"Unframing" Byzantine ivories: painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship
This paper scrutinises Adolf Goldschmidt and Kurt Weitzmann’s publication on Byzantine ivories to reveal its entanglement with contemporaneous art theories and art historical discourses. It identifies the bedrock of the authors’ observations in Heinrich Wölfflin’s stylistic dialectic and in the crit...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
December 2023
|
| Schlagworte: | |
| Online-Zugang: | kostenfrei |
| Zusammenfassung: | This paper scrutinises Adolf Goldschmidt and Kurt Weitzmann’s publication on Byzantine ivories to reveal its entanglement with contemporaneous art theories and art historical discourses. It identifies the bedrock of the authors’ observations in Heinrich Wölfflin’s stylistic dialectic and in the critical writings by Adolf von Hildebrand and Aloïs Riegl devoted to the subject of relief. Such contextual and critical approaches to the publication allow for a reconsideration of some of the criticisms addressed to it while further questioning the reliability of its analysis. Nevertheless, the article intends to reappraise the innovativeness of the volume and its importance for the history of the discipline, offering an opportunity to reflect on the early research practices that produced some of Art History’s foundational works. |
| Beschreibung: | 1 Online-Ressource (35 Seiten) Illustrationen |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004307 |
Internformat
MARC
| LEADER | 00000nma a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049529161 | ||
| 003 | DE-604 | ||
| 005 | 20240903 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240202s2023 |||| o||u| ||||||eng d | ||
| 024 | 7 | |a 10.48352/uobxjah.00004307 |2 doi | |
| 035 | |a (OCoLC)1422496196 | ||
| 035 | |a (DE-599)BVBBV049529161 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Galardi, Elisa |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a "Unframing" Byzantine ivories |b painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship |c Elisa Galardi |
| 264 | 1 | |c December 2023 | |
| 300 | |a 1 Online-Ressource (35 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | 3 | |a This paper scrutinises Adolf Goldschmidt and Kurt Weitzmann’s publication on Byzantine ivories to reveal its entanglement with contemporaneous art theories and art historical discourses. It identifies the bedrock of the authors’ observations in Heinrich Wölfflin’s stylistic dialectic and in the critical writings by Adolf von Hildebrand and Aloïs Riegl devoted to the subject of relief. Such contextual and critical approaches to the publication allow for a reconsideration of some of the criticisms addressed to it while further questioning the reliability of its analysis. Nevertheless, the article intends to reappraise the innovativeness of the volume and its importance for the history of the discipline, offering an opportunity to reflect on the early research practices that produced some of Art History’s foundational works. | |
| 600 | 1 | 7 | |a Hildebrandt, Adolf Matthias |d 1844-1918 |0 (DE-588)116803630 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Weitzmann, Kurt |d 1904-1993 |0 (DE-588)119196794 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Goldschmidt, Adolph |d 1863-1944 |0 (DE-588)118717995 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Wölfflin, Heinrich |d 1864-1945 |0 (DE-588)118634496 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstgeschichtsschreibung |0 (DE-588)4033643-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Elfenbeinschnitzerei |0 (DE-588)4152009-9 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Byzantinisches Reich |0 (DE-588)4009256-2 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Goldschmidt, Adolph |d 1863-1944 |0 (DE-588)118717995 |D p |
| 689 | 0 | 1 | |a Wölfflin, Heinrich |d 1864-1945 |0 (DE-588)118634496 |D p |
| 689 | 0 | 2 | |a Hildebrandt, Adolf Matthias |d 1844-1918 |0 (DE-588)116803630 |D p |
| 689 | 0 | 3 | |a Weitzmann, Kurt |d 1904-1993 |0 (DE-588)119196794 |D p |
| 689 | 0 | 4 | |a Byzantinisches Reich |0 (DE-588)4009256-2 |D g |
| 689 | 0 | 5 | |a Elfenbeinschnitzerei |0 (DE-588)4152009-9 |D s |
| 689 | 0 | 6 | |a Kunstgeschichtsschreibung |0 (DE-588)4033643-8 |D s |
| 689 | 0 | |5 DE-604 | |
| 773 | 1 | 8 | |g number:29 |g year:2023 |
| 773 | 0 | 8 | |t Journal of art historiography |d Glasgow, 2023 |g Heft 29 (2023) |w (DE-604)BV035944348 |x 2042-4752 |o (DE-600)2532257-6 |
| 856 | 4 | 0 | |u https://doi.org/10.48352/uobxjah.00004307 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a ebook | ||
| 941 | |h 29 |j 2023 | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034874874 | |
Datensatz im Suchindex
| _version_ | 1809221953998815232 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV035944348 |
| author | Galardi, Elisa |
