώς Μεγδάνη-Σακελλαρίου στο πλαίσιο του Νεοελληνικού Διαφωτισμού», Επετηρίδα Τμήματος Ιταλικής Γλώσσας και Φιλολογίας, τόμ. 3ος, αρ. 17, σσ. 1-23. Συκουτρής Ιωάννης,
Άριστοτέλους Περί Ποιητικής, Ακαδημία Αθηνών, Ελληνική Βιβλιοθήκη 2, Βιβλιοπωλείον της Εστί ας, Αθήνα 1999. Ταμιωλάκη Μελίνα, Κωμικός Στέφανος. Νέες τάσεις στην έρευνα της αρχαίας ελληνικής κωμωδίας, Εκδόσεις της Φι λοσοφικής χολής του Πανεπιστημίου Κρήτης, 2014. Ταμπάκη Άννα, Η νεοελληνική
δραματουργία και οι δυτικές της επιδράσεις (18ος-19ος αι.). Μία συγκριτική προσέγγιση, Σειρά: «Θεατρική Έρευνα 2», Αφοί Τολίδη, Αθήνα 1993, επανέκδοση: Εκδόσεις Ergo, Αθήνα 2002. Τσατσούλης Αημήτρης, Σημειολογικές προσεγγίσεις του θεα τρικού φαινομένου, Ελληνικά γράμματα, Αθήνα 2008. 230
ΕΥΡΕΤΗΡΙΟ ONOmATON Acerboni, Giovanni, 47-48, 203 Adami, Patricia, 130 Agocchi, (Dottore Grazian Baloardo), 124 Alberts, Patricia, 152, 203 Alborghesi, 138 Alborghetti, 120 Allardyce, Nicoll, 29, 34-35, 123,203 Allori, Francesca, 139 Aloi, Alfonso, 22, 203 Altavilla, Pasquale, 103 Ambrogio Teodosio, 25, 203 Ancatoni, Diego, 149 Anderson Michael, 171,203 Andreini, Francesco, 136137, 148-149 Andreini, Giovanni Batista, 45, 136-137, 143-144,219 Andreini, Isabella, 136-138, 144 Andreini Lavinia, 137 Andreini-Ramponi Virginia, 136,227 Andreoletti, 138 Andrews, Richard, 159, 192, 203 Antonazzoni, Marina, 130 Antonello, Renzo, 148 Apollonio, Mario, 30, 93, 102,204 Appia, Adolphe, 79 Archiari, V. Teodora, 130 Argieri, (Roman Polichinelle), 110 Armelini, 138 Armiani, Vincenza, 138 Arrighi, Ciulace, 120 Artaud, Antonin, 57-59, 229 Aspontini, 138 Astrodi, Rosalia, 139 Astori, 45 Astori, Ursula, 120 Attinger Gustave, 123, 204 Attisani Antonio, 82, 204 Attolini, Giovanni, 30, 204 Austoni, 138 Azzoni, Simone, 85, 204 Bagliani, (Dottore Fobrizon), 124 Bakhtine, Mikhail, 57 Baletti, Silvia, 139 Balletti, Valeria, 139 Baili, Celesi, 110 Balme, Christopher B., 31, 56, 72-73,77, HO, 146, 205, 210, 224 Banu Georges, 15, 205 231
ΕΛΙΝΑ ΝΤΑΡΑΚΛΙΤΣΑ Barbieri, Niccolo, 187-189 Barbina, Alfredo, 160, 204 Barca, Calderon de la, 94, 98 Barese, Francesco, 110 Bargna, Ivan, 21, 205 Bartoli, Marcello, 87 Battistella, Antonio, 60 Bazoli, Giulietta, 48, 204 Beacham, Richard, 30,42,204 Beadle, Richard, 28, 204 Bebio, Lucio, 110 Bell, John, 198, 205 Beltrani, Tofano, 126 Benini, Enrica, 146, 206 Benotti, Luigi, 120 Benozzi, Bonaventura, 124 Bentoglio, Alberto, 93, 218 Beolco, Angelo, 80 Berlucci, Luigi, 120 Bernabô, Brea Luigi, 21, 205 Bernard Michel J., 15, 205 Bertolazzi, Carlo, 97 Bianchi, Brigida, 138-139 Bianchi, Giuseppe, 149 Bianchi, Orsola, 138-139 Bianchi Stefano, 97 Biancolelli, Caterina, 130 Biancolelli, Domenico, 4445, 130, 165,212 Biancolelli, Pier Francesco, 166 Bissoni, Giovanni, 154 Bizaki, Vasiliki, 21, 205 Bonaparte, Gerolamo, 167 Bonavera, Enrico, 61, 72, 9091,116 Bongiovanni, Giorgio, 90 