Choreographing dirt: movement, performance, and ecology in the anthropocene
This book is an innovative study that places performance and dance studies in conversation with ecology by exploring the significance of dirt in performance.Focusing on a range of 20th- and 21st-century performances that include modern dance, dance-theatre, Butoh, and everyday life, this book demons...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
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Schriftenreihe: | Routledge studies in theatre, ecology, and performance
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Schlagworte: | |
Zusammenfassung: | This book is an innovative study that places performance and dance studies in conversation with ecology by exploring the significance of dirt in performance.Focusing on a range of 20th- and 21st-century performances that include modern dance, dance-theatre, Butoh, and everyday life, this book demonstrates how the choreography of dirt makes biological, geographical, and cultural meaning, what the author terms "biogeocultography". Whether it’s the Foundling Father digging into the earth’s strata in Suzan-Lori Park’s The America Play (1994), peat hurling through the air in Pina Bausch’s The Rite of Spring (1975), dancers frantically shovelling out fistfuls of dirt in Eveoke Dance Theatre’s Las Mariposas (2010), or Butoh performers dancing with fungi in Iván-Daniel Espinosa’s Messengers Divinos (2018), each example shows how the incorporation of dirt can reveal micro-level interactions between species – like the interplay between microscopic skin bacteria and soil protozoa – and macro-level interactions – like the transformation of peat to a greenhouse gas. By demonstrating the stakes of moving dirt, this book posits that performance can operate as a space to grapple with the multifaceted ecological dilemmas of the Anthropocene.This book will be of broad interest to both practitioners and researchers in theatre, performance studies, dance, ecocriticism, and the environmental humanities |
Beschreibung: | xii, 104 Seiten Illustrationen |
ISBN: | 9780367758400 9780367758431 |
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264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2024 | |
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490 | 0 | |a Routledge studies in theatre, ecology, and performance | |
505 | 8 | |a List of figures; Acknowledgments; Introduction: Biogeocultography; 1. Performative Taphonomy: Excavating and Exhuming the Past in Suzan-Lori Parks's The America Play; 2. Staging Extraction: Peat’s Vitality in Pina Bausch's The Rite of Spring; 3. A Dirty Pas De Deux: Dirt, Skin, and "Trans-corporeality" in Eveoke Dance Theatre's Las Mariposas; 4. Mycelium in Motion: Choreographing Care in Iván-Daniel Espinosa's Messengers Divinos; Conclusion: Moving with the Trouble; Index | |
520 | |a This book is an innovative study that places performance and dance studies in conversation with ecology by exploring the significance of dirt in performance.Focusing on a range of 20th- and 21st-century performances that include modern dance, dance-theatre, Butoh, and everyday life, this book demonstrates how the choreography of dirt makes biological, geographical, and cultural meaning, what the author terms "biogeocultography". Whether it’s the Foundling Father digging into the earth’s strata in Suzan-Lori Park’s The America Play (1994), peat hurling through the air in Pina Bausch’s The Rite of Spring (1975), dancers frantically shovelling out fistfuls of dirt in Eveoke Dance Theatre’s Las Mariposas (2010), or Butoh performers dancing with fungi in Iván-Daniel Espinosa’s Messengers Divinos (2018), each example shows how the incorporation of dirt can reveal micro-level interactions between species – like the interplay between microscopic skin bacteria and soil protozoa – and macro-level interactions – like the transformation of peat to a greenhouse gas. By demonstrating the stakes of moving dirt, this book posits that performance can operate as a space to grapple with the multifaceted ecological dilemmas of the Anthropocene.This book will be of broad interest to both practitioners and researchers in theatre, performance studies, dance, ecocriticism, and the environmental humanities | ||
650 | 4 | |a bicssc / The arts - general issues | |
650 | 4 | |a bicssc / Environmental science, engineering & technology | |
650 | 4 | |a bicssc / Society & culture - general | |
650 | 4 | |a bicssc / Dance | |
650 | 4 | |a bicssc / Botany & plant sciences | |
650 | 4 | |a bicssc / Performance art | |
650 | 4 | |a bicssc / Theatre studies | |
650 | 4 | |a bicssc / Agricultural science | |
650 | 4 | |a bicssc / Anthropology | |
650 | 4 | |a bisacsh / NATURE / Environmental Conservation & Protection | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-003-16423-4 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034864168 |
Datensatz im Suchindex
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author | Spalink, Angenette ca. 20. Jh |
author_GND | (DE-588)1321794924 |
author_facet | Spalink, Angenette ca. 20. Jh |
author_role | aut |
author_sort | Spalink, Angenette ca. 20. Jh |
author_variant | a s as |
building | Verbundindex |
bvnumber | BV049518273 |
classification_rvk | AP 87860 |
contents | List of figures; Acknowledgments; Introduction: Biogeocultography; 1. Performative Taphonomy: Excavating and Exhuming the Past in Suzan-Lori Parks's The America Play; 2. Staging Extraction: Peat’s Vitality in Pina Bausch's The Rite of Spring; 3. A Dirty Pas De Deux: Dirt, Skin, and "Trans-corporeality" in Eveoke Dance Theatre's Las Mariposas; 4. Mycelium in Motion: Choreographing Care in Iván-Daniel Espinosa's Messengers Divinos; Conclusion: Moving with the Trouble; Index |
ctrlnum | (OCoLC)1424557326 (DE-599)BVBBV049518273 |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Book |
