Keorapetse Kgositsile: collected poems, 1969-2018
"A comprehensive collection of the new and collected works of South Africa's second poet laureate, Keorapetse Kgositsile"--
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Lincoln
University of Nebraska Press
[2023]
|
| Schriftenreihe: | African poetry book series
|
| Schlagworte: | |
| Zusammenfassung: | "A comprehensive collection of the new and collected works of South Africa's second poet laureate, Keorapetse Kgositsile"-- "Keorapetse Kgositsile, South Africa's second poet laureate, was a political activist, teacher, and poet. He lived, wrote, and taught in the United States for a significant part of his life and collaborated with many influential and highly regarded writers, including Gwendolyn Brooks, Sterling Plumpp, Dudley Randall, and George Kent. This comprehensive collection of Kgositsile's new and collected works spans almost fifty years. During his lifetime, Kgositsile dedicated the majority of his poems to people or movements, documenting the struggle against racism, Western imperialism, and racial capitalism, and celebrating human creativity, particularly music, as an inherent and essential aspect of the global liberation struggle. This collection demonstrates the commitment to equality, justice, and egalitarianism fostered by cultural workers within the mass liberation movement. As the introduction notes, Kgositsile had an "undisputed ability to honor the truth in all its complexity, with a musicality that draws on the repository of memory and history, rebuilt through the rhythms and cadences of jazz." Addressing themes of Black solidarity, displacement, and anticolonialism, Kgositsile's prose is fiery, witty, and filled with conviction. This collection showcases a voice that wanted to change the world-and did"-- |
| Beschreibung: | xxxiv, 255 Seiten 23 cm |
| ISBN: | 9781496221155 149622115X |
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| 245 | 1 | 0 | |a Keorapetse Kgositsile |b collected poems, 1969-2018 |c Keorapetse Kgositsile ; edited and with an introduction by Phillippa Yaa de Villiers and Uhuru Portia Phalafala |
| 264 | 1 | |a Lincoln |b University of Nebraska Press |c [2023] | |
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| 490 | 0 | |a African poetry book series | |
| 505 | 8 | |a Machine generated contents note: Introduction in Two Movements -- Spirits Unchained (1969) -- To Gloria -- For LeRoi Jones, April, 1965 -- When Brown Is Black -- Brother Malcolm's Echo -- Mandela's Sermon -- Elegy for David Diop -- Ivory Masks in Orbit -- Lumumba Section -- Spirits Unchained -- To Fanon -- Song for Aimé Césaire -- My Name is Afrika -- For Spellman at Spelman -- I Am Music People -- Origins -- For Melba (1970) -- And the Long Story -- Song for Melba -- MMABATHO: Dakar, 1966 -- The Creator -- Indeed In Deed -- For Those Who Love & Care -- True Blue -- Of Death and Lives -- Death Doses -- Death Doses No. 2 -- Death Doses No. 3 -- My People When Nothing Moves -- Come Duze -- 3000 Miles Apart -- Of Us for Us -- In Time -- By A. B. Inspired -- Tropics -- For Melba -- My Name is Afrika (1971) -- The air I hear -- Impulse -- Shotgun -- Mayibuye iAfrika -- Could Be -- Random Notes to My Son -- To Mother -- My People No Longer Sing -- To a Black Woman, Insane -- | |
| 505 | 8 | |a To My Daughter -- Sift and Shift -- Vector or Legacy -- Bleached Callouses, Africa, 1966 -- The Lip Trick -- The Nitty-Gritty -- Time -- New Dawn -- Inherent and Inherited Mistrusts -- Symptoms -- Flirtation -- Conditioned -- Innuendo -- Axiomatic -- Bandung Dance -- For Afroamerica -- No Celebration -- In the Nude -- Of Yesterday's Tomorrows -- Epitaph -- Like the Tide: Cloudward -- No Tears In the Tide -- Towards a Walk In the Sun -- The Spearhead Wind Strides -- The Gods Wrote -- The Long Reach -- The New Breed -- For Eusi, Ayi Kwei and Gwen Brooks -- Recreation -- Point of departure: Fire Dance Fire Song -- I. The elegance of memory -- II. Lumumba section -- III. Fire dance -- IV. Spirits unchained -- For Sons of Sonless Fathers -- Notes from no sanctuary -- The Present is a DANGEROUS Place To Live (1974) -- For Ipeleng -- The present is a DANGEROUS place to live. . . one -- I. In the mourning -- II. Beware of Dreams -- III. Without Shadow -- IV. Mirrors, Without Song -- | |