Boquet, Guy, 48 Borowitz, Helen О., 108, 194, 206 Bosisio, Paolo, 45, 206 Bottini, Michele, 40, 206 Braga, 120 Bragaglia, Anton Giulio, 164, 206 Brabançois, HO Brecht, Bertold, 63, 65, 94, 96 Brook, Peter, 57 Buckley, Matthew, 73,135,206 Buonuomo, Ambrogio, 173 Burattelli, Claudia, 178, 206 Burchiello, Luzio, 123 Burghella, Luzio, 124 Calame, Claude, 24-25, 206 Calderoni, Agata, 139 Calcese (Ciuccio), Andrea, 110 Callot, Jacques, 105, 174, 178 Camerani, Andrea Bartolomeo, 155 Cammarano, Filippo, 103 Caniato, Manuela, 40, 207 Cantarelli, Dario, 88 Cantù, Carlo, 113 Canziani, Roberto, 63, 207 232
Ol MAZKEZ THZ COMmEDIA DELL'ARTE Carpenter, Ian, 84, 207 Carpi, Fiorenzo, 90 Cavallo, Giorgio Enrico, 167, 207 Chan Victor, 109, 207 Cecchini, Pietro Maria, 178 Chekhov, Anton Pavlovich, 97 Chaplin, Charlie, 55 Choen Beth, 21, 207 Clementi, Carlo Mazzone, 57, 207 Clubb, Louise George, 96, 207 Coen, C.,21,205 Colalto, Elder, 120 Coleson, 110 Colla, Elena, 140, 208 Colli, Gian Giacomo, 93,208 Compton-Engle Gwendolyn, 21, 127, 208 Conti, Diana, 138 Copeau, Jacques, 9, 29, 57, 73, 76, 94 Coris, Eularia, 139 Corrini, 120 Cortese, Orsola, 139 Costantini, Angelo, 158, 191192 Craig, Edward Gordon, 55-56 Crevelli, Giovanni, 120 Crick, Oily, 180, 222 Crick, Oliver Harold, 50, 208 Croce, Giulio Cesare, 180, 194 Crohn Schmitt Natalie, 33, 37, 143-144, 154, 198, 208 Cypel, Charles-Antoine, 108 D’Amato, Enrico, 71 D’amico, Silvio, 55,60-62,209 D’Anna, Chiara, 71, 209 D’Aversa, Alberto, 55 Daraklitsa, Elina, 55, 76, 209 Darbes, 120 De Bagnacavallo, Lucia, 138 Debureau, Jean Baptiste, 195 De Bianchi, Ludovico, 124 De Filippo, Eduardo, 110 De Filippo, Peppino, 110 De Fornaris, Fabrizio, 149 Degli Amarevoli, Vittoria, 138 Degl’Innocenti, Luca, 126, 209 Del Buono, Luigi, 151 Delft, Louis van, 122, 222 De Marinis, Marco, 14, 209 Descudres J.-P., 21, 205 Di Bologna, Ludovico, 124 Dickie M.W., 29, 209 Di Francia, Litterio, 47, 210 Di Tondo, Ornella, 66, 210 Di Venezia, Luigi, 117 Douël dell'Agnola, Catherine, 64,210 233
ΕΛΙΝΑ ΝΤΑΡΑΚΛΙΤΣΑ Drâbek, Pavel, 75, 210 Drusi, Riccardo, 31,210 Duchartre, Pierre Luis, 43, 75, 163, 181,210 Forlenza, Francesco, 173,212 Francasano, Michele Angelo, 102,110 Franceschini, 120 Frandon, Ida-Marie, 76,212 Freydberg, Bernard, 26,212 Frigerio, Ezio, 67, 90 Frontisi Ducroux, Françoise, 19, 26,212, 226 Fuffel, Ian, 101,212 Ebong, Inih A., 57, 210 Emiliani, Giuseppe, 9, 85, 88-89 Escobar, Sergio, 97 Fabioni, Tomaso,110 Faherty Teresa J., 95, 210 Fano, Nicola, 39, 42-43,211 Fantham, Elaine, 28, 210 Fava, Antonio, 194, 211 Ferramonti, 120 Ferrante, Luigi, 55 Ferrari, Franco, 24, 211 Ferrario, Giulio, 155, 176,211 Fido, Franco, 40, 211 Fiorentino, Antonio, 79 Fiorillo, Silvio, 103, 149, 157 Fiorillo, Tiberio, 103 Fiorini, Costantina, 25 Fisher, James, 96, 211 Fischer-Lichte, Erika, 20, 56, 74,211 Fletcher, Alan J., 28, 