Toward