| 505 | 8 | |a Mystique -- There Are No Sanctuaries Except in Purposeful Action ... two -- 1. Wounded Word, Insane Song -- 2. When things fall apart -- 3. Exile -- 4. Perception -- 5. Logistics -- . . . three -- Blues For Some Literary Friends & Myself -- Home is where the music is . . . four -- For Billie Holiday -- For Art Blakey and the Jazz Messengers -- For B.B. King and Lucille -- Acknowledgement -- Pro/Creation -- For Hughie Masekela -- Places and Bloodstains (1975) -- Requiem for My Mother -- Epitaph for Can Temba -- For Gwigwi -- For TW -- For Otis Redding -- Here We Are Like the Present -- Letter to Skunder -- For Zeke and Dennis -- For Cecil Abrahams -- After Mongane -- Son of Mokae -- Song for Ilva Mackay and Mogane -- For Montshiwa and Phetoe -- Open Letter -- Places and Bloodstains -- Heartprints (1980) -- Letter to Ipeleng On Her Birthday 1976 -- When the Clouds Clear (1990) -- The Long Arm of the Blues -- The Same Strip of Land -- Rites of Passage -- Dance -- Morning in Tunis -- | |
| 505 | 8 | |a Sharper Than Any Blade You Know -- Bleeding Red -- Luthuli Detachment -- When The Clouds Clear -- Red Song -- From Now On.... -- Mpilo'nhle -- An Injury To One Is An Injury To All -- Every Patriot A Combatant -- Quest -- Kate -- My Sister -- June 16 Year of the Spear -- Chimid: A Memorial -- Seaparankoe -- Here You Almost Started -- A Luta Continua -- New Age -- Manifesto (1981) -- South Africa Salutes Uzbekistan -- To The Bitter End (1995) -- I. Coil of Time -- What time is it? -- In the Wheeling and Dealing Time -- Rites of Passage: (1991) -- Dumalisile -- I Am -- Manboy -- When the Deal Goes Down -- Years Without Tears -- Strange Rituals -- Grand Papa Dhlomo -- For David Rubadiri -- For Bra Ntemi -- Fidelity -- Montage: Bouctou Lives -- Heart to Heart -- We Are All Involved -- Even Skin Disappears -- If I Could Sing (2002) -- Recollections -- Venceremos -- Affirmation -- Memorial -- If I Could Sing -- Renaissance -- Rejoice -- This Way I Salute You (2004) -- For Johnny Dyani -- | |
| 505 | 8 | |a Santamaria -- Cassandra Wilson Will Sing -- Where Her Eye Sits -- eThekwini -- For Gloria Bosman -- For Our Mother of the Heavy Names -- Homesoil in my Blood (2018) -- No Boundaries -- No Serenity Here -- Letter from Havana -- In the Naming -- Anguish Longer Than Sorrow -- Wounded Dreams -- I Am No Stranger -- We Are All Involved (2012) -- Of Shadows and Chameleons -- Festive Heart -- I Know a Few Things -- New Day -- For Fernando, Gloria, Eduardo and the 2012 Team -- For Sterling Plumpp -- For Hu Xiancheng -- Uncollected (1971) -- Soulbook 1(1), 1964 -- The Awakening -- Manifesto -- 'Yes, Mandela, We Shall Be Moved' -- Fruitful seed -- Freedom train, 1965 -- Introduction to a future history book -- Whistle for Pennies | |
| 520 | 3 | |a "A comprehensive collection of the new and collected works of South Africa's second poet laureate, Keorapetse Kgositsile"-- | |
| 520 | 3 | |a "Keorapetse Kgositsile, South Africa's second poet laureate, was a political activist, teacher, and poet. He lived, wrote, and taught in the United States for a significant part of his life and collaborated with many influential and highly regarded writers, including Gwendolyn Brooks, Sterling Plumpp, Dudley Randall, and George Kent. This comprehensive collection of Kgositsile's new and collected works spans almost fifty years. During his lifetime, Kgositsile dedicated the majority of his poems to people or movements, documenting the struggle against racism, Western imperialism, and racial capitalism, and celebrating human creativity, particularly music, as an inherent and essential aspect of the global liberation struggle. This collection demonstrates the commitment to equality, justice, and egalitarianism fostered by cultural workers within the mass liberation movement. As the introduction notes, Kgositsile had an "undisputed ability to honor the truth in all its complexity, with a musicality that draws on the repository of memory and history, rebuilt through the rhythms and cadences of jazz." Addressing themes of Black solidarity, displacement, and anticolonialism, Kgositsile's prose is fiery, witty, and filled with conviction. This collection showcases a voice that wanted to change the world-and did"-- | |
