The sound of silence: Ryan Gosling, expressionism and the silent hero in 21st-century film
"The Sound of Silence, provides an in-depth analysis of the sensory elements that are integral to cinematic narratives, asserting that silence is a fruitful enigma which encourages activity in a contemporary audience that is often all too passive. The German Expressionist era may have been brie...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Bloomsbury Academic
2024
|
| Schriftenreihe: | Bloomsbury collections
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-703 URL des Erstveröffentlichers |
| Zusammenfassung: | "The Sound of Silence, provides an in-depth analysis of the sensory elements that are integral to cinematic narratives, asserting that silence is a fruitful enigma which encourages activity in a contemporary audience that is often all too passive. The German Expressionist era may have been brief, but the shadows cast since its end nonetheless loom large. The silhouetted, cigar-wielding men of film noir and their respectively dark, doom-laden haunts mirror the angst-inducing atmospheres of their forebearers, while also introducing the now-familiar figure of the silent hero. Considering the numerous silent hero actors in film history, there’s one that stands out in the 21st century like no other: Ryan Gosling. His later career has seen some of the most iconic silent heroes of the past decade, with films such as Drive, Only God Forgives, Blade Runner 2049 and First Man cementing him as the go-to guy for a monosyllabic, taciturn and moody hero whose actions speak louder than words. This book argues that it is Gosling’s expressive capabilities that keep audiences compelled by his performances. With the use of non-verbal silence – combined with its counterbalance, sound – a more active, emotive audience response can be achieved. Looking further into this idea through theorists such as Michel Chion and Susan Sontag, the book demonstrates that the sound of silence is one of the most meaningful cinematic sounds of all." |
| Beschreibung: | 1 Online-Ressource (200 Seiten) Illustrationen |
| ISBN: | 9798765108062 9798765108079 9798765108086 |
| DOI: | 10.5040/9798765108062 |
Internformat
MARC
| LEADER | 00000nmm a22000008c 4500 | ||
|---|---|---|---|
| 001 | BV049528614 | ||
| 003 | DE-604 | ||
| 005 | 20240311 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 240201s2024 |||| o||u| ||||||eng d | ||
| 020 | |a 9798765108062 |c online |9 979-8-7651-0806-2 | ||
| 020 | |a 9798765108079 |c epdf |9 979-8-7651-0807-9 | ||
| 020 | |a 9798765108086 |c epub |9 979-8-7651-0808-6 | ||
| 024 | 7 | |a 10.5040/9798765108062 |2 doi | |
| 035 | |a (OCoLC)1422435923 | ||
| 035 | |a (DE-599)BVBBV049528614 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-703 | ||
| 100 | 1 | |a Epton, Nancy |e Verfasser |0 (DE-588)1318361702 |4 aut | |
| 245 | 1 | 0 | |a The sound of silence |b Ryan Gosling, expressionism and the silent hero in 21st-century film |c Nancy Epton |
| 264 | 1 | |a New York |b Bloomsbury Academic |c 2024 | |
| 300 | |a 1 Online-Ressource (200 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Bloomsbury collections | |
| 520 | 3 | |a "The Sound of Silence, provides an in-depth analysis of the sensory elements that are integral to cinematic narratives, asserting that silence is a fruitful enigma which encourages activity in a contemporary audience that is often all too passive. The German Expressionist era may have been brief, but the shadows cast since its end nonetheless loom large. The silhouetted, cigar-wielding men of film noir and their respectively dark, doom-laden haunts mirror the angst-inducing atmospheres of their forebearers, while also introducing the now-familiar figure of the silent hero. Considering the numerous silent hero actors in film history, there’s one that stands out in the 21st century like no other: Ryan Gosling. His later career has seen some of the most iconic silent heroes of the past decade, with films such as Drive, Only God Forgives, Blade Runner 2049 and First Man cementing him as the go-to guy for a monosyllabic, taciturn and moody hero whose actions speak louder than words. This book argues that it is Gosling’s expressive capabilities that keep audiences compelled by his performances. With the use of non-verbal silence – combined with its counterbalance, sound – a more active, emotive audience response can be achieved. Looking further into this idea through theorists such as Michel Chion and Susan Sontag, the book demonstrates that the sound of silence is one of the most meaningful cinematic sounds of all." | |
| 600 | 1 | 7 | |a Gosling, Ryan |d 1980- |0 (DE-588)143427903 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Silence in motion pictures | |
| 653 | 0 | |a Expressionism in motion pictures | |
| 653 | 0 | |a Heroes in motion pictures | |
