Conceptual performance: enacting conceptual art
"Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance. Conceptual Performance sets out the history, theoretical basis, and character of this genre of work throug...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge
2024
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Schlagworte: | |
Zusammenfassung: | "Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance. Conceptual Performance sets out the history, theoretical basis, and character of this genre of work through a wide range of case studies. The volume considers how and why principal modes and agendas in Conceptual art in the 1960s and 1970s necessitated new engagements with performance, as well as expanded notions of theatricality. In doing so, this book reviews and challenges prevailing histories of Conceptual art through critical frameworks of performativity and performance. It also considers how Conceptual art adopted and redefined terms and tropes of theatre and performance: including score, document, embodiment, documentation, relic, remains, and the narrative recuperation of ephemeral work. While showing how performance has been integral to Conceptual art’s critiques of prevailing assumptions about art’s form, purpose, and meaning, this volume also considers the reach and influence of Conceptual performance into recent thinking and practice." |
Beschreibung: | xi, 266 Seiten Illustrationen 24,3 cm |
ISBN: | 9781138907652 9781138907645 |
Internformat
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520 | 3 | |a "Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance. Conceptual Performance sets out the history, theoretical basis, and character of this genre of work through a wide range of case studies. The volume considers how and why principal modes and agendas in Conceptual art in the 1960s and 1970s necessitated new engagements with performance, as well as expanded notions of theatricality. In doing so, this book reviews and challenges prevailing histories of Conceptual art through critical frameworks of performativity and performance. It also considers how Conceptual art adopted and redefined terms and tropes of theatre and performance: including score, document, embodiment, documentation, relic, remains, and the narrative recuperation of ephemeral work. While showing how performance has been integral to Conceptual art’s critiques of prevailing assumptions about art’s form, purpose, and meaning, this volume also considers the reach and influence of Conceptual performance into recent thinking and practice." | |
648 | 7 | |a Geschichte 1960-1980 |2 gnd |9 rswk-swf | |
650 | 4 | |a bicssc / Theory of art | |
650 | 4 | |a bicssc / Theatre studies | |
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Datensatz im Suchindex
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adam_text | |
adam_txt | |
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author | Kaye, Nick 1961- |
author_GND | (DE-588)124470750 |
author_facet | Kaye, Nick 1961- |
author_role | aut |
author_sort | Kaye, Nick 1961- |
author_variant | n k nk |
building | Verbundindex |
bvnumber | BV049518281 |
ctrlnum | (OCoLC)1424562308 (DE-599)BVBBV049518281 |
era | Geschichte 1960-1980 gnd |
era_facet | Geschichte 1960-1980 |
format | Book |
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id | DE-604.BV049518281 |
illustrated | Illustrated |
index_date | 2024-07-03T23:24:25Z |
indexdate | 2024-11-12T11:02:28Z |
institution | BVB |
isbn | 9781138907652 9781138907645 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034864176 |
oclc_num | 1424562308 |
open_access_boolean | |
owner | DE-19 DE-BY-UBM DE-255 DE-12 |
owner_facet | DE-19 DE-BY-UBM DE-255 DE-12 |
physical | xi, 266 Seiten Illustrationen 24,3 cm |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Routledge |
record_format | marc |
spelling | Kaye, Nick 1961- Verfasser (DE-588)124470750 aut Conceptual performance enacting conceptual art Nick Kaye London ; New York Routledge 2024 xi, 266 Seiten Illustrationen 24,3 cm txt rdacontent n rdamedia nc rdacarrier "Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance. Conceptual Performance sets out the history, theoretical basis, and character of this genre of work through a wide range of case studies. The volume considers how and why principal modes and agendas in Conceptual art in the 1960s and 1970s necessitated new engagements with performance, as well as expanded notions of theatricality. In doing so, this book reviews and challenges prevailing histories of Conceptual art through critical frameworks of performativity and performance. It also considers how Conceptual art adopted and redefined terms and tropes of theatre and performance: including score, document, embodiment, documentation, relic, remains, and the narrative recuperation of ephemeral work. While showing how performance has been integral to Conceptual art’s critiques of prevailing assumptions about art’s form, purpose, and meaning, this volume also considers the reach and influence of Conceptual performance into recent thinking and practice." Geschichte 1960-1980 gnd rswk-swf bicssc / Theory of art bicssc / Theatre studies bicssc / Performance art bisacsh / ART / Performance bisacsh / ART / Conceptual bisacsh / ART / Criticism & Theory Performance Künste (DE-588)4173750-7 gnd rswk-swf Concept-art (DE-588)4032354-7 gnd rswk-swf Concept-art (DE-588)4032354-7 s Performance Künste (DE-588)4173750-7 s Geschichte 1960-1980 z DE-604 Erscheint auch als Online-Ausgabe 978-1-317-44115-1 (DE-604)BV049514884 Erscheint auch als Online-Ausgabe 978-1-315-69496-2 Erscheint auch als Druck-Ausgabe, Paperback 978-1-138-90765-2 |
spellingShingle | Kaye, Nick 1961- Conceptual performance enacting conceptual art bicssc / Theory of art bicssc / Theatre studies bicssc / Performance art bisacsh / ART / Performance bisacsh / ART / Conceptual bisacsh / ART / Criticism & Theory Performance Künste (DE-588)4173750-7 gnd Concept-art (DE-588)4032354-7 gnd |
subject_GND | (DE-588)4173750-7 (DE-588)4032354-7 |
title | Conceptual performance enacting conceptual art |
title_auth | Conceptual performance enacting conceptual art |
title_exact_search | Conceptual performance enacting conceptual art |
title_exact_search_txtP | Conceptual performance enacting conceptual art |
title_full | Conceptual performance enacting conceptual art Nick Kaye |
title_fullStr | Conceptual performance enacting conceptual art Nick Kaye |
title_full_unstemmed | Conceptual performance enacting conceptual art Nick Kaye |
title_short | Conceptual performance |
title_sort | conceptual performance enacting conceptual art |
title_sub | enacting conceptual art |
topic | bicssc / Theory of art bicssc / Theatre studies bicssc / Performance art bisacsh / ART / Performance bisacsh / ART / Conceptual bisacsh / ART / Criticism & Theory Performance Künste (DE-588)4173750-7 gnd Concept-art (DE-588)4032354-7 gnd |
topic_facet | bicssc / Theory of art bicssc / Theatre studies bicssc / Performance art bisacsh / ART / Performance bisacsh / ART / Conceptual bisacsh / ART / Criticism & Theory Performance Künste Concept-art |
work_keys_str_mv | AT kayenick conceptualperformanceenactingconceptualart |