| 653 | 0 | |a African Americans / Poetry | |
| 653 | 0 | |a Black people / Poetry | |
| 653 | 2 | |a South Africa / Poetry | |
| 653 | 2 | |a United States / Poetry | |
| 653 | 0 | |a South African poetry (English) / Black authors | |
| 653 | 0 | |a Noirs américains / Poésie | |
| 653 | 0 | |a Personnes noires / Poésie | |
| 653 | 0 | |a Poésie sud-africaine (anglaise) / Auteurs noirs | |
| 653 | 0 | |a POETRY / African | |
| 653 | 0 | |a South African poetry (English) / Black authors | |
| 653 | 0 | |a Black people | |
| 653 | 0 | |a African Americans | |
| 653 | 2 | |a United States | |
| 653 | 2 | |a South Africa | |
| 653 | 6 | |a poetry | |
| 653 | 6 | |a Poetry | |
| 653 | 6 | |a Poetry | |
| 653 | 6 | |a Poésie | |
| 700 | 1 | |a De Villiers, Phillippa Yaa |4 edt | |
| 700 | 1 | |a Phalafala, Uhuru Portia |0 (DE-588)132278907X |4 edt | |
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Datensatz im Suchindex
| _version_ | 1804186352504274944 |
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| author | Kgositsile, Keorapetse 1938-2018 |
| author2 | De Villiers, Phillippa Yaa Phalafala, Uhuru Portia |
| author2_role | edt edt |
| author2_variant | v p y d vpy vpyd u p p up upp |
| author_GND | (DE-588)1108041612 (DE-588)132278907X |
| author_facet | Kgositsile, Keorapetse 1938-2018 De Villiers, Phillippa Yaa Phalafala, Uhuru Portia |
| author_role | aut |
| author_sort | Kgositsile, Keorapetse 1938-2018 |
| author_variant | k k kk |
| building | Verbundindex |
| bvnumber | BV049526600 |
| contents | Machine generated contents note: Introduction in Two Movements -- Spirits Unchained (1969) -- To Gloria -- For LeRoi Jones, April, 1965 -- When Brown Is Black -- Brother Malcolm's Echo -- Mandela's Sermon -- Elegy for David Diop -- Ivory Masks in Orbit -- Lumumba Section -- Spirits Unchained -- To Fanon -- Song for Aimé Césaire -- My Name is Afrika -- For Spellman at Spelman -- I Am Music People -- Origins -- For Melba (1970) -- And the Long Story -- Song for Melba -- MMABATHO: Dakar, 1966 -- The Creator -- Indeed In Deed -- For Those Who Love & Care -- True Blue -- Of Death and Lives -- Death Doses -- Death Doses No. 2 -- Death Doses No. 3 -- My People When Nothing Moves -- Come Duze -- 3000 Miles Apart -- Of Us for Us -- In Time -- By A. B. Inspired -- Tropics -- For Melba -- My Name is Afrika (1971) -- The air I hear -- Impulse -- Shotgun -- Mayibuye iAfrika -- Could Be -- Random Notes to My Son -- To Mother -- My People No Longer Sing -- To a Black Woman, Insane -- To My Daughter -- Sift and Shift -- Vector or Legacy -- Bleached Callouses, Africa, 1966 -- The Lip Trick -- The Nitty-Gritty -- Time -- New Dawn -- Inherent and Inherited Mistrusts -- Symptoms -- Flirtation -- Conditioned -- Innuendo -- Axiomatic -- Bandung Dance -- For Afroamerica -- No Celebration -- In the Nude -- Of Yesterday's Tomorrows -- Epitaph -- Like the Tide: Cloudward -- No Tears In the Tide -- Towards a Walk In the Sun -- The Spearhead Wind Strides -- The Gods Wrote -- The Long Reach -- The New Breed -- For Eusi, Ayi Kwei and Gwen Brooks -- Recreation -- Point of departure: Fire Dance Fire Song -- I. The elegance of memory -- II. Lumumba section -- III. Fire dance -- IV. Spirits unchained -- For Sons of Sonless Fathers -- Notes from no sanctuary -- The Present is a DANGEROUS Place To Live (1974) -- For Ipeleng -- The present is a DANGEROUS place to live. . . one -- I. In the mourning -- II. Beware of Dreams -- III. Without Shadow -- IV. Mirrors, Without Song -- Mystique -- There Are No Sanctuaries Except in Purposeful Action ... two -- 1. Wounded Word, Insane Song -- 2. When things fall apart -- 3. Exile -- 4. Perception -- 5. Logistics -- . . . three -- Blues For Some Literary Friends & Myself -- Home is where the music is . . . four -- For Billie Holiday -- For Art Blakey and the