| 653 | 1 | |a Gosling, Ryan / 1980- / Criticism and interpretation | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Gosling, Ryan |d 1980- |0 (DE-588)143427903 |D p |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, hbk |z 979-8-7651-0805-5 |
| 856 | 4 | 0 | |u https://doi.org/10.5040/9798765108062?locatt=label:secondary_bloomsburyCollections |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-162-BFM | ||
| 940 | 1 | |q ZDB-162-BFM24 | |
| 966 | e | |u https://doi.org/10.5040/9798765108062?locatt=label:secondary_bloomsburyCollections |l DE-12 |p ZDB-162-BFM |q ZDB-162-BFM24 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.5040/9798765108062?locatt=label:secondary_bloomsburyCollections |l DE-703 |p ZDB-162-BFM |q ZDB-162-BFM24 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1805069618392334336 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Epton, Nancy |
| author_GND | (DE-588)1318361702 |
| author_facet | Epton, Nancy |
| author_role | aut |
| author_sort | Epton, Nancy |
| author_variant | n e ne |
| building | Verbundindex |
| bvnumber | BV049528614 |
| collection | ZDB-162-BFM |
| ctrlnum | (OCoLC)1422435923 (DE-599)BVBBV049528614 |
| doi_str_mv | 10.5040/9798765108062 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a22000008c 4500</leader><controlfield tag="001">BV049528614</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240311</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240201s2024 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9798765108062</subfield><subfield code="c">online</subfield><subfield code="9">979-8-7651-0806-2</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9798765108079</subfield><subfield code="c">epdf</subfield><subfield code="9">979-8-7651-0807-9</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9798765108086</subfield><subfield code="c">epub</subfield><subfield code="9">979-8-7651-0808-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.5040/9798765108062</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422435923</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049528614</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Epton, Nancy</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1318361702</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The sound of silence</subfield><subfield code="b">Ryan Gosling, expressionism and the silent hero in 21st-century film</subfield><subfield code="c">Nancy Epton</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Bloomsbury Academic</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (200 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Bloomsbury collections</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The Sound of Silence, provides an in-depth analysis of the sensory elements that are integral to cinematic narratives, asserting that silence is a fruitful enigma which encourages activity in a contemporary audience that is often all too passive. The German Expressionist era may have been brief, but the shadows cast since its end nonetheless loom large. The silhouetted, cigar-wielding men of film noir and their respectively dark, doom-laden haunts mirror the angst-inducing atmospheres of their forebearers, while also introducing the now-familiar figure of the silent hero. Considering the numerous silent hero actors in film history, there’s one that stands out in the 21st century like no other: Ryan Gosling. His later career has seen some of the most iconic silent heroes of the past decade, with films such as Drive, Only God Forgives, Blade Runner 2049 and First Man cementing him as the go-to guy for a monosyllabic, taciturn and moody hero whose actions speak louder than words. This book argues that it is Gosling’s expressive capabilities that keep audiences compelled by his performances. With the use of non-verbal silence – combined with its counterbalance, sound – a more active, emotive audience response can be achieved. Looking further into this idea through theorists such as Michel Chion and Susan Sontag, the book demonstrates that the sound of silence is one of the most meaningful cinematic sounds of all."</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Gosling, Ryan</subfield><subfield code="d">1980-</subfield><subfield code="0">(DE-588)143427903</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Silence in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Expressionism in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Heroes in motion pictures</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Gosling, Ryan / 1980- / Criticism and interpretation</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Gosling, Ryan</subfield><subfield code="d">1980-</subfield><subfield code="0">(DE-588)143427903</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, hbk</subfield><subfield code="z">979-8-7651-0805-5</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.5040/9798765108062?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-162-BFM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-162-BFM24</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9798765108062?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM24</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.5040/9798765108062?locatt=label:secondary_bloomsburyCollections</subfield><subfield code="l">DE-703</subfield><subfield code="p">ZDB-162-BFM</subfield><subfield code="q">ZDB-162-BFM24</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV049528614 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:26:36Z |
