Robert Rauschenbergs "Erased de Kooning Drawing" (1953): Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk"
Erased de Kooning Drawing is an artwork that radically challenged the very definition of art and questioned the notion of the artist as creator. Three American artists were involved in its creation: In 1953, Robert Rauschenberg erased a drawing by Willem de Kooning, who had somewhat reluctantly been...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
Berlin
Hatje Cantz Verlag
[2023]
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| Schlagworte: | |
| Zusammenfassung: | Erased de Kooning Drawing is an artwork that radically challenged the very definition of art and questioned the notion of the artist as creator. Three American artists were involved in its creation: In 1953, Robert Rauschenberg erased a drawing by Willem de Kooning, who had somewhat reluctantly been giving his consent. Jasper Johns created a label for its first public presentation that proved to be key to the psychological framing of the piece. Having been transmuted into something new, the obliterated drawing was soon perceived as a pivotal moment in art history: In the 1950s it was considered Neo-Dada, in the 1960s it was hailed as the beginning of conceptual art, and in the 1980s saw it as a departure into postmodernism. Numerous artists referenced the work and it became a touchstone in Rauschenberg’s oeuvre. Gregor Stemmrich outlines its status as a litmus test for the definitions of modernism, literalism and postmodernism, and demonstrates its continuing relevance for the theory of the image and the question of appropriation. |
| Beschreibung: | 1028 Seiten Illustrationen |
| ISBN: | 9783775755023 3775755020 |
Internformat
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| 245 | 1 | 0 | |a Robert Rauschenbergs "Erased de Kooning Drawing" (1953) |b Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk" |c Gregor Stemmrich |
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| 520 | 3 | |a Erased de Kooning Drawing is an artwork that radically challenged the very definition of art and questioned the notion of the artist as creator. Three American artists were involved in its creation: In 1953, Robert Rauschenberg erased a drawing by Willem de Kooning, who had somewhat reluctantly been giving his consent. Jasper Johns created a label for its first public presentation that proved to be key to the psychological framing of the piece. Having been transmuted into something new, the obliterated drawing was soon perceived as a pivotal moment in art history: In the 1950s it was considered Neo-Dada, in the 1960s it was hailed as the beginning of conceptual art, and in the 1980s saw it as a departure into postmodernism. Numerous artists referenced the work and it became a touchstone in Rauschenberg’s oeuvre. Gregor Stemmrich outlines its status as a litmus test for the definitions of modernism, literalism and postmodernism, and demonstrates its continuing relevance for the theory of the image and the question of appropriation. | |
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| 600 | 1 | 7 | |a Rauschenberg, Robert |d 1925-2008 |0 (DE-588)118598619 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Johns, Jasper |d 1930- |0 (DE-588)118712764 |2 gnd |9 rswk-swf |
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| 689 | 0 | 1 | |a Rauschenberg, Robert |d 1925-2008 |0 (DE-588)118598619 |D p |
| 689 | 0 | 2 | |a Johns, Jasper |d 1930- |0 (DE-588)118712764 |D p |
| 689 | 0 | 3 | |a Concept-art |0 (DE-588)4032354-7 |D s |
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Datensatz im Suchindex
| _version_ | 1812883368089485312 |
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| author | Stemmrich, Gregor 1953- |
| author_GND | (DE-588)114436614 |
| author_facet | Stemmrich, Gregor 1953- |
| author_role | aut |
| author_sort | Stemmrich, Gregor 1953- |
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| building | Verbundindex |
| bvnumber | BV049518390 |
| classification_rvk | LI 70420 |
| ctrlnum | (OCoLC)1378725358 (DE-599)BVBBV049518390 |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV049518390 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:24:29Z |
| indexdate | 2024-10-14T10:05:06Z |
| institution | BVB |
| institution_GND | (DE-588)10094104-7 |