Jazz Messengers -- For B.B. King and Lucille -- Acknowledgement -- Pro/Creation -- For Hughie Masekela -- Places and Bloodstains (1975) -- Requiem for My Mother -- Epitaph for Can Temba -- For Gwigwi -- For TW -- For Otis Redding -- Here We Are Like the Present -- Letter to Skunder -- For Zeke and Dennis -- For Cecil Abrahams -- After Mongane -- Son of Mokae -- Song for Ilva Mackay and Mogane -- For Montshiwa and Phetoe -- Open Letter -- Places and Bloodstains -- Heartprints (1980) -- Letter to Ipeleng On Her Birthday 1976 -- When the Clouds Clear (1990) -- The Long Arm of the Blues -- The Same Strip of Land -- Rites of Passage -- Dance -- Morning in Tunis -- Sharper Than Any Blade You Know -- Bleeding Red -- Luthuli Detachment -- When The Clouds Clear -- Red Song -- From Now On.... -- Mpilo'nhle -- An Injury To One Is An Injury To All -- Every Patriot A Combatant -- Quest -- Kate -- My Sister -- June 16 Year of the Spear -- Chimid: A Memorial -- Seaparankoe -- Here You Almost Started -- A Luta Continua -- New Age -- Manifesto (1981) -- South Africa Salutes Uzbekistan -- To The Bitter End (1995) -- I. Coil of Time -- What time is it? -- In the Wheeling and Dealing Time -- Rites of Passage: (1991) -- Dumalisile -- I Am -- Manboy -- When the Deal Goes Down -- Years Without Tears -- Strange Rituals -- Grand Papa Dhlomo -- For David Rubadiri -- For Bra Ntemi -- Fidelity -- Montage: Bouctou Lives -- Heart to Heart -- We Are All Involved -- Even Skin Disappears -- If I Could Sing (2002) -- Recollections -- Venceremos -- Affirmation -- Memorial -- If I Could Sing -- Renaissance -- Rejoice -- This Way I Salute You (2004) -- For Johnny Dyani -- Santamaria -- Cassandra Wilson Will Sing -- Where Her Eye Sits -- eThekwini -- For Gloria Bosman -- For Our Mother of the Heavy Names -- Homesoil in my Blood (2018) -- No Boundaries -- No Serenity Here -- Letter from Havana -- In the Naming -- Anguish Longer Than Sorrow -- Wounded Dreams -- I Am No Stranger -- We Are All Involved (2012) -- Of Shadows and Chameleons -- Festive Heart -- I Know a Few Things -- New Day -- For Fernando, Gloria, Eduardo and the 2012 Team -- For Sterling Plumpp -- For Hu Xiancheng -- Uncollected (1971) -- Soulbook 1(1), 1964 -- The Awakening -- Manifesto -- 'Yes, Mandela, We Shall Be Moved' -- Fruitful seed -- Freedom train, 1965 -- Introduction to a future history book -- Whistle for Pennies |
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B. Inspired -- Tropics -- For Melba -- My Name is Afrika (1971) -- The air I hear -- Impulse -- Shotgun -- Mayibuye iAfrika -- Could Be -- Random Notes to My Son -- To Mother -- My People No Longer Sing -- To a Black Woman, Insane -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">To My Daughter -- Sift and Shift -- Vector or Legacy -- Bleached Callouses, Africa, 1966 -- The Lip Trick -- The Nitty-Gritty -- Time -- New Dawn -- Inherent and Inherited Mistrusts -- Symptoms -- Flirtation -- Conditioned -- Innuendo -- Axiomatic -- Bandung Dance -- For Afroamerica -- No Celebration -- In the Nude -- Of Yesterday's Tomorrows -- Epitaph -- Like the Tide: Cloudward -- No Tears In the Tide -- Towards a Walk In the Sun -- The Spearhead Wind Strides -- The Gods Wrote -- The Long Reach -- The New Breed -- For Eusi, Ayi Kwei and Gwen Brooks -- Recreation -- Point of departure: Fire Dance Fire Song -- I. The elegance of memory -- II. Lumumba section -- III. Fire dance -- IV. Spirits unchained -- For Sons of Sonless Fathers -- Notes from no sanctuary -- The Present is a DANGEROUS Place To Live (1974) -- For Ipeleng -- The present is a DANGEROUS place to live. . . one -- I. In the mourning -- II. Beware of Dreams -- III. Without Shadow -- IV. Mirrors, Without Song -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Mystique -- There Are No Sanctuaries Except in Purposeful Action ... two -- 1. Wounded Word, Insane Song -- 2. When things fall apart -- 3. Exile -- 4. Perception -- 5. Logistics -- . . . three -- Blues For Some Literary Friends & Myself -- Home is where the music is . . . four -- For Billie Holiday -- For Art Blakey and the Jazz Messengers -- For B.B. King and