| author_facet | Galardi, Elisa |
| author_role | aut |
| author_sort | Galardi, Elisa |
| author_variant | e g eg |
| building | Verbundindex |
| bvnumber | BV049529161 |
| collection | ebook |
| ctrlnum | (OCoLC)1422496196 (DE-599)BVBBV049529161 |
| doi_str_mv | 10.48352/uobxjah.00004307 |
| format | Electronic Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nma a2200000 c 4500</leader><controlfield tag="001">BV049529161</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240903</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240202s2023 |||| o||u| ||||||eng d</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.48352/uobxjah.00004307</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422496196</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049529161</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Galardi, Elisa</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">"Unframing" Byzantine ivories</subfield><subfield code="b">painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship</subfield><subfield code="c">Elisa Galardi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">December 2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (35 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">This paper scrutinises Adolf Goldschmidt and Kurt Weitzmann’s publication on Byzantine ivories to reveal its entanglement with contemporaneous art theories and art historical discourses. It identifies the bedrock of the authors’ observations in Heinrich Wölfflin’s stylistic dialectic and in the critical writings by Adolf von Hildebrand and Aloïs Riegl devoted to the subject of relief. Such contextual and critical approaches to the publication allow for a reconsideration of some of the criticisms addressed to it while further questioning the reliability of its analysis. Nevertheless, the article intends to reappraise the innovativeness of the volume and its importance for the history of the discipline, offering an opportunity to reflect on the early research practices that produced some of Art History’s foundational works.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Hildebrandt, Adolf Matthias</subfield><subfield code="d">1844-1918</subfield><subfield code="0">(DE-588)116803630</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Weitzmann, Kurt</subfield><subfield code="d">1904-1993</subfield><subfield code="0">(DE-588)119196794</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Goldschmidt, Adolph</subfield><subfield code="d">1863-1944</subfield><subfield code="0">(DE-588)118717995</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Wölfflin, Heinrich</subfield><subfield code="d">1864-1945</subfield><subfield code="0">(DE-588)118634496</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstgeschichtsschreibung</subfield><subfield code="0">(DE-588)4033643-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Elfenbeinschnitzerei</subfield><subfield code="0">(DE-588)4152009-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Byzantinisches Reich</subfield><subfield code="0">(DE-588)4009256-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Goldschmidt, Adolph</subfield><subfield code="d">1863-1944</subfield><subfield code="0">(DE-588)118717995</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Wölfflin, Heinrich</subfield><subfield code="d">1864-1945</subfield><subfield code="0">(DE-588)118634496</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Hildebrandt, Adolf Matthias</subfield><subfield code="d">1844-1918</subfield><subfield code="0">(DE-588)116803630</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Weitzmann, Kurt</subfield><subfield code="d">1904-1993</subfield><subfield code="0">(DE-588)119196794</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Byzantinisches Reich</subfield><subfield code="0">(DE-588)4009256-2</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Elfenbeinschnitzerei</subfield><subfield code="0">(DE-588)4152009-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Kunstgeschichtsschreibung</subfield><subfield code="0">(DE-588)4033643-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">number:29</subfield><subfield code="g">year:2023</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Journal of art historiography</subfield><subfield code="d">Glasgow, 2023</subfield><subfield code="g">Heft 29 (2023)</subfield><subfield code="w">(DE-604)BV035944348</subfield><subfield code="x">2042-4752</subfield><subfield code="o">(DE-600)2532257-6</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.48352/uobxjah.00004307</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="h">29</subfield><subfield code="j">2023</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034874874</subfield></datafield></record></collection> |
| geographic | Byzantinisches Reich (DE-588)4009256-2 gnd |
| geographic_facet | Byzantinisches Reich |