204 Felver, Charles S., 96, 211 Fo Dario, 42, 86, 212, 223 Fontaine, Michael, 25-26, 41, 212,222 234 Gabrielli, Francesco, 113, 154 Gambelli, Delia, 44, 212 Ganassa, Alberto, 44-45 Ganassa, Zan, 42, 44, 194, 223 Ganzachi, 124 Garafola Lynn, 171,212 Garavini, Girolamo, 138-149 Garella, Nanni, 8, 77-82, 85, Garinelli, 120 Gazzoni, Andrea, 187,213 Gentilini, Anna, 33, 213 Gillot, Claude, 108-109, 221 Girard, Gilles, 160-213 Goell,Gulie, 184,213 Goldoni, Carlo, 22-23, 33, 35-36, 40, 45, 47-50, 55-56, 63-64, 67-68,71,74, 77-79, 82-83, 85, 89, 94, 97, 112113, 115-118, 129, 141,155, 185, 187, 194, 203,206,210,
ΟΙ ΠΑΣΚΕΣΤΗΣ COMmEDIA DELL’ARTE 211,213,217, 223-224, 229230, Golinetti, 45, 120 Goodman Jessica, 39, 82, 213 Gorkij, Maksim, 94 Gozzano, Natalia, 173,213 Gozzi, Carlo, 213, 228 Graziano, Gregori, 86 Green, J. Richard, 21, 214 Green, Martin, 171, 213 Gregori, Maria Grazia, 64,214 Grignola, Antonella, 43, 102, 214 Grimes Ronald L., 62, 214 Grotowski, Jerzy, 14-15, 57, 205, 224 Guarmerio, Pier Enea, 170,214 Guccini, Gerardo, 107, 214 Guérin, Robert, 194, Guéru, Hugues, 198 Gutzwiller, Kathryn, 134 Haber, Alessandro, 80 Halliwell, Stephen, 24,41,214 Harrison, George W.M., 30, 226 Heartz, Daniel, 109, 214 Heller Wendy, 135, 215 Henke Robert, 96, 215 Hirst, David L., 72, 215 Hoover Marjorie L., 77, 215 Houle, Gabrielle, 55, 60, 63, 148,216 Hov, Live, 135, 215 Hughes, Alan, 26-27, 176, 228 Jevons, F. B., 21, 216 Johnston, Alexandra F., 28 Jollain, Gerard, 192 Jonson, Ben, 118 Jordan, Peter, 117, 216 Joseph, Luis François, 130 Joullain, François, 108-109 Katritzky, M.A., 41, 83, 107, 119, 133, 142,216 Knapper, P. J., 157, 159 Kolesch, Doris, 20, 211 Lambrino, Marcelle, 36, 217 Lancret, Nicolas, 109 Lang, Jack, 97 Lebègue Raymond, 82, 217 Lecaldano, Paolo, 43, 219 Lecoq Jacques, 14-15, 76, 216,219 Lenoir, Pierre, 130 Leone, Sergio, 90 Liapis, Vayos, 30, 204, 226 Lippman, Michael, 30, 217 Loauditiello, Giulio Cesare, 173 Lolli, Angelo Augustino, 123 Lombardi, Bernandino, 124 235
ΕΛΙΝA ΝΤΑΡΑΚΛΙΤΣΑ Moore Timothy J., 25,219 Moravia, Alberto, 43, 219 Moretti, Marcello, 52-56, 5962, 66, 148,215,219 Mulryne, J. R., 147, 219 Murray, Simon, 76, 219 Longman, Stanley Vincent, 86,217 Lorca, Federico Garcia, 97 Luciani, Margearita, 138 Lunari, Luigi, 71,217 MacCary, W. Thomas, 133,217 Macchia, Giovanni, 108, 218 Maestri, Anna, 60 Maggi, Carlo Maria, 170 Malloni, Maria, 138 Mandajors, Jean Pierre des Ours de, 47-48, 203 Marcia, Alberto, 218 Marinis, Agis, 24, 218 Marshall, C.W., 20,25-26,218 Martinelli, Marco, 82-84, 88 Matrinelli, Tristano, 45, 109, 178 Matterazzi, Francesco, 123 Mauri, Gianfranco, 71, 116 Maxwell, R. L., 29, 218 Mazzocchi, Federica, 93, 218 Meyerchol’d, Vsevolod, 9, 73, 76 Me Donald, Marianne, 141,223 McDowell John H., 43, 217 Mitschell Mary Anne, 31, 218 Modica, Gerardo, 10 Molinari Cesare, 143, 218 Mondor, 149, 