Lucille -- Acknowledgement -- Pro/Creation -- For Hughie Masekela -- Places and Bloodstains (1975) -- Requiem for My Mother -- Epitaph for Can Temba -- For Gwigwi -- For TW -- For Otis Redding -- Here We Are Like the Present -- Letter to Skunder -- For Zeke and Dennis -- For Cecil Abrahams -- After Mongane -- Son of Mokae -- Song for Ilva Mackay and Mogane -- For Montshiwa and Phetoe -- Open Letter -- Places and Bloodstains -- Heartprints (1980) -- Letter to Ipeleng On Her Birthday 1976 -- When the Clouds Clear (1990) -- The Long Arm of the Blues -- The Same Strip of Land -- Rites of Passage -- Dance -- Morning in Tunis -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Sharper Than Any Blade You Know -- Bleeding Red -- Luthuli Detachment -- When The Clouds Clear -- Red Song -- From Now On.... -- Mpilo'nhle -- An Injury To One Is An Injury To All -- Every Patriot A Combatant -- Quest -- Kate -- My Sister -- June 16 Year of the Spear -- Chimid: A Memorial -- Seaparankoe -- Here You Almost Started -- A Luta Continua -- New Age -- Manifesto (1981) -- South Africa Salutes Uzbekistan -- To The Bitter End (1995) -- I. Coil of Time -- What time is it? -- In the Wheeling and Dealing Time -- Rites of Passage: (1991) -- Dumalisile -- I Am -- Manboy -- When the Deal Goes Down -- Years Without Tears -- Strange Rituals -- Grand Papa Dhlomo -- For David Rubadiri -- For Bra Ntemi -- Fidelity -- Montage: Bouctou Lives -- Heart to Heart -- We Are All Involved -- Even Skin Disappears -- If I Could Sing (2002) -- Recollections -- Venceremos -- Affirmation -- Memorial -- If I Could Sing -- Renaissance -- Rejoice -- This Way I Salute You (2004) -- For Johnny Dyani -- </subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Santamaria -- Cassandra Wilson Will Sing -- Where Her Eye Sits -- eThekwini -- For Gloria Bosman -- For Our Mother of the Heavy Names -- Homesoil in my Blood (2018) -- No Boundaries -- No Serenity Here -- Letter from Havana -- In the Naming -- Anguish Longer Than Sorrow -- Wounded Dreams -- I Am No Stranger -- We Are All Involved (2012) -- Of Shadows and Chameleons -- Festive Heart -- I Know a Few Things -- New Day -- For Fernando, Gloria, Eduardo and the 2012 Team -- For Sterling Plumpp -- For Hu Xiancheng -- Uncollected (1971) -- Soulbook 1(1), 1964 -- The Awakening -- Manifesto -- 'Yes, Mandela, We Shall Be Moved' -- Fruitful seed -- Freedom train, 1965 -- Introduction to a future history book -- Whistle for Pennies</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"A comprehensive collection of the new and collected works of South Africa's second poet laureate, Keorapetse Kgositsile"--</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Keorapetse Kgositsile, South Africa's second poet laureate, was a political activist, teacher, and poet. 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As the introduction notes, Kgositsile had an "undisputed ability to honor the truth in all its complexity, with a musicality that draws on the repository of memory and history, rebuilt through the rhythms and cadences of jazz." Addressing themes of Black solidarity, displacement, and anticolonialism, Kgositsile's prose is fiery, witty, and filled with conviction. 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| id | DE-604.BV049526600 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:26:17Z |
| indexdate | 2024-07-10T10:09:46Z |
| institution | BVB |
| isbn | 9781496221155 149622115X |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034872332 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM |
| owner_facet | DE-19 DE-BY-UBM |
| physical | xxxiv, 255 Seiten 23 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | University of Nebraska Press |
| record_format | marc |
| series2 | African poetry book series |