| id | DE-604.BV049529161 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:26:43Z |
| indexdate | 2024-09-04T00:08:30Z |
| institution | BVB |
| issn | 2042-4752 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034874874 |
| oclc_num | 1422496196 |
| open_access_boolean | 1 |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 1 Online-Ressource (35 Seiten) Illustrationen |
| psigel | ebook |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| record_format | marc |
| spelling | Galardi, Elisa Verfasser aut "Unframing" Byzantine ivories painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship Elisa Galardi December 2023 1 Online-Ressource (35 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier This paper scrutinises Adolf Goldschmidt and Kurt Weitzmann’s publication on Byzantine ivories to reveal its entanglement with contemporaneous art theories and art historical discourses. It identifies the bedrock of the authors’ observations in Heinrich Wölfflin’s stylistic dialectic and in the critical writings by Adolf von Hildebrand and Aloïs Riegl devoted to the subject of relief. Such contextual and critical approaches to the publication allow for a reconsideration of some of the criticisms addressed to it while further questioning the reliability of its analysis. Nevertheless, the article intends to reappraise the innovativeness of the volume and its importance for the history of the discipline, offering an opportunity to reflect on the early research practices that produced some of Art History’s foundational works. Hildebrandt, Adolf Matthias 1844-1918 (DE-588)116803630 gnd rswk-swf Weitzmann, Kurt 1904-1993 (DE-588)119196794 gnd rswk-swf Goldschmidt, Adolph 1863-1944 (DE-588)118717995 gnd rswk-swf Wölfflin, Heinrich 1864-1945 (DE-588)118634496 gnd rswk-swf Kunstgeschichtsschreibung (DE-588)4033643-8 gnd rswk-swf Elfenbeinschnitzerei (DE-588)4152009-9 gnd rswk-swf Byzantinisches Reich (DE-588)4009256-2 gnd rswk-swf Goldschmidt, Adolph 1863-1944 (DE-588)118717995 p Wölfflin, Heinrich 1864-1945 (DE-588)118634496 p Hildebrandt, Adolf Matthias 1844-1918 (DE-588)116803630 p Weitzmann, Kurt 1904-1993 (DE-588)119196794 p Byzantinisches Reich (DE-588)4009256-2 g Elfenbeinschnitzerei (DE-588)4152009-9 s Kunstgeschichtsschreibung (DE-588)4033643-8 s DE-604 number:29 year:2023 Journal of art historiography Glasgow, 2023 Heft 29 (2023) (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004307 Verlag kostenfrei Volltext |
| spellingShingle | Galardi, Elisa "Unframing" Byzantine ivories painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship Hildebrandt, Adolf Matthias 1844-1918 (DE-588)116803630 gnd Weitzmann, Kurt 1904-1993 (DE-588)119196794 gnd Goldschmidt, Adolph 1863-1944 (DE-588)118717995 gnd Wölfflin, Heinrich 1864-1945 (DE-588)118634496 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Elfenbeinschnitzerei (DE-588)4152009-9 gnd |
| subject_GND | (DE-588)116803630 (DE-588)119196794 (DE-588)118717995 (DE-588)118634496 (DE-588)4033643-8 (DE-588)4152009-9 (DE-588)4009256-2 |
| title | "Unframing" Byzantine ivories painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship |
| title_auth | "Unframing" Byzantine ivories painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship |
| title_exact_search | "Unframing" Byzantine ivories painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship |
| title_exact_search_txtP | "Unframing" Byzantine ivories painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship |
| title_full | "Unframing" Byzantine ivories painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship Elisa Galardi |
| title_fullStr | "Unframing" Byzantine ivories painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship Elisa Galardi |
| title_full_unstemmed | "Unframing" Byzantine ivories painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship Elisa Galardi |
| title_short | "Unframing" Byzantine ivories |
| title_sort | unframing byzantine ivories painterliness reliefs and the place of byzantine art in early twentieth century german scholarship |
| title_sub | painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship |
| topic | Hildebrandt, Adolf Matthias 1844-1918 (DE-588)116803630 gnd Weitzmann, Kurt 1904-1993 (DE-588)119196794 gnd Goldschmidt, Adolph 1863-1944 (DE-588)118717995 gnd Wölfflin, Heinrich 1864-1945 (DE-588)118634496 gnd Kunstgeschichtsschreibung (DE-588)4033643-8 gnd Elfenbeinschnitzerei (DE-588)4152009-9 gnd |
| topic_facet | Hildebrandt, Adolf Matthias 1844-1918 Weitzmann, Kurt 1904-1993 Goldschmidt, Adolph 1863-1944 Wölfflin, Heinrich 1864-1945 Kunstgeschichtsschreibung Elfenbeinschnitzerei Byzantinisches Reich |
| url | https://doi.org/10.48352/uobxjah.00004307 |
| work_keys_str_mv | AT galardielisa unframingbyzantineivoriespainterlinessreliefsandtheplaceofbyzantineartinearlytwentiethcenturygermanscholarship |