163 Moody C., 77,219 Nevo Ruth, 96, 219 Niang, Mor Awa, 84 Nye, Edward, 36, 219 O'Brien, George Μ., 74, 219 Onorati, Ottavio, 192 Oreglia, Giacomo, 112, 219 Otto, Walter F., 23, 220 Paërl, Hetty, 103, 220 Paghetti, Giovanni Battista, 123-124 Parfaict, Claude, 165, 220 Parenti, Franco, 60, 116 Park, Poe Joe, 37, 220 Pasini, 120 Pasquati, Giulio, 119 Pavis, Patrice, 20, 220 Pellesini, Giovanni, 180 Perlman, Mace, 147, 220 Perroud, Robert, 22, 220 Peterson, Royce Anya, 22,220 Petito, Antonio, 110 Petrides, Antonis K., 140, 146,220 236
ΟΙ ΠΡΣΚΕΣΤΗΣ COmmEDIA DELL’ARTE Picton, John, 40, 220 Piizzi, Paola, 223 Pirandello, Luigi, 87, 89, 97 Pirrotta, Nino, 22, 220 Pollock, Donald, 123, 221 Pollucis, lullii, 42, 221 Pölzig, Hans, 73 Populus, Bernard, 108, 221 Preeshl, Artemis, 115,178,221 Pucci, Giuseppe, 105, 221 Pugliatti, Paola, 96, 221 Quinn, Michael L., 107, 129, 221 Rance Philip, 17, 221 Ratto, Gianni, 51-52 Ravermann, Martin, 40, 226 Reinhardt, Max, 9, 73-75, 94 Riccoboni, Antonio, 120 Riccoboni, Luigi (Lelio), 48, 107-108, 120, 155,222 Richards, Laura, 33, 222 Richards, Kenneth, 33, 222 Richardson, Brian, 126, 209 Ricci, Teodora, 139 Rolland, Romain, 74, 222 Romagnesi, Marco Antonio, 124,144 Roncagli, Silvia, 130 Ronconi, Luca, 97 Rosa, Salvator, 173, 213 Rosanno, Annamaria, 90 Roukhomovsky, Bernard, 122, 222 Rousseau, Jean Jacques, 108, 185,222 Rubbini, Francesco, 120 Rudlin, John, 141, 180, 222 Rusca, Margherita, 130 Rusten, Jeffrey, 26, 222 Ruzzante, 80, 170 Sacchi, Antonio, 113, 204 Sacco, Ottavio, 161 Salacrou, Armand, 94 Sambin, Michele, 9, 81, 84 Sander Goldberg, 140, 222 Santuccio, Gianni, 60 Sartori, Amleto, 59, 61, 68, 218, 222 Sartori, Donato, 59, 61, 68, 218, 222 Savi, Savorini, Galeozzo, 124 Sbordoni, Chiara, 126, 209 Scafuro, Adele C., 26, 41, 212, 222 Scala, Flaminio, 142-144, 167, 192, 203,208-209,219, 223 Scaligero, Camilo, 194 Schino, Mirella, 44, 82, 165, 224 237
ΕΛΙΝΑ ΝΤΑΡΑΚΛΙΤΣΑ Scuderi Antonio, 86 Shergold, Normand David, 44, 223 Shewring Margaret, 147, 219 Simoni, Renato, 56 Smith Winifred, 34, 223 Soleri, Ferruccio, 9, 60-61, 66-68, 70, 72, 89-90, 229 Sorrenti, Vittorio, 160, 223 Squarcapino, Franca, 90 Sricotti, Fabio, 120 Starkie Walter, 30, 187, 223 Stäuble Antonio, 38, 223 Steele Eugene, 96, 194, 223 Stehle, Eva, 127, 224 Sterling, Charles, 112, 224 Stockton, Rand Richard, 133, 224 Strehler, Giorgio, 9, 47, 5051,53-56, 59-61,63-73,75, 77-82, 85,90-91,93-95,9798, 148, 204, 207-208,210, 215,218-219, 224 Tabarin, Giovanni, 163 Tairov, Yakovlevich Alexander, 9, 73, 76, Taviani, Ferdinando, 14, 44, 146, 157, 165, 187, 224 Tessari, Roberto, 56, 225 Tonelli, Franco, 156, 225 Torresin, Brunella, 79, 225 Tosi, Virgilio, 93 Trapido, Joel, 102, 225 Trimpi, Helen P., 42,225 Thumiger, Chiara, 86, 225 Turi, 120 Tylus, Jane, 137, 225 Valentino, Antonio, 140, 225 Valeriano, Leo, 103, 225 Vakhtangov, Evgenij