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id | DE-604.BV049518273 |
illustrated | Illustrated |
index_date | 2024-07-03T23:24:25Z |
indexdate | 2024-10-24T10:02:48Z |
institution | BVB |
isbn | 9780367758400 9780367758431 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034864168 |
oclc_num | 1424557326 |
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owner_facet | DE-19 DE-BY-UBM DE-703 DE-20 |
physical | xii, 104 Seiten Illustrationen |
publishDate | 2024 |
publishDateSearch | 2024 |
publishDateSort | 2024 |
publisher | Routledge, Taylor & Francis Group |
record_format | marc |
series2 | Routledge studies in theatre, ecology, and performance |
spelling | Spalink, Angenette ca. 20. Jh. Verfasser (DE-588)1321794924 aut Choreographing dirt movement, performance, and ecology in the anthropocene Angenette Spalink London ; New York Routledge, Taylor & Francis Group 2024 xii, 104 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge studies in theatre, ecology, and performance List of figures; Acknowledgments; Introduction: Biogeocultography; 1. Performative Taphonomy: Excavating and Exhuming the Past in Suzan-Lori Parks's The America Play; 2. Staging Extraction: Peat’s Vitality in Pina Bausch's The Rite of Spring; 3. A Dirty Pas De Deux: Dirt, Skin, and "Trans-corporeality" in Eveoke Dance Theatre's Las Mariposas; 4. Mycelium in Motion: Choreographing Care in Iván-Daniel Espinosa's Messengers Divinos; Conclusion: Moving with the Trouble; Index This book is an innovative study that places performance and dance studies in conversation with ecology by exploring the significance of dirt in performance.Focusing on a range of 20th- and 21st-century performances that include modern dance, dance-theatre, Butoh, and everyday life, this book demonstrates how the choreography of dirt makes biological, geographical, and cultural meaning, what the author terms "biogeocultography". Whether it’s the Foundling Father digging into the earth’s strata in Suzan-Lori Park’s The America Play (1994), peat hurling through the air in Pina Bausch’s The Rite of Spring (1975), dancers frantically shovelling out fistfuls of dirt in Eveoke Dance Theatre’s Las Mariposas (2010), or Butoh performers dancing with fungi in Iván-Daniel Espinosa’s Messengers Divinos (2018), each example shows how the incorporation of dirt can reveal micro-level interactions between species – like the interplay between microscopic skin bacteria and soil protozoa – and macro-level interactions – like the transformation of peat to a greenhouse gas. By demonstrating the stakes of moving dirt, this book posits that performance can operate as a space to grapple with the multifaceted ecological dilemmas of the Anthropocene.This book will be of broad interest to both practitioners and researchers in theatre, performance studies, dance, ecocriticism, and the environmental humanities bicssc / The arts - general issues bicssc / Environmental science, engineering & technology bicssc / Society & culture - general bicssc / Dance bicssc / Botany & plant sciences bicssc / Performance art bicssc / Theatre studies bicssc / Agricultural science bicssc / Anthropology bisacsh / NATURE / Environmental Conservation & Protection Erscheint auch als Online-Ausgabe, PDF 978-1-003-16423-4 |
spellingShingle | Spalink, Angenette ca. 20. Jh Choreographing dirt movement, performance, and ecology in the anthropocene List of figures; Acknowledgments; Introduction: Biogeocultography; 1. Performative Taphonomy: Excavating and Exhuming the Past in Suzan-Lori Parks's The America Play; 2. Staging Extraction: Peat’s Vitality in Pina Bausch's The Rite of Spring; 3. A Dirty Pas De Deux: Dirt, Skin, and "Trans-corporeality" in Eveoke Dance Theatre's Las Mariposas; 4. Mycelium in Motion: Choreographing Care in Iván-Daniel Espinosa's Messengers Divinos; Conclusion: Moving with the Trouble; Index bicssc / The arts - general issues bicssc / Environmental science, engineering & technology bicssc / Society & culture - general bicssc / Dance bicssc / Botany & plant sciences bicssc / Performance art bicssc / Theatre studies bicssc / Agricultural science bicssc / Anthropology bisacsh / NATURE / Environmental Conservation & Protection |
title | Choreographing dirt movement, performance, and ecology in the anthropocene |
title_auth | Choreographing dirt movement, performance, and ecology in the anthropocene |
title_exact_search | Choreographing dirt movement, performance, and ecology in the anthropocene |
title_exact_search_txtP | Choreographing dirt movement, performance, and ecology in the anthropocene |
title_full | Choreographing dirt movement, performance, and ecology in the anthropocene Angenette Spalink |
title_fullStr | Choreographing dirt movement, performance, and ecology in the anthropocene Angenette Spalink |
title_full_unstemmed | Choreographing dirt movement, performance, and ecology in the anthropocene Angenette Spalink |
title_short | Choreographing dirt |
title_sort | choreographing dirt movement performance and ecology in the anthropocene |
title_sub | movement, performance, and ecology in the anthropocene |
topic | bicssc / The arts - general issues bicssc / Environmental science, engineering & technology bicssc / Society & culture - general bicssc / Dance bicssc / Botany & plant sciences bicssc / Performance art bicssc / Theatre studies bicssc / Agricultural science bicssc / Anthropology bisacsh / NATURE / Environmental Conservation & Protection |
topic_facet | bicssc / The arts - general issues bicssc / Environmental science, engineering & technology bicssc / Society & culture - general bicssc / Dance bicssc / Botany & plant sciences bicssc / Performance art bicssc / Theatre studies bicssc / Agricultural science bicssc / Anthropology bisacsh / NATURE / Environmental Conservation & Protection |
work_keys_str_mv | AT spalinkangenette choreographingdirtmovementperformanceandecologyintheanthropocene |