Beyond the historiographical pantheon: women and the Comité International d'Histoire de l'Art after 1945
After World War II, the Comité International d’Histoire de l’Art (CIHA), an international NGO of art historians, resumed its scientific activity. Since the first post-war meeting, however, we found that all members were men: famous figures from the History of Art who made up the historiographical pa...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
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December 2023
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| Zusammenfassung: | After World War II, the Comité International d’Histoire de l’Art (CIHA), an international NGO of art historians, resumed its scientific activity. Since the first post-war meeting, however, we found that all members were men: famous figures from the History of Art who made up the historiographical pantheon and built the twentieth-century Western art historiography. During the 1950s, the sole exception was Cécile Goldscheider, Rodin Museum curator, who attended the Bureau sessions and general assemblies as a secretary. There were other female researchers linked somehow to the CIHA, like those involved in the Corpus Vitrearum Medii Aevi project or those who participated in the International Congresses of Art History. Over time, women gained ground and joined the CIHA as full members. Else Kai Sass, Professor at Aarhus University, was first in 1964, followed by Anna Maria Brizio, Klára Garas, and Jean Sutherland Boggs. Until 1979, no woman entered the Bureau. The Mexican Beatriz de la Fuente starred in this milestone. Since the gender gap was a fact, the aim of this paper is to delve into the role and achievements of these female academics within the CIHA during the Cold War period. |
| Beschreibung: | 1 Online-Ressource (14 Seiten) Illustrationen |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004337 |
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| 520 | 3 | |a After World War II, the Comité International d’Histoire de l’Art (CIHA), an international NGO of art historians, resumed its scientific activity. Since the first post-war meeting, however, we found that all members were men: famous figures from the History of Art who made up the historiographical pantheon and built the twentieth-century Western art historiography. During the 1950s, the sole exception was Cécile Goldscheider, Rodin Museum curator, who attended the Bureau sessions and general assemblies as a secretary. There were other female researchers linked somehow to the CIHA, like those involved in the Corpus Vitrearum Medii Aevi project or those who participated in the International Congresses of Art History. Over time, women gained ground and joined the CIHA as full members. Else Kai Sass, Professor at Aarhus University, was first in 1964, followed by Anna Maria Brizio, Klára Garas, and Jean Sutherland Boggs. Until 1979, no woman entered the Bureau. The Mexican Beatriz de la Fuente starred in this milestone. Since the gender gap was a fact, the aim of this paper is to delve into the role and achievements of these female academics within the CIHA during the Cold War period. | |
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| spelling | García-Montón González, Patricia 19XX- Verfasser (DE-588)1130331903 aut Beyond the historiographical pantheon women and the Comité International d'Histoire de l'Art after 1945 Patricia García-Montón González December 2023 1 Online-Ressource (14 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier After World War II, the Comité International d’Histoire de l’Art (CIHA), an international NGO of art historians, resumed its scientific activity. Since the first post-war meeting, however, we found that all members were men: famous figures from the History of Art who made up the historiographical pantheon and built the twentieth-century Western art historiography. During the 1950s, the sole exception was Cécile Goldscheider, Rodin Museum curator, who attended the Bureau sessions and general assemblies as a secretary. There were other female researchers linked somehow to the CIHA, like