The artist as historian-politician: Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50)
This article analyses the sophisticated performance of cultural nationalism in the first instalment of España artística y monumental. It examines how the work’s creators interpreted the Catholic identity of Spain through their political viewpoint aligned with the Partido Moderado, the Spanish libera...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
December 2023
|
| Online-Zugang: | Volltext |
| Zusammenfassung: | This article analyses the sophisticated performance of cultural nationalism in the first instalment of España artística y monumental. It examines how the work’s creators interpreted the Catholic identity of Spain through their political viewpoint aligned with the Partido Moderado, the Spanish liberal conservative party; the process by which they sought to make that identity real, concrete, and persuasive, and the roles of historian, politician, and architect played by the work’s illustrator: painter Genaro Pérez Villaamil. Special attention is paid to the intellectual framework that enabled the project, with a particular focus on the epistemology of Romantic historicism and aesthetics, the understanding of the nation as a civilisation, and the weight assigned to architecture as historical proof. The article also scrutinises the readership experience in order to reveal a potential unusually effective nationalist performance of España artística y monumental in its strategic sequencing of monuments, its interpretation of these monuments through a simultaneously visual and verbal discourse, and the broad dissemination achieved by the work thanks to its printed medium. |
| Beschreibung: | 1 Online-Ressource (46 Seiten) Illustrationen |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004311 |
Internformat
MARC
| LEADER | 00000nma a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049529307 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240202s2023 |||| o||u| ||||||eng d | ||
| 024 | 7 | |a 10.48352/uobxjah.00004311 |2 doi | |
| 035 | |a (OCoLC)1422450946 | ||
| 035 | |a (DE-599)BVBBV049529307 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Mateo, Matilde |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The artist as historian-politician |b Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50) |c Matilde Mateo |
| 264 | 1 | |c December 2023 | |
| 300 | |a 1 Online-Ressource (46 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a This article analyses the sophisticated performance of cultural nationalism in the first instalment of España artística y monumental. It examines how the work’s creators interpreted the Catholic identity of Spain through their political viewpoint aligned with the Partido Moderado, the Spanish liberal conservative party; the process by which they sought to make that identity real, concrete, and persuasive, and the roles of historian, politician, and architect played by the work’s illustrator: painter Genaro Pérez Villaamil. Special attention is paid to the intellectual framework that enabled the project, with a particular focus on the epistemology of Romantic historicism and aesthetics, the understanding of the nation as a civilisation, and the weight assigned to architecture as historical proof. The article also scrutinises the readership experience in order to reveal a potential unusually effective nationalist performance of España artística y monumental in its strategic sequencing of monuments, its interpretation of these monuments through a simultaneously visual and verbal discourse, and the broad dissemination achieved by the work thanks to its printed medium. | |
| 773 | 1 | 8 | |g number:29 |g year:2023 |
| 773 | 0 | 8 | |t Journal of art historiography |d Glasgow, 2023 |g Heft 29 (2023) |w (DE-604)BV035944348 |x 2042-4752 |o (DE-600)2532257-6 |
| 856 | 4 | 0 | |u https://doi.org/10.48352/uobxjah.00004311 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a ebook | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034875013 | ||
| 941 | |h 29 |j 2023 | ||
Datensatz im Suchindex
| _version_ | 1804186358048096256 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV035944348 |
| author | Mateo, Matilde |
| author_facet | Mateo, Matilde |
| author_role | aut |
| author_sort | Mateo, Matilde |
| author_variant | m m mm |
| building | Verbundindex |
| bvnumber | BV049529307 |
| collection | ebook |
| ctrlnum | (OCoLC)1422450946 (DE-599)BVBBV049529307 |
| doi_str_mv | 10.48352/uobxjah.00004311 |
| format | Electronic Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02403nma a2200325 c 4500</leader><controlfield tag="001">BV049529307</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240202s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.48352/uobxjah.00004311</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422450946</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049529307</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Mateo, Matilde</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The artist as historian-politician</subfield><subfield code="b">Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50)</subfield><subfield code="c">Matilde Mateo</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">December 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (46 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This article analyses the sophisticated performance of cultural nationalism in the first instalment