The Austrian connection: the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918)
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2016
|
| Beschreibung: | Part II. Expressionism in global cinema |
| ISBN: | 978-1-4744-0325-2 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049529446 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 240202s2016 |||| 00||| eng d | ||
| 035 | |a (DE-599)BVBBV049529446 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 | ||
| 100 | 1 | |a Brill, Olaf |d 1967- |0 (DE-588)140359230 |4 aut | |
| 245 | 1 | 0 | |a The Austrian connection |b the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) |c Olaf Brill |
| 264 | 1 | |c 2016 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Part II. Expressionism in global cinema | ||
| 773 | 1 | 8 | |g pages:133-144 |
| 773 | 0 | 8 | |t Expressionism in the cinema / edited by Olaf Brill and Gary D. Rhodes |d Edinburgh, 2016 |g Seite 133-144 |k Traditions in world cinema |w (DE-604)BV043480922 |z 978-1-4744-0325-2 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034875145 | ||
| 941 | |s 133-144 | ||
Datensatz im Suchindex
| _version_ | 1804186358264102912 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV043480922 |
| author | Brill, Olaf 1967- |
| author_GND | (DE-588)140359230 |
| author_facet | Brill, Olaf 1967- |
| author_role | aut |
| author_sort | Brill, Olaf 1967- |
| author_variant | o b ob |
| building | Verbundindex |
| bvnumber | BV049529446 |
| ctrlnum | (DE-599)BVBBV049529446 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00961naa a2200265 c 4500</leader><controlfield tag="001">BV049529446</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240202s2016 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049529446</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Brill, Olaf</subfield><subfield code="d">1967-</subfield><subfield code="0">(DE-588)140359230</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Austrian connection</subfield><subfield code="b">the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918)</subfield><subfield code="c">Olaf Brill</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2016</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Part II. Expressionism in global cinema</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:133-144</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Expressionism in the cinema / edited by Olaf Brill and Gary D. Rhodes</subfield><subfield code="d">Edinburgh, 2016</subfield><subfield code="g">Seite 133-144</subfield><subfield code="k">Traditions in world cinema</subfield><subfield code="w">(DE-604)BV043480922</subfield><subfield code="z">978-1-4744-0325-2</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034875145</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">133-144</subfield></datafield></record></collection> |
| id | DE-604.BV049529446 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:26:46Z |
| indexdate | 2024-07-10T10:09:51Z |
| institution | BVB |
| isbn | 978-1-4744-0325-2 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034875145 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| record_format | marc |
| spelling | Brill, Olaf 1967- (DE-588)140359230 aut The Austrian connection the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) Olaf Brill 2016 txt rdacontent n rdamedia nc rdacarrier Part II. Expressionism in global cinema pages:133-144 Expressionism in the cinema / edited by Olaf Brill and Gary D. Rhodes Edinburgh, 2016 Seite 133-144 Traditions in world cinema (DE-604)BV043480922 978-1-4744-0325-2 |
| spellingShingle | Brill, Olaf 1967- The Austrian connection the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) |
| title | The Austrian connection the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) |
| title_auth | The Austrian connection the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) |
| title_exact_search | The Austrian connection the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) |
| title_exact_search_txtP | The Austrian connection the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) |
| title_full | The Austrian connection the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) Olaf Brill |
| title_fullStr | The Austrian connection the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) Olaf Brill |
| title_full_unstemmed | The Austrian connection the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) Olaf Brill |
| title_short | The Austrian connection |
| title_sort | the austrian connection the frame story and insanity in paul czinner s inferno 1919 and fritz freisler s the mandarin 1918 |
| title_sub | the frame story and insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) |
| work_keys_str_mv | AT brillolaf theaustrianconnectiontheframestoryandinsanityinpaulczinnersinferno1919andfritzfreislersthemandarin1918 |