| spelling | Kgositsile, Keorapetse 1938-2018 Verfasser (DE-588)1108041612 aut Keorapetse Kgositsile collected poems, 1969-2018 Keorapetse Kgositsile ; edited and with an introduction by Phillippa Yaa de Villiers and Uhuru Portia Phalafala Lincoln University of Nebraska Press [2023] xxxiv, 255 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier African poetry book series Machine generated contents note: Introduction in Two Movements -- Spirits Unchained (1969) -- To Gloria -- For LeRoi Jones, April, 1965 -- When Brown Is Black -- Brother Malcolm's Echo -- Mandela's Sermon -- Elegy for David Diop -- Ivory Masks in Orbit -- Lumumba Section -- Spirits Unchained -- To Fanon -- Song for Aimé Césaire -- My Name is Afrika -- For Spellman at Spelman -- I Am Music People -- Origins -- For Melba (1970) -- And the Long Story -- Song for Melba -- MMABATHO: Dakar, 1966 -- The Creator -- Indeed In Deed -- For Those Who Love & Care -- True Blue -- Of Death and Lives -- Death Doses -- Death Doses No. 2 -- Death Doses No. 3 -- My People When Nothing Moves -- Come Duze -- 3000 Miles Apart -- Of Us for Us -- In Time -- By A. B. Inspired -- Tropics -- For Melba -- My Name is Afrika (1971) -- The air I hear -- Impulse -- Shotgun -- Mayibuye iAfrika -- Could Be -- Random Notes to My Son -- To Mother -- My People No Longer Sing -- To a Black Woman, Insane -- To My Daughter -- Sift and Shift -- Vector or Legacy -- Bleached Callouses, Africa, 1966 -- The Lip Trick -- The Nitty-Gritty -- Time -- New Dawn -- Inherent and Inherited Mistrusts -- Symptoms -- Flirtation -- Conditioned -- Innuendo -- Axiomatic -- Bandung Dance -- For Afroamerica -- No Celebration -- In the Nude -- Of Yesterday's Tomorrows -- Epitaph -- Like the Tide: Cloudward -- No Tears In the Tide -- Towards a Walk In the Sun -- The Spearhead Wind Strides -- The Gods Wrote -- The Long Reach -- The New Breed -- For Eusi, Ayi Kwei and Gwen Brooks -- Recreation -- Point of departure: Fire Dance Fire Song -- I. The elegance of memory -- II. Lumumba section -- III. Fire dance -- IV. Spirits unchained -- For Sons of Sonless Fathers -- Notes from no sanctuary -- The Present is a DANGEROUS Place To Live (1974) -- For Ipeleng -- The present is a DANGEROUS place to live. . . one -- I. In the mourning -- II. Beware of Dreams -- III. Without Shadow -- IV. Mirrors, Without Song -- Mystique -- There Are No Sanctuaries Except in Purposeful Action ... two -- 1. Wounded Word, Insane Song -- 2. When things fall apart -- 3. Exile -- 4. Perception -- 5. Logistics -- . . . three -- Blues For Some Literary Friends & Myself -- Home is where the music is . . . four -- For Billie Holiday -- For Art Blakey and the Jazz Messengers -- For B.B. King and Lucille -- Acknowledgement -- Pro/Creation -- For Hughie Masekela -- Places and Bloodstains (1975) -- Requiem for My Mother -- Epitaph for Can Temba -- For Gwigwi -- For TW -- For Otis Redding -- Here We Are Like the Present -- Letter to Skunder -- For Zeke and Dennis -- For Cecil Abrahams -- After Mongane -- Son of Mokae -- Song for Ilva Mackay and Mogane -- For Montshiwa and Phetoe -- Open Letter -- Places and Bloodstains -- Heartprints (1980) -- Letter to Ipeleng On Her Birthday 1976 -- When the Clouds Clear (1990) -- The Long Arm of the Blues -- The Same Strip of Land -- Rites of Passage -- Dance -- Morning in Tunis -- Sharper Than Any Blade You Know -- Bleeding Red -- Luthuli Detachment -- When The Clouds Clear -- Red Song -- From Now On.... -- Mpilo'nhle -- An Injury To One Is An Injury To All -- Every Patriot A Combatant -- Quest -- Kate -- My Sister -- June 16 Year of the Spear -- Chimid: A Memorial -- Seaparankoe -- Here You Almost Started -- A Luta Continua -- New Age -- Manifesto (1981) -- South Africa Salutes Uzbekistan -- To The Bitter End (1995) -- I. Coil of Time -- What time is it? -- In the Wheeling and Dealing Time -- Rites of Passage: (1991) -- Dumalisile -- I Am -- Manboy -- When the Deal Goes Down -- Years Without Tears -- Strange Rituals -- Grand Papa Dhlomo -- For David Rubadiri -- For Bra Ntemi -- Fidelity -- Montage: Bouctou Lives -- Heart to Heart -- We Are All Involved -- Even Skin Disappears -- If I Could Sing (2002) -- Recollections -- Venceremos -- Affirmation -- Memorial -- If I Could Sing -- Renaissance -- Rejoice -- This Way I Salute You (2004) -- For Johnny Dyani -- Santamaria -- Cassandra Wilson Will Sing -- Where Her Eye Sits -- eThekwini -- For Gloria Bosman -- For Our Mother of the Heavy Names -- Homesoil