of España artística y monumental. It examines how the work’s creators interpreted the Catholic identity of Spain through their political viewpoint aligned with the Partido Moderado, the Spanish liberal conservative party; the process by which they sought to make that identity real, concrete, and persuasive, and the roles of historian, politician, and architect played by the work’s illustrator: painter Genaro Pérez Villaamil. Special attention is paid to the intellectual framework that enabled the project, with a particular focus on the epistemology of Romantic historicism and aesthetics, the understanding of the nation as a civilisation, and the weight assigned to architecture as historical proof. The article also scrutinises the readership experience in order to reveal a potential unusually effective nationalist performance of España artística y monumental in its strategic sequencing of monuments, its interpretation of these monuments through a simultaneously visual and verbal discourse, and the broad dissemination achieved by the work thanks to its printed medium.</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">number:29</subfield><subfield code="g">year:2023</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Journal of art historiography</subfield><subfield code="d">Glasgow, 2023</subfield><subfield code="g">Heft 29 (2023)</subfield><subfield code="w">(DE-604)BV035944348</subfield><subfield code="x">2042-4752</subfield><subfield code="o">(DE-600)2532257-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.48352/uobxjah.00004311</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034875013</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="h">29</subfield><subfield code="j">2023</subfield></datafield></record></collection> |
| id | DE-604.BV049529307 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:26:44Z |
| indexdate | 2024-07-10T10:09:51Z |
| institution | BVB |
| issn | 2042-4752 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034875013 |
| oclc_num | 1422450946 |
| open_access_boolean | 1 |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 1 Online-Ressource (46 Seiten) Illustrationen |
| psigel | ebook |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| record_format | marc |
| spelling | Mateo, Matilde Verfasser aut The artist as historian-politician Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50) Matilde Mateo December 2023 1 Online-Ressource (46 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier This article analyses the sophisticated performance of cultural nationalism in the first instalment of España artística y monumental. It examines how the work’s creators interpreted the Catholic identity of Spain through their political viewpoint aligned with the Partido Moderado, the Spanish liberal conservative party; the process by which they sought to make that identity real, concrete, and persuasive, and the roles of historian, politician, and architect played by the work’s illustrator: painter Genaro Pérez Villaamil. Special attention is paid to the intellectual framework that enabled the project, with a particular focus on the epistemology of Romantic historicism and aesthetics, the understanding of the nation as a civilisation, and the weight assigned to architecture as historical proof. The article also scrutinises the readership experience in order to reveal a potential unusually effective nationalist performance of España artística y monumental in its strategic sequencing of monuments, its interpretation of these monuments through a simultaneously visual and verbal discourse, and the broad dissemination achieved by the work thanks to its printed medium. number:29 year:2023 Journal of art historiography Glasgow, 2023 Heft 29 (2023) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004311 Verlag kostenfrei Volltext |
| spellingShingle | Mateo, Matilde The artist as historian-politician Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50) |
| title | The artist as historian-politician Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50) |
| title_auth | The artist as historian-politician Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50) |
| title_exact_search | The artist as historian-politician Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50) |
| title_exact_search_txtP | The artist as historian-politician Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50) |
| title_full | The artist as historian-politician Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50) Matilde Mateo |
| title_fullStr | The artist as historian-politician Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50) Matilde Mateo |
| title_full_unstemmed | The artist as historian-politician Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50) Matilde Mateo |
| title_short | The artist as historian-politician |
| title_sort | the artist as historian politician romantic historicism art and architecture in the performance of cultural nationalism in perez villaamil and escosura s espana artistica y monumental 1842 50 |
| title_sub | Romantic historicism, art, and architecture in the performance of cultural nationalism in Pérez Villaamil and Escosura’s España artística y monumental (1842-50) |
| url | https://doi.org/10.48352/uobxjah.00004311 |
| work_keys_str_mv | AT mateomatilde theartistashistorianpoliticianromantichistoricismartandarchitectureintheperformanceofculturalnationalisminperezvillaamilandescosurasespanaartisticaymonumental184250 |