| indexdate | 2024-07-20T04:08:54Z |
| institution | BVB |
| isbn | 9798765108062 9798765108079 9798765108086 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034874327 |
| oclc_num | 1422435923 |
| open_access_boolean | |
| owner | DE-12 DE-703 |
| owner_facet | DE-12 DE-703 |
| physical | 1 Online-Ressource (200 Seiten) Illustrationen |
| psigel | ZDB-162-BFM ZDB-162-BFM24 ZDB-162-BFM ZDB-162-BFM24 |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| series2 | Bloomsbury collections |
| spelling | Epton, Nancy Verfasser (DE-588)1318361702 aut The sound of silence Ryan Gosling, expressionism and the silent hero in 21st-century film Nancy Epton New York Bloomsbury Academic 2024 1 Online-Ressource (200 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Bloomsbury collections "The Sound of Silence, provides an in-depth analysis of the sensory elements that are integral to cinematic narratives, asserting that silence is a fruitful enigma which encourages activity in a contemporary audience that is often all too passive. The German Expressionist era may have been brief, but the shadows cast since its end nonetheless loom large. The silhouetted, cigar-wielding men of film noir and their respectively dark, doom-laden haunts mirror the angst-inducing atmospheres of their forebearers, while also introducing the now-familiar figure of the silent hero. Considering the numerous silent hero actors in film history, there’s one that stands out in the 21st century like no other: Ryan Gosling. His later career has seen some of the most iconic silent heroes of the past decade, with films such as Drive, Only God Forgives, Blade Runner 2049 and First Man cementing him as the go-to guy for a monosyllabic, taciturn and moody hero whose actions speak louder than words. This book argues that it is Gosling’s expressive capabilities that keep audiences compelled by his performances. With the use of non-verbal silence – combined with its counterbalance, sound – a more active, emotive audience response can be achieved. Looking further into this idea through theorists such as Michel Chion and Susan Sontag, the book demonstrates that the sound of silence is one of the most meaningful cinematic sounds of all." Gosling, Ryan 1980- (DE-588)143427903 gnd rswk-swf Silence in motion pictures Expressionism in motion pictures Heroes in motion pictures Gosling, Ryan / 1980- / Criticism and interpretation Criticism, interpretation, etc Gosling, Ryan 1980- (DE-588)143427903 p DE-604 Erscheint auch als Druck-Ausgabe, hbk 979-8-7651-0805-5 https://doi.org/10.5040/9798765108062?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Epton, Nancy The sound of silence Ryan Gosling, expressionism and the silent hero in 21st-century film Gosling, Ryan 1980- (DE-588)143427903 gnd |
| subject_GND | (DE-588)143427903 |
| title | The sound of silence Ryan Gosling, expressionism and the silent hero in 21st-century film |
| title_auth | The sound of silence Ryan Gosling, expressionism and the silent hero in 21st-century film |
| title_exact_search | The sound of silence Ryan Gosling, expressionism and the silent hero in 21st-century film |
| title_exact_search_txtP | The sound of silence Ryan Gosling, expressionism and the silent hero in 21st-century film |
| title_full | The sound of silence Ryan Gosling, expressionism and the silent hero in 21st-century film Nancy Epton |
| title_fullStr | The sound of silence Ryan Gosling, expressionism and the silent hero in 21st-century film Nancy Epton |
| title_full_unstemmed | The sound of silence Ryan Gosling, expressionism and the silent hero in 21st-century film Nancy Epton |
| title_short | The sound of silence |
| title_sort | the sound of silence ryan gosling expressionism and the silent hero in 21st century film |
| title_sub | Ryan Gosling, expressionism and the silent hero in 21st-century film |
| topic | Gosling, Ryan 1980- (DE-588)143427903 gnd |
| topic_facet | Gosling, Ryan 1980- |
| url | https://doi.org/10.5040/9798765108062?locatt=label:secondary_bloomsburyCollections |
| work_keys_str_mv | AT eptonnancy thesoundofsilenceryangoslingexpressionismandthesilentheroin21stcenturyfilm |