in my Blood (2018) -- No Boundaries -- No Serenity Here -- Letter from Havana -- In the Naming -- Anguish Longer Than Sorrow -- Wounded Dreams -- I Am No Stranger -- We Are All Involved (2012) -- Of Shadows and Chameleons -- Festive Heart -- I Know a Few Things -- New Day -- For Fernando, Gloria, Eduardo and the 2012 Team -- For Sterling Plumpp -- For Hu Xiancheng -- Uncollected (1971) -- Soulbook 1(1), 1964 -- The Awakening -- Manifesto -- 'Yes, Mandela, We Shall Be Moved' -- Fruitful seed -- Freedom train, 1965 -- Introduction to a future history book -- Whistle for Pennies "A comprehensive collection of the new and collected works of South Africa's second poet laureate, Keorapetse Kgositsile"-- "Keorapetse Kgositsile, South Africa's second poet laureate, was a political activist, teacher, and poet. He lived, wrote, and taught in the United States for a significant part of his life and collaborated with many influential and highly regarded writers, including Gwendolyn Brooks, Sterling Plumpp, Dudley Randall, and George Kent. This comprehensive collection of Kgositsile's new and collected works spans almost fifty years. During his lifetime, Kgositsile dedicated the majority of his poems to people or movements, documenting the struggle against racism, Western imperialism, and racial capitalism, and celebrating human creativity, particularly music, as an inherent and essential aspect of the global liberation struggle. This collection demonstrates the commitment to equality, justice, and egalitarianism fostered by cultural workers within the mass liberation movement. As the introduction notes, Kgositsile had an "undisputed ability to honor the truth in all its complexity, with a musicality that draws on the repository of memory and history, rebuilt through the rhythms and cadences of jazz." Addressing themes of Black solidarity, displacement, and anticolonialism, Kgositsile's prose is fiery, witty, and filled with conviction. This collection showcases a voice that wanted to change the world-and did"-- African Americans / Poetry Black people / Poetry South Africa / Poetry United States / Poetry South African poetry (English) / Black authors Noirs américains / Poésie Personnes noires / Poésie Poésie sud-africaine (anglaise) / Auteurs noirs POETRY / African Black people African Americans United States South Africa poetry Poetry Poésie De Villiers, Phillippa Yaa edt Phalafala, Uhuru Portia (DE-588)132278907X edt |
| spellingShingle | Kgositsile, Keorapetse 1938-2018 Keorapetse Kgositsile collected poems, 1969-2018 Machine generated contents note: Introduction in Two Movements -- Spirits Unchained (1969) -- To Gloria -- For LeRoi Jones, April, 1965 -- When Brown Is Black -- Brother Malcolm's Echo -- Mandela's Sermon -- Elegy for David Diop -- Ivory Masks in Orbit -- Lumumba Section -- Spirits Unchained -- To Fanon -- Song for Aimé Césaire -- My Name is Afrika -- For Spellman at Spelman -- I Am Music People -- Origins -- For Melba (1970) -- And the Long Story -- Song for Melba -- MMABATHO: Dakar, 1966 -- The Creator -- Indeed In Deed -- For Those Who Love & Care -- True Blue -- Of Death and Lives -- Death Doses -- Death Doses No. 2 -- Death Doses No. 3 -- My People When Nothing Moves -- Come Duze -- 3000 Miles Apart -- Of Us for Us -- In Time -- By A. B. Inspired -- Tropics -- For Melba -- My Name is Afrika (1971) -- The air I hear -- Impulse -- Shotgun -- Mayibuye iAfrika -- Could Be -- Random Notes to My Son -- To Mother -- My People No Longer Sing -- To a Black Woman, Insane -- To My Daughter -- Sift and Shift -- Vector or Legacy -- Bleached Callouses, Africa, 1966 -- The Lip Trick -- The Nitty-Gritty -- Time -- New Dawn -- Inherent and Inherited Mistrusts -- Symptoms -- Flirtation -- Conditioned -- Innuendo -- Axiomatic -- Bandung Dance -- For Afroamerica -- No Celebration -- In the Nude -- Of Yesterday's Tomorrows -- Epitaph -- Like the Tide: Cloudward -- No Tears In the Tide -- Towards a Walk In the Sun -- The Spearhead Wind Strides -- The Gods Wrote -- The Long Reach -- The New Breed -- For Eusi, Ayi Kwei and Gwen Brooks -- Recreation -- Point of departure: Fire