Comics and modernism: history, form, and culture
Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstanc...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
[2024]
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| Schriftenreihe: | Tom Inge series on comics artists
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VIII, 326 Seiten Illustrationen, Comics |
| ISBN: | 9781496849588 9781496849571 |
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CONTENTS Acknowledgments. VII Comics and Modernism: An Introduction. 3 JONATHAN NAJARIAN Section I: Modernism and Comics Entanglements of Style: The Uniqueness of Modernism in Comics . 15 GLENN WILLMOTT Modernism for the Masses: The Armory Show in Comics. 33 KATHERINE ROEDER The Dreamer’s Modern Body: Winsor McCay and the Everyday Sensorium. 49 NOA SAUNDERS A Thoroughly Modern Kat. 70 DAVID Μ. BALL Section II: Print, Ephemera, Circulation Four Repulsive Women: Marjorie Organ, Nell Brinkley, Kate Carew, Djuna Barnes. 87 JEAN LEE COLE Jackie Ormes’s Torchy Brown in “Dixie to Harlem”: Modernism in the African American Funny Pages CLÉMENCE SFADJ 113
VI CONTENTS In Dialogue and Debate: Comics, Little Magazines, World Literature . . 129 LOUISE KANE Section III: Рор/Art: Comics Low and High Telling Details: Feminine Flourish in Midcentury Illustration and Comics. 157 SCOTT BUKATMAN Speed Lines: Futurism and Superheroes. 184 DANIEL WORDEN “Our First Literature”: The Poetics Underground of Joe Brainard’s New York School Comics. 206 NICK STURM Section IV: Comics as Modernism Profane Transfigurations: On a Detail of a Painting in a Panel in an Installment of Little Annie Fanny, 1963, or How Harvey Kurtzman and Arthur Danto (Mostly) Agree, and Deep Down Really Disagree Too . . 229 ANDREI MOLOTIU Art Spiegelman and the Ghost of Picasso. 257 JONATHAN NAJARIAN Little Tommy Lost and the Anachronistic Comic. 284 MATTHEW LEVAY Afterword: Graphic Modernisms. .301 HILLARY CHUTE Selected Bibliography. 310 About the Contributors. 317 Index.320
Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early com ics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an inter disciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements. |
| adam_txt |
CONTENTS Acknowledgments. VII Comics and Modernism: An Introduction. 3 JONATHAN NAJARIAN Section I: Modernism and Comics Entanglements of Style: The Uniqueness of Modernism in Comics . 15 GLENN WILLMOTT Modernism for the Masses: The Armory Show in Comics. 33 KATHERINE ROEDER The Dreamer’s Modern Body: Winsor McCay and the Everyday Sensorium. 49 NOA SAUNDERS A Thoroughly Modern Kat. 70 DAVID Μ. BALL Section II: Print, Ephemera, Circulation Four Repulsive Women: Marjorie Organ, Nell Brinkley, Kate Carew, Djuna Barnes. 87 JEAN LEE COLE Jackie Ormes’s Torchy Brown in “Dixie to Harlem”: Modernism in the African American Funny Pages CLÉMENCE SFADJ 113
VI CONTENTS In Dialogue and Debate: Comics, Little Magazines, World Literature . . 129 LOUISE KANE Section III: Рор/Art: Comics Low and High Telling Details: Feminine Flourish in Midcentury Illustration and Comics. 157 SCOTT BUKATMAN Speed Lines: Futurism and Superheroes. 184 DANIEL WORDEN “Our First Literature”: The Poetics Underground of Joe Brainard’s New York School Comics. 206 NICK STURM Section IV: Comics as Modernism Profane Transfigurations: On a Detail of a Painting in a Panel in an Installment of Little Annie Fanny, 1963, or How Harvey Kurtzman and Arthur Danto (Mostly) Agree, and Deep Down Really Disagree Too . . 229 ANDREI MOLOTIU Art Spiegelman and the Ghost of Picasso. 257 JONATHAN NAJARIAN Little Tommy Lost and the Anachronistic Comic. 284 MATTHEW LEVAY Afterword: Graphic Modernisms. .301 HILLARY CHUTE Selected Bibliography. 310 About the Contributors. 317 Index.320
Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early com ics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an inter disciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements. |
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| dewey-hundreds | 700 - The arts |
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| spelling | Comics and modernism history, form, and culture edited by Jonathan Najarian Jackson University Press of Mississippi [2024] © 2024 VIII, 326 Seiten Illustrationen, Comics txt rdacontent n rdamedia nc rdacarrier Tom Inge series on comics artists Includes bibliographical references and index Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cultural, and aesthetic connections. Filling a gap in current scholarship, an impressively diverse group of scholars approaches the topic from a variety of disciplinary backgrounds and methodologies. Drawing on work in literary studies, art history, film studies, philosophy, and material culture studies, contributors attend to the dynamic relationship between avant-garde art, literature, and comics. Essays by both established and emerging voices examine topics as divergent as early twentieth-century film, museum exhibitions, newspaper journalism, magazine illustration, and transnational literary circulation. In presenting varied critical approaches, this book highlights important interpretive questions for the field. Contributors sometimes arrive at thoughtful consensus and at other times settle on productive disagreements. Ultimately, this collection aims to extend traditional lines of inquiry in both comics studies and modernist studies and to reveal overlaps between ostensibly disparate artistic practices and movements Geschichte 1900-2000 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Comic (DE-588)4010427-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Comic books, strips, etc / Philosophy Comic books, strips, etc / History and criticism Graphic novels / Philosophy Graphic novels / History and criticism Philosophy in comics Modernism (Art) (DE-588)4143413-4 Aufsatzsammlung gnd-content Comic (DE-588)4010427-8 s Avantgarde (DE-588)4133965-4 s Literatur (DE-588)4035964-5 s Kultur (DE-588)4125698-0 s Kunst (DE-588)4114333-4 s Geschichte 1900-2000 z DE-604 Najarian, Jonathan ca. 20./21. Jh. (DE-588)1321892934 edt Erscheint auch als Online-Ausgabe, EPUB 978-1-4968-4959-5 Erscheint auch als Online-Ausgabe, EPUB 978-1-4968-4960-1 Erscheint auch als Online-Ausgabe, PDF 978-1-4968-4961-8 Erscheint auch als Online-Ausgabe, PDF 978-1-4968-4962-5 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034867701&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034867701&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Comics and modernism history, form, and culture Avantgarde (DE-588)4133965-4 gnd Comic (DE-588)4010427-8 gnd Kunst (DE-588)4114333-4 gnd Kultur (DE-588)4125698-0 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4133965-4 (DE-588)4010427-8 (DE-588)4114333-4 (DE-588)4125698-0 (DE-588)4035964-5 (DE-588)4143413-4 |
| title | Comics and modernism history, form, and culture |
| title_auth | Comics and modernism history, form, and culture |
| title_exact_search | Comics and modernism history, form, and culture |
| title_exact_search_txtP | Comics and modernism history, form, and culture |
| title_full | Comics and modernism history, form, and culture edited by Jonathan Najarian |
| title_fullStr | Comics and modernism history, form, and culture edited by Jonathan Najarian |
| title_full_unstemmed | Comics and modernism history, form, and culture edited by Jonathan Najarian |
| title_short | Comics and modernism |
| title_sort | comics and modernism history form and culture |
| title_sub | history, form, and culture |
| topic | Avantgarde (DE-588)4133965-4 gnd Comic (DE-588)4010427-8 gnd Kunst (DE-588)4114333-4 gnd Kultur (DE-588)4125698-0 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Avantgarde Comic Kunst Kultur Literatur Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034867701&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034867701&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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