Reframing the history of proletarian art: Sino-Japanese relations in modern woodcut print culture
The emergence of modern Chinese woodcut aesthetics, motifs and techniques during the early twentieth century has long been understood in relation to cultural exchanges between East and West. Art historical narratives have highlighted the influence of European art on East Asian woodcut printing, whil...
Gespeichert in:
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
December 2023
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| Online-Zugang: | Volltext |
| Zusammenfassung: | The emergence of modern Chinese woodcut aesthetics, motifs and techniques during the early twentieth century has long been understood in relation to cultural exchanges between East and West. Art historical narratives have highlighted the influence of European art on East Asian woodcut printing, while conceptual, pictorial and technical connections between Chinese and Japanese practices have been neglected. This article reveals previously overlooked Sino-Japanese correlations in the emergence of modern print culture and argues that their absence in the Chinese history of proletarian art served political goals. |
| Beschreibung: | 1 Online-Ressource (27 Seiten) Illustrationen |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004308 |
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| spelling | Grasskamp, Anna 1983- Verfasser (DE-588)1069407593 aut Reframing the history of proletarian art Sino-Japanese relations in modern woodcut print culture Anna Grasskamp December 2023 1 Online-Ressource (27 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The emergence of modern Chinese woodcut aesthetics, motifs and techniques during the early twentieth century has long been understood in relation to cultural exchanges between East and West. Art historical narratives have highlighted the influence of European art on East Asian woodcut printing, while conceptual, pictorial and technical connections between Chinese and Japanese practices have been neglected. This article reveals previously overlooked Sino-Japanese correlations in the emergence of modern print culture and argues that their absence in the Chinese history of proletarian art served political goals. number:29 year:2023 Journal of art historiography Glasgow, 2023 Heft 29 (2023) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004308 Verlag kostenfrei Volltext |
| spellingShingle | Grasskamp, Anna 1983- Reframing the history of proletarian art Sino-Japanese relations in modern woodcut print culture |
| title | Reframing the history of proletarian art Sino-Japanese relations in modern woodcut print culture |
| title_auth | Reframing the history of proletarian art Sino-Japanese relations in modern woodcut print culture |
| title_exact_search | Reframing the history of proletarian art Sino-Japanese relations in modern woodcut print culture |
| title_exact_search_txtP | Reframing the history of proletarian art Sino-Japanese relations in modern woodcut print culture |
| title_full | Reframing the history of proletarian art Sino-Japanese relations in modern woodcut print culture Anna Grasskamp |
| title_fullStr | Reframing the history of proletarian art Sino-Japanese relations in modern woodcut print culture Anna Grasskamp |
| title_full_unstemmed | Reframing the history of proletarian art Sino-Japanese relations in modern woodcut print culture Anna Grasskamp |
| title_short | Reframing the history of proletarian art |
| title_sort | reframing the history of proletarian art sino japanese relations in modern woodcut print culture |
| title_sub | Sino-Japanese relations in modern woodcut print culture |
| url | https://doi.org/10.48352/uobxjah.00004308 |
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