String virtuosi in eighteenth-century Naples: culture, power, and music institutions
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge
Cambridge University Press
2024
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | xviii, 277 Seiten Illustrationen, Notenbeispiele |
ISBN: | 9781009273688 |
Internformat
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Contents List of Figures [page ix] List of Tables [x] List of Music Examples [xi] Acknowledgments [xiii] Introduction: Parthenope’s Violin [1] The Myth of Naples “Capital of the Musical World” [5] Sources and Choice of Repertory [10] The Dawn of Neapolitan String Music [11] Politics and Personalia: Scarlatti, Corelli, and Geminiani in Naples 1 Music Institutions in Naples [15] [20] The Music of Power: Instrumental Music at the Cappella Reale [21] Music and Social Mobility: The Virtuoso Pietro “Petrillo” Marchitelli Pietro Marchitelli’s Sonatas [40] 2 The Formation of the Neapolitan String Virtuosi [32] [52] A Wellspring of Talents: The Four Conservatories [54] The Career of a Maestro: Giovanni Carlo Cailo [65] Cailo’s Career in Naples [69] Giovanni Carlo Cailo’s Sonatas [77] 3 Cello Virtuosi [82] The Montecassino Manuscript: Early Cello Repertory by Gaetano Francone and Rocco Greco [84] Toward a Definition of the Violoncello: Giovanni Bononcini's Sinfonie per Violoncello [91] String Pedagogy in Seventeenth-Century Naples: Counterpoint, Partimenti, and Continuo Realization at the Cello [99] Cello Pedagogy in Eighteenth-Century Naples: F. P. Supriani’s Principij da imparare a suonare il violoncello [108] Neapolitan Cello Virtuosi of the Early Eighteenth Century [115] 4 Between Naples and Paris: The String Sonata in France [121] Regime Transition in Naples: The Advent of the Bourbon Dynasty [127] The Italian Sonata in France: The Aesthetic Context/Contest [129] Virtuoso Violin Technique in France: Giovanni Antonio Piani’s Solo Sonatas (1712) [135] vii
viii Contents 5 Neapolitan Virtuosi in the Public Sphere: The “Tastes Reunited” [146] Between Naples and Paris: Giovanni Antonio Guido’s Career in France [148] The Impact of the Public Sphere: The Career of Michele Mascitti Pierre Crozat’s Concert Soirées [172] The “Tastes Reunited” [179] 6 [159] Neapolitan Instrumental Music under the Austrian Domination [185] Changes in the Cappella Reale [187] Neapolitan Virtuosi in the Real Capilia de Barcellona [193] Music of the Nations: Neapolitan Performers in the Imperial Chapel [198] Giovanni Antonio Piani, Concertmaster of the Imperial Orchestra [201] 7 Under the Wings of the Imperial Eagle: String Virtuosi between Naples and Vienna [205] The Career of Angelo Ragazzi [205] Angelo Ragazzi's Sonate a quattro (1736) [208] A Repertory for the Chapel: The Sonatas for Three Violins and Continuo (ca. 1713-1736) [213] The Printed Collections of Sonatas by Giuseppe Antonio Avitrano [214] The Sonatas for Three Violins in the Neapolitan Tradition: Cailô, Marchitelli, and Ragazzi [224] Epilogue [236] Bibliography [241] Index [270] |
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