| isbn | 9783775755023 3775755020 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034864285 |
| oclc_num | 1378725358 |
| open_access_boolean | |
| owner | DE-11 DE-255 DE-12 |
| owner_facet | DE-11 DE-255 DE-12 |
| physical | 1028 Seiten Illustrationen |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Hatje Cantz Verlag |
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| spelling | Stemmrich, Gregor 1953- Verfasser (DE-588)114436614 aut Robert Rauschenbergs "Erased de Kooning Drawing" (1953) Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk" Gregor Stemmrich Berlin Hatje Cantz Verlag [2023] 1028 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Erased de Kooning Drawing is an artwork that radically challenged the very definition of art and questioned the notion of the artist as creator. Three American artists were involved in its creation: In 1953, Robert Rauschenberg erased a drawing by Willem de Kooning, who had somewhat reluctantly been giving his consent. Jasper Johns created a label for its first public presentation that proved to be key to the psychological framing of the piece. Having been transmuted into something new, the obliterated drawing was soon perceived as a pivotal moment in art history: In the 1950s it was considered Neo-Dada, in the 1960s it was hailed as the beginning of conceptual art, and in the 1980s saw it as a departure into postmodernism. Numerous artists referenced the work and it became a touchstone in Rauschenberg’s oeuvre. Gregor Stemmrich outlines its status as a litmus test for the definitions of modernism, literalism and postmodernism, and demonstrates its continuing relevance for the theory of the image and the question of appropriation. De Kooning, Willem 1904-1997 (DE-588)118713981 gnd rswk-swf Rauschenberg, Robert 1925-2008 (DE-588)118598619 gnd rswk-swf Johns, Jasper 1930- (DE-588)118712764 gnd rswk-swf Concept-art (DE-588)4032354-7 gnd rswk-swf De Kooning, Willem 1904-1997 (DE-588)118713981 p Rauschenberg, Robert 1925-2008 (DE-588)118598619 p Johns, Jasper 1930- (DE-588)118712764 p Concept-art (DE-588)4032354-7 s DE-604 Hatje-Cantz-Verlag (DE-588)10094104-7 pbl Parallele Sprachausgabe englisch 978-3-7757-5503-0 |
| spellingShingle | Stemmrich, Gregor 1953- Robert Rauschenbergs "Erased de Kooning Drawing" (1953) Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk" De Kooning, Willem 1904-1997 (DE-588)118713981 gnd Rauschenberg, Robert 1925-2008 (DE-588)118598619 gnd Johns, Jasper 1930- (DE-588)118712764 gnd Concept-art (DE-588)4032354-7 gnd |
| subject_GND | (DE-588)118713981 (DE-588)118598619 (DE-588)118712764 (DE-588)4032354-7 |
| title | Robert Rauschenbergs "Erased de Kooning Drawing" (1953) Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk" |
| title_auth | Robert Rauschenbergs "Erased de Kooning Drawing" (1953) Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk" |
| title_exact_search | Robert Rauschenbergs "Erased de Kooning Drawing" (1953) Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk" |
| title_exact_search_txtP | Robert Rauschenbergs "Erased de Kooning Drawing" (1953) Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk" |
| title_full | Robert Rauschenbergs "Erased de Kooning Drawing" (1953) Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk" Gregor Stemmrich |
| title_fullStr | Robert Rauschenbergs "Erased de Kooning Drawing" (1953) Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk" Gregor Stemmrich |
| title_full_unstemmed | Robert Rauschenbergs "Erased de Kooning Drawing" (1953) Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk" Gregor Stemmrich |
| title_short | Robert Rauschenbergs "Erased de Kooning Drawing" (1953) |
| title_sort | robert rauschenbergs erased de kooning drawing 1953 modernismus literalismus postmodernismus nicht nur eine korperlich materielle arbeit sondern auch ein kinetisch soziologisches werk |
| title_sub | Modernismus, Literalismus, Postmodernismus : "nicht nur eine körperlich-materielle Arbeit sondern auch ein kinetisch-soziologisches Werk" |
| topic | De Kooning, Willem 1904-1997 (DE-588)118713981 gnd Rauschenberg, Robert 1925-2008 (DE-588)118598619 gnd Johns, Jasper 1930- (DE-588)118712764 gnd Concept-art (DE-588)4032354-7 gnd |
| topic_facet | De Kooning, Willem 1904-1997 Rauschenberg, Robert 1925-2008 Johns, Jasper 1930- Concept-art |
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