those involved in the Corpus Vitrearum Medii Aevi project or those who participated in the International Congresses of Art History. Over time, women gained ground and joined the CIHA as full members. Else Kai Sass, Professor at Aarhus University, was first in 1964, followed by Anna Maria Brizio, Klára Garas, and Jean Sutherland Boggs. Until 1979, no woman entered the Bureau. The Mexican Beatriz de la Fuente starred in this milestone. Since the gender gap was a fact, the aim of this paper is to delve into the role and achievements of these female academics within the CIHA during the Cold War period. Garas, Klára 1919-2017 (DE-588)121886263 gnd rswk-swf Brizio, Anna Maria 1902-1982 (DE-588)129031984 gnd rswk-swf Boggs, Jean Sutherland 1922-2014 (DE-588)171982630 gnd rswk-swf Goldscheider, Cécile 1902-1988 (DE-588)1151824860 gnd rswk-swf International Committee on the History of Art (DE-588)2014707-7 gnd rswk-swf Kunsthistorikerin (DE-588)4226289-6 gnd rswk-swf Geschlechterforschung (DE-588)4482930-9 gnd rswk-swf International Committee on the History of Art (DE-588)2014707-7 b Kunsthistorikerin (DE-588)4226289-6 s Geschlechterforschung (DE-588)4482930-9 s DE-604 Goldscheider, Cécile 1902-1988 (DE-588)1151824860 p Brizio, Anna Maria 1902-1982 (DE-588)129031984 p Garas, Klára 1919-2017 (DE-588)121886263 p Boggs, Jean Sutherland 1922-2014 (DE-588)171982630 p number:29 year:2023 Journal of art historiography Glasgow, 2023 Heft 29 (2023), Supplement 1 (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004337 Verlag kostenfrei Volltext |
| spellingShingle | García-Montón González, Patricia 19XX- Beyond the historiographical pantheon women and the Comité International d'Histoire de l'Art after 1945 Garas, Klára 1919-2017 (DE-588)121886263 gnd Brizio, Anna Maria 1902-1982 (DE-588)129031984 gnd Boggs, Jean Sutherland 1922-2014 (DE-588)171982630 gnd Goldscheider, Cécile 1902-1988 (DE-588)1151824860 gnd International Committee on the History of Art (DE-588)2014707-7 gnd Kunsthistorikerin (DE-588)4226289-6 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| subject_GND | (DE-588)121886263 (DE-588)129031984 (DE-588)171982630 (DE-588)1151824860 (DE-588)2014707-7 (DE-588)4226289-6 (DE-588)4482930-9 |
| title | Beyond the historiographical pantheon women and the Comité International d'Histoire de l'Art after 1945 |
| title_auth | Beyond the historiographical pantheon women and the Comité International d'Histoire de l'Art after 1945 |
| title_exact_search | Beyond the historiographical pantheon women and the Comité International d'Histoire de l'Art after 1945 |
| title_exact_search_txtP | Beyond the historiographical pantheon women and the Comité International d'Histoire de l'Art after 1945 |
| title_full | Beyond the historiographical pantheon women and the Comité International d'Histoire de l'Art after 1945 Patricia García-Montón González |
| title_fullStr | Beyond the historiographical pantheon women and the Comité International d'Histoire de l'Art after 1945 Patricia García-Montón González |
| title_full_unstemmed | Beyond the historiographical pantheon women and the Comité International d'Histoire de l'Art after 1945 Patricia García-Montón González |
| title_short | Beyond the historiographical pantheon |
| title_sort | beyond the historiographical pantheon women and the comite international d histoire de l art after 1945 |
| title_sub | women and the Comité International d'Histoire de l'Art after 1945 |
| topic | Garas, Klára 1919-2017 (DE-588)121886263 gnd Brizio, Anna Maria 1902-1982 (DE-588)129031984 gnd Boggs, Jean Sutherland 1922-2014 (DE-588)171982630 gnd Goldscheider, Cécile 1902-1988 (DE-588)1151824860 gnd International Committee on the History of Art (DE-588)2014707-7 gnd Kunsthistorikerin (DE-588)4226289-6 gnd Geschlechterforschung (DE-588)4482930-9 gnd |
| topic_facet | Garas, Klára 1919-2017 Brizio, Anna Maria 1902-1982 Boggs, Jean Sutherland 1922-2014 Goldscheider, Cécile 1902-1988 International Committee on the History of Art Kunsthistorikerin Geschlechterforschung |
| url | https://doi.org/10.48352/uobxjah.00004337 |
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