Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti:
The English-raised Ananda K. Coomaraswamy, the twentieth century’s leading historian of Indian art, is well known for prizing tradition and anonymity and for upholding the position that visualization exercises were an essential part of the creative process. The first part of this article addresses t...
Gespeichert in:
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
December 2023
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| Online-Zugang: | Volltext |
| Zusammenfassung: | The English-raised Ananda K. Coomaraswamy, the twentieth century’s leading historian of Indian art, is well known for prizing tradition and anonymity and for upholding the position that visualization exercises were an essential part of the creative process. The first part of this article addresses the role of the English Arts and Crafts Movement and of such lesser-known figures as Sister Nivedita and Lionel de Fonseka in shaping Coomaraswamy’s views. The middle part consists of a discussion of the passages in the nineteenth-century Sanskrit treatise the Śukranīti that Coomaraswamy depended upon to support his opinions. The final part of the article is devoted to the writings of the sociologist Benoy Kumar Sarkar, author of the standard translation of the Śukranīti. As an opponent of the over-spiritualisation of Indian civilisation, he constructed a universal grammar of art. In this enterprise, he was heavily influenced by the American painter Max Weber. |
| Beschreibung: | 1 Online-Ressource (30 Seiten) Illustrationen |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004313 |
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| 520 | 3 | |a The English-raised Ananda K. Coomaraswamy, the twentieth century’s leading historian of Indian art, is well known for prizing tradition and anonymity and for upholding the position that visualization exercises were an essential part of the creative process. The first part of this article addresses the role of the English Arts and Crafts Movement and of such lesser-known figures as Sister Nivedita and Lionel de Fonseka in shaping Coomaraswamy’s views. The middle part consists of a discussion of the passages in the nineteenth-century Sanskrit treatise the Śukranīti that Coomaraswamy depended upon to support his opinions. The final part of the article is devoted to the writings of the sociologist Benoy Kumar Sarkar, author of the standard translation of the Śukranīti. As an opponent of the over-spiritualisation of Indian civilisation, he constructed a universal grammar of art. In this enterprise, he was heavily influenced by the American painter Max Weber. | |
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| spelling | Woodward, Hiram W. ca. 20./21. Jh. Verfasser (DE-588)139914323 aut Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti Hiram Woodward December 2023 1 Online-Ressource (30 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The English-raised Ananda K. Coomaraswamy, the twentieth century’s leading historian of Indian art, is well known for prizing tradition and anonymity and for upholding the position that visualization exercises were an essential part of the creative process. The first part of this article addresses the role of the English Arts and Crafts Movement and of such lesser-known figures as Sister Nivedita and Lionel de Fonseka in shaping Coomaraswamy’s views. The middle part consists of a discussion of the passages in the nineteenth-century Sanskrit treatise the Śukranīti that Coomaraswamy depended upon to support his opinions. The final part of the article is devoted to the writings of the sociologist Benoy Kumar Sarkar, author of the standard translation of the Śukranīti. As an opponent of the over-spiritualisation of Indian civilisation, he constructed a universal grammar of art. In this enterprise, he was heavily influenced by the American painter Max Weber. number:29 year:2023 Journal of art historiography Glasgow, 2023 Heft 29 (2023) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004313 Verlag kostenfrei Volltext |
| spellingShingle | Woodward, Hiram W. ca. 20./21. Jh Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti |
| title | Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti |
| title_auth | Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti |
| title_exact_search | Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti |
| title_exact_search_txtP | Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti |
| title_full | Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti Hiram Woodward |
| title_fullStr | Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti Hiram Woodward |
| title_full_unstemmed | Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti Hiram Woodward |
| title_short | Ananda K. Coomaraswamy, Benoy Kumar Sarkar, and the Śukranīti |
| title_sort | ananda k coomaraswamy benoy kumar sarkar and the sukraniti |
| url | https://doi.org/10.48352/uobxjah.00004313 |
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