B., 9, 73,76 Varakis, Angeliki, 127, 226 Vernant, Jean Pierre, 19, 226 Véronèse, Anna, 130, 184-185 Véronèse, Camilla, 120 Véronèse, Carlo, 120,130,184 Véronèse, Carolina, 120 Veronese Pietro, 124 Vescovo Piermario, 72-73, 77, 110, 146, 205,210, 224 Vianello Danielle, 72-73, 77, HO, 205 Vilar, Jean, 94 Vovolis, Thanos, 19, 226 Walton, Michael, 141, 223 Warstat Matthias, 20, 211 Watteau, Antoine, 108-109, 206-207,215,218-219 Weiss Piero, 23, 226 Werr Sebastian, 22, 226 238
ΟΙ ΠΑΣΚΕΣΤΗΣ COmmEDIA DELL’ARTE Wilbourne, Emily, 133, 136, 147, 227 Wyles, Rosie, 99, 226 Wiles, David, 26, 29,40, 226 Wilson, Peter, 40, 226 Winkler, John, 126, 227 Zannoni, Atanasio, 113,227 Zareschi, Elena, 60 Zecca, Niccolo, 180 Zorzi, Ludovico, 34, 42, 227 Αισχύλος, 74, 99 Αμεδέος, Βικτώριος I, 180 Αριστοτέλης, 16, 20, 41, 227 Αριστοφάνης, 24, 99,122,127, 129,140,151,168,180,184 Βιβιλάκης Ιωσήφ, 29, 227 Βοναπάρτης, Ιερώνυμος, 167 Γρηγορίου, Ρέα, 33, 227 Δάντης, 42 Θέσπης, 12 Λάσκαρης, Νικόλαος, 33, 228 Μανδηλαράς, Β.Γ., 29, 228 Μαρκαντωνάτος, Ανδρέας Γερ., 24, 229 Μένανδρος, 24, 41, 129, 133134, 140, 151, 168, 180, 184, Μολιέρος, 117, 129-130, 156157,159, 173, 189, 195 Μουντράκη, Ειρήνη, 33, 228 Μπαχτίν, Μιχαήλ, 57, 228 Μποζίζιο, Πάολο, 28, 228 Νταρακλίτσα, Ελίνα, 28, 47, 50, 59,61,75,87, 99, 115, 126, 228-229 Παππάς, Θεόδωρος, 24, 229 Πετρίδης, Ανιώνης, 24,168,229 Πλαύτος, 44, 118, 129, 134, 140, 146,184 Πλωρίτης, Μάριος, 29, 229 Πολυδεύκης, Ιούλιος, 17, 168 Πούχνερ, Βάλτερ, 33, 29 Σαίξπηρ, Ουίλιαμ, 95 Σιδέρης, Γιάννης, 33, 229 Σολωμός Αλέξης, 9, 230 Σπάθης, Δημήτρης, 33, 230 Σπυριδωνίδης, Ηλίας, 33, 230 Συκουτρής, Ιωάννης, 20, 227, 230 Ταμπάκη, Άννα, 33, 230 Ταμιωλάκη, Μελίνα, 168, 230 Τερέντιος, 140, 146, 173, Τσατσούλης Δημήτρης, 18, 230 |
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| author | Ntaraklitsa, Elina ca. 20./21. Jh |
| author_GND | (DE-588)1181251699 |
| author_facet | Ntaraklitsa, Elina ca. 20./21. Jh |
| author_role | aut |
| author_sort | Ntaraklitsa, Elina ca. 20./21. Jh |
| author_variant | e n en |
| building | Verbundindex |
| bvnumber | BV049532447 |
| contents | Bibliografie S. 203-230 und Index S. 231-239 |
| ctrlnum | (OCoLC)1422453089 (DE-599)BVBBV049532447 |
| edition | 1ē ekdosē |
| format | Book |
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| id | DE-604.BV049532447 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:27:09Z |
| indexdate | 2024-07-20T05:36:43Z |
| institution | BVB |
| isbn | 9786185563141 |
| language | Greek |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034878055 |
| oclc_num | 1422453089 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 239 Seiten Illustrationen |
| psigel | BSB_NED_20240502 gbd_1 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Ekdoseis Otan |
| record_format | marc |
| spelling | Ntaraklitsa, Elina ca. 20./21. Jh. Verfasser (DE-588)1181251699 aut Oi maskes tēs commedia dell'arte ē epirroē apo to archaio ellēniko kai rōmaïko theatro Elina Ntaraklitsa hellēniko 1ē ekdosē Athēna Ekdoseis Otan 2023 239 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier In griechischer Schrift Bibliografie S. 203-230 und Index S. 231-239 Commedia dell'arte (DE-588)4010433-3 gnd rswk-swf Antike (DE-588)4068754-5 gnd rswk-swf Maske (DE-588)4037845-7 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Theater (DE-588)4059702-7 s Antike (DE-588)4068754-5 s Commedia dell'arte (DE-588)4010433-3 s Maske (DE-588)4037845-7 s DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034878055&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034878055&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034878055&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
| spellingShingle | Ntaraklitsa, Elina ca. 20./21. Jh Oi maskes tēs commedia dell'arte ē epirroē apo to archaio ellēniko kai rōmaïko theatro Bibliografie S. 203-230 und Index S. 231-239 Commedia dell'arte (DE-588)4010433-3 gnd Antike (DE-588)4068754-5 gnd Maske (DE-588)4037845-7 gnd Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4010433-3 (DE-588)4068754-5 (DE-588)4037845-7 (DE-588)4059702-7 |
| title | Oi maskes tēs commedia dell'arte ē epirroē apo to archaio ellēniko kai rōmaïko theatro |
| title_alt | hellēniko |
| title_auth | Oi maskes tēs commedia dell'arte ē epirroē apo to archaio ellēniko kai rōmaïko theatro |
| title_exact_search | Oi maskes tēs commedia dell'arte ē epirroē apo to archaio ellēniko kai rōmaïko theatro |
| title_exact_search_txtP | Oi maskes tēs commedia dell'arte ē epirroē apo to archaio ellēniko kai rōmaïko theatro |
| title_full | Oi maskes tēs commedia dell'arte ē epirroē apo to archaio ellēniko kai rōmaïko theatro Elina Ntaraklitsa |
| title_fullStr | Oi maskes tēs commedia dell'arte ē epirroē apo to archaio ellēniko kai rōmaïko theatro Elina Ntaraklitsa |
| title_full_unstemmed | Oi maskes tēs commedia dell'arte ē epirroē apo to archaio ellēniko kai rōmaïko theatro Elina Ntaraklitsa |
| title_short | Oi maskes tēs commedia dell'arte |
| title_sort | oi maskes tes commedia dell arte e epirroe apo to archaio elleniko kai romaiko theatro |
| title_sub | ē epirroē apo to archaio ellēniko kai rōmaïko theatro |
| topic | Commedia dell'arte (DE-588)4010433-3 gnd Antike (DE-588)4068754-5 gnd Maske (DE-588)4037845-7 gnd Theater (DE-588)4059702-7 gnd |
| topic_facet | Commedia dell'arte Antike Maske Theater |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034878055&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034878055&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034878055&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ntaraklitsaelina oimaskestescommediadellarteeepirroeapotoarchaioellenikokairomaikotheatro AT ntaraklitsaelina helleniko |