Beyond Dvořákʼs "The Last Renaissance": on the beginnings of Slovenian scientific art history inspired by modern art
One of the characteristics of the Vienna School of Art History, as Hans Tietze writes in The Method of Art History, is the conviction that ‘living art is the key to dead art’. The article draws connections between the lively art debates in Vienna in the first decade of the twentieth century, the bre...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
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December 2023
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| Online-Zugang: | kostenfrei |
| Zusammenfassung: | One of the characteristics of the Vienna School of Art History, as Hans Tietze writes in The Method of Art History, is the conviction that ‘living art is the key to dead art’. The article draws connections between the lively art debates in Vienna in the first decade of the twentieth century, the breakthrough of Plečnik’s and Meštrović’s art, and the art historians who, at the beginning of their careers, were just beginning to explore the relationship between the formulation of method and the object of research, and places them in the broader historical context of the situation of small nations just before the dissolution of the monarchy. After the 1914–1918 war, central questions in art and science were reopened at the fringes of the former monarchy. Collaboration between scholars and artists was crucial not only for the development of the professions, but also for the formation of a modern cultural identity and sovereignty in the new multi-ethnic state. |
| Beschreibung: | 1 Online-Ressource (23 Seiten) |
| ISSN: | 2042-4752 |
| DOI: | 10.48352/uobxjah.00004354 |
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| spelling | Krmelj, Vesna Verfasser (DE-588)14069126X aut Beyond Dvořákʼs "The Last Renaissance" on the beginnings of Slovenian scientific art history inspired by modern art Vesna Krmelj December 2023 1 Online-Ressource (23 Seiten) txt rdacontent c rdamedia cr rdacarrier One of the characteristics of the Vienna School of Art History, as Hans Tietze writes in The Method of Art History, is the conviction that ‘living art is the key to dead art’. The article draws connections between the lively art debates in Vienna in the first decade of the twentieth century, the breakthrough of Plečnik’s and Meštrović’s art, and the art historians who, at the beginning of their careers, were just beginning to explore the relationship between the formulation of method and the object of research, and places them in the broader historical context of the situation of small nations just before the dissolution of the monarchy. After the 1914–1918 war, central questions in art and science were reopened at the fringes of the former monarchy. Collaboration between scholars and artists was crucial not only for the development of the professions, but also for the formation of a modern cultural identity and sovereignty in the new multi-ethnic state. number:29 year:2023 Journal of art historiography Glasgow, 2023 Heft 29 (2023), Supplement 2 (DE-604)BV035944348 2042-4752 (DE-600)2532257-6 https://doi.org/10.48352/uobxjah.00004354 Verlag kostenfrei Volltext |
| spellingShingle | Krmelj, Vesna Beyond Dvořákʼs "The Last Renaissance" on the beginnings of Slovenian scientific art history inspired by modern art |
| title | Beyond Dvořákʼs "The Last Renaissance" on the beginnings of Slovenian scientific art history inspired by modern art |
| title_auth | Beyond Dvořákʼs "The Last Renaissance" on the beginnings of Slovenian scientific art history inspired by modern art |
| title_exact_search | Beyond Dvořákʼs "The Last Renaissance" on the beginnings of Slovenian scientific art history inspired by modern art |
| title_exact_search_txtP | Beyond Dvořákʼs "The Last Renaissance" on the beginnings of Slovenian scientific art history inspired by modern art |
| title_full | Beyond Dvořákʼs "The Last Renaissance" on the beginnings of Slovenian scientific art history inspired by modern art Vesna Krmelj |
| title_fullStr | Beyond Dvořákʼs "The Last Renaissance" on the beginnings of Slovenian scientific art history inspired by modern art Vesna Krmelj |
| title_full_unstemmed | Beyond Dvořákʼs "The Last Renaissance" on the beginnings of Slovenian scientific art history inspired by modern art Vesna Krmelj |
| title_short | Beyond Dvořákʼs "The Last Renaissance" |
| title_sort | beyond dvorakʼs the last renaissance on the beginnings of slovenian scientific art history inspired by modern art |
| title_sub | on the beginnings of Slovenian scientific art history inspired by modern art |
| url | https://doi.org/10.48352/uobxjah.00004354 |
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