Dance Fire Song -- I. The elegance of memory -- II. Lumumba section -- III. Fire dance -- IV. Spirits unchained -- For Sons of Sonless Fathers -- Notes from no sanctuary -- The Present is a DANGEROUS Place To Live (1974) -- For Ipeleng -- The present is a DANGEROUS place to live. . . one -- I. In the mourning -- II. Beware of Dreams -- III. Without Shadow -- IV. Mirrors, Without Song -- Mystique -- There Are No Sanctuaries Except in Purposeful Action ... two -- 1. Wounded Word, Insane Song -- 2. When things fall apart -- 3. Exile -- 4. Perception -- 5. Logistics -- . . . three -- Blues For Some Literary Friends & Myself -- Home is where the music is . . . four -- For Billie Holiday -- For Art Blakey and the Jazz Messengers -- For B.B. King and Lucille -- Acknowledgement -- Pro/Creation -- For Hughie Masekela -- Places and Bloodstains (1975) -- Requiem for My Mother -- Epitaph for Can Temba -- For Gwigwi -- For TW -- For Otis Redding -- Here We Are Like the Present -- Letter to Skunder -- For Zeke and Dennis -- For Cecil Abrahams -- After Mongane -- Son of Mokae -- Song for Ilva Mackay and Mogane -- For Montshiwa and Phetoe -- Open Letter -- Places and Bloodstains -- Heartprints (1980) -- Letter to Ipeleng On Her Birthday 1976 -- When the Clouds Clear (1990) -- The Long Arm of the Blues -- The Same Strip of Land -- Rites of Passage -- Dance -- Morning in Tunis -- Sharper Than Any Blade You Know -- Bleeding Red -- Luthuli Detachment -- When The Clouds Clear -- Red Song -- From Now On.... -- Mpilo'nhle -- An Injury To One Is An Injury To All -- Every Patriot A Combatant -- Quest -- Kate -- My Sister -- June 16 Year of the Spear -- Chimid: A Memorial -- Seaparankoe -- Here You Almost Started -- A Luta Continua -- New Age -- Manifesto (1981) -- South Africa Salutes Uzbekistan -- To The Bitter End (1995) -- I. Coil of Time -- What time is it? -- In the Wheeling and Dealing Time -- Rites of Passage: (1991) -- Dumalisile -- I Am -- Manboy -- When the Deal Goes Down -- Years Without Tears -- Strange Rituals -- Grand Papa Dhlomo -- For David Rubadiri -- For Bra Ntemi -- Fidelity -- Montage: Bouctou Lives -- Heart to Heart -- We Are All Involved -- Even Skin Disappears -- If I Could Sing (2002) -- Recollections -- Venceremos -- Affirmation -- Memorial -- If I Could Sing -- Renaissance -- Rejoice -- This Way I Salute You (2004) -- For Johnny Dyani -- Santamaria -- Cassandra Wilson Will Sing -- Where Her Eye Sits -- eThekwini -- For Gloria Bosman -- For Our Mother of the Heavy Names -- Homesoil in my Blood (2018) -- No Boundaries -- No Serenity Here -- Letter from Havana -- In the Naming -- Anguish Longer Than Sorrow -- Wounded Dreams -- I Am No Stranger -- We Are All Involved (2012) -- Of Shadows and Chameleons -- Festive Heart -- I Know a Few Things -- New Day -- For Fernando, Gloria, Eduardo and the 2012 Team -- For Sterling Plumpp -- For Hu Xiancheng -- Uncollected (1971) -- Soulbook 1(1), 1964 -- The Awakening -- Manifesto -- 'Yes, Mandela, We Shall Be Moved' -- Fruitful seed -- Freedom train, 1965 -- Introduction to a future history book -- Whistle for Pennies |
| title | Keorapetse Kgositsile collected poems, 1969-2018 |
| title_auth | Keorapetse Kgositsile collected poems, 1969-2018 |
| title_exact_search | Keorapetse Kgositsile collected poems, 1969-2018 |
| title_exact_search_txtP | Keorapetse Kgositsile collected poems, 1969-2018 |
| title_full | Keorapetse Kgositsile collected poems, 1969-2018 Keorapetse Kgositsile ; edited and with an introduction by Phillippa Yaa de Villiers and Uhuru Portia Phalafala |
| title_fullStr | Keorapetse Kgositsile collected poems, 1969-2018 Keorapetse Kgositsile ; edited and with an introduction by Phillippa Yaa de Villiers and Uhuru Portia Phalafala |
| title_full_unstemmed | Keorapetse Kgositsile collected poems, 1969-2018 Keorapetse Kgositsile ; edited and with an introduction by Phillippa Yaa de Villiers and Uhuru Portia Phalafala |
| title_short | Keorapetse Kgositsile |
| title_sort | keorapetse kgositsile collected poems 1969 2018 |
| title_sub | collected poems, 1969-2018 |
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