Fashion and jazz: dress, identity and subcultural improvisation
Born in the late 19th century, jazz gained mainstream popularity during a volatile period of racial segregation and gender inequality. It was in these adverse conditions that jazz performers discovered the power of dress as a visual tool used to defy mainstream societal constructs, shaping a new fas...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
[London]
Bloomsbury Academic
2015
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Schriftenreihe: | Dress, body, culture
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Schlagworte: | |
Online-Zugang: | HTW01 URL des Erstveröffentlichers |
Zusammenfassung: | Born in the late 19th century, jazz gained mainstream popularity during a volatile period of racial segregation and gender inequality. It was in these adverse conditions that jazz performers discovered the power of dress as a visual tool used to defy mainstream societal constructs, shaping a new fashion and style aesthetic. Fashion and Jazz is the first study to identify the behaviours, signs and meanings that defined this newly evolving subculture. Drawing on fashion studies and cultural theory, the book provides an in-depth analysis of the social and political entanglements of jazz and dress, with individual chapters exploring key themes such as race, class and gender. Including a wide variety of case studies, ranging from Billie Holiday and Ella Fitzgerald to Louis Armstrong and Chet Baker, it presents a critical and cultural analysis of jazz performers as modern icons of fashion and popular style. Addressing a number of previously underexplored areas of jazz culture, such as modern dandyism and the link between drug use and glamorous dress, Fashion and Jazz provides a fascinating history of fashion s dialogue with African-American art and style. It is essential reading for students of fashion, cultural studies, African-American studies and history Introduction 1 Dress Theory, Fashion and a Jazz Aesthetic 2 A Stylish History of Jazz: 1900 1960 3 A Narrative of Jazz Modernity 4 Assessing Elitism and Branding in Jazz 5 Gendered Identities, Ideologies and Cultural Difference 6 Subversive Representation: Vernacular, Dress and Morality 7 Narcotics and Jazz: A Fashionable Addiction 8 Beyond the Gardenia: Billie Holiday 9 Aesthetics of the Jazz Dandy 10 Philadelphia Nightlife, Nostalgia and Popular Culture Coda Appendix I: Recommended Listening Appendix II: Recommended Viewing Bibliography Index |
Beschreibung: | Online Ausgabe erschienen bei Bloomsbury Fashion Central: 2021 Zielgruppe - Audience: Specialized |
Beschreibung: | 1 Online-Ressource (xvi, 172 Seiten) Illustrationen |
ISBN: | 9781350051195 9780857851291 9780857851284 |
DOI: | 10.5040/9781350051195 |
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520 | 3 | |a Born in the late 19th century, jazz gained mainstream popularity during a volatile period of racial segregation and gender inequality. It was in these adverse conditions that jazz performers discovered the power of dress as a visual tool used to defy mainstream societal constructs, shaping a new fashion and style aesthetic. Fashion and Jazz is the first study to identify the behaviours, signs and meanings that defined this newly evolving subculture. Drawing on fashion studies and cultural theory, the book provides an in-depth analysis of the social and political entanglements of jazz and dress, with individual chapters exploring key themes such as race, class and gender. Including a wide variety of case studies, ranging from Billie Holiday and Ella Fitzgerald to Louis Armstrong and Chet Baker, it presents a critical and cultural analysis of jazz performers as modern icons of fashion and popular style. Addressing a number of previously underexplored areas of jazz culture, such as modern dandyism and the link between drug use and glamorous dress, Fashion and Jazz provides a fascinating history of fashion s dialogue with African-American art and style. It is essential reading for students of fashion, cultural studies, African-American studies and history | |
520 | 3 | |a Introduction 1 Dress Theory, Fashion and a Jazz Aesthetic 2 A Stylish History of Jazz: 1900 1960 3 A Narrative of Jazz Modernity 4 Assessing Elitism and Branding in Jazz 5 Gendered Identities, Ideologies and Cultural Difference 6 Subversive Representation: Vernacular, Dress and Morality 7 Narcotics and Jazz: A Fashionable Addiction 8 Beyond the Gardenia: Billie Holiday 9 Aesthetics of the Jazz Dandy 10 Philadelphia Nightlife, Nostalgia and Popular Culture Coda Appendix I: Recommended Listening Appendix II: Recommended Viewing Bibliography Index | |
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language | English |
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spelling | McClendon, Alphonso D. Verfasser (DE-588)1076493912 aut Fashion and jazz dress, identity and subcultural improvisation Alphonso D. McClendon [London] Bloomsbury Academic 2015 1 Online-Ressource (xvi, 172 Seiten) Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Dress, body, culture Online Ausgabe erschienen bei Bloomsbury Fashion Central: 2021 Zielgruppe - Audience: Specialized Born in the late 19th century, jazz gained mainstream popularity during a volatile period of racial segregation and gender inequality. It was in these adverse conditions that jazz performers discovered the power of dress as a visual tool used to defy mainstream societal constructs, shaping a new fashion and style aesthetic. Fashion and Jazz is the first study to identify the behaviours, signs and meanings that defined this newly evolving subculture. Drawing on fashion studies and cultural theory, the book provides an in-depth analysis of the social and political entanglements of jazz and dress, with individual chapters exploring key themes such as race, class and gender. Including a wide variety of case studies, ranging from Billie Holiday and Ella Fitzgerald to Louis Armstrong and Chet Baker, it presents a critical and cultural analysis of jazz performers as modern icons of fashion and popular style. Addressing a number of previously underexplored areas of jazz culture, such as modern dandyism and the link between drug use and glamorous dress, Fashion and Jazz provides a fascinating history of fashion s dialogue with African-American art and style. It is essential reading for students of fashion, cultural studies, African-American studies and history Introduction 1 Dress Theory, Fashion and a Jazz Aesthetic 2 A Stylish History of Jazz: 1900 1960 3 A Narrative of Jazz Modernity 4 Assessing Elitism and Branding in Jazz 5 Gendered Identities, Ideologies and Cultural Difference 6 Subversive Representation: Vernacular, Dress and Morality 7 Narcotics and Jazz: A Fashionable Addiction 8 Beyond the Gardenia: Billie Holiday 9 Aesthetics of the Jazz Dandy 10 Philadelphia Nightlife, Nostalgia and Popular Culture Coda Appendix I: Recommended Listening Appendix II: Recommended Viewing Bibliography Index Jazz / Social aspects Fashion / History Clothing and dress / History Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8578-5126-0 Erscheint auch als Druck-Ausgabe, Paperback 978-0-8578-5127-7 https://doi.org/10.5040/9781350051195?locatt=label:secondary_bloomsburyFashionCentral Verlag URL des Erstveröffentlichers |
spellingShingle | McClendon, Alphonso D. Fashion and jazz dress, identity and subcultural improvisation |
title | Fashion and jazz dress, identity and subcultural improvisation |
title_auth | Fashion and jazz dress, identity and subcultural improvisation |
title_exact_search | Fashion and jazz dress, identity and subcultural improvisation |
title_exact_search_txtP | Fashion and jazz dress, identity and subcultural improvisation |
title_full | Fashion and jazz dress, identity and subcultural improvisation Alphonso D. McClendon |
title_fullStr | Fashion and jazz dress, identity and subcultural improvisation Alphonso D. McClendon |
title_full_unstemmed | Fashion and jazz dress, identity and subcultural improvisation Alphonso D. McClendon |
title_short | Fashion and jazz |
title_sort | fashion and jazz dress identity and subcultural improvisation |
title_sub | dress, identity and subcultural improvisation |
url | https://doi.org/10.5040/9781350051195?locatt=label:secondary_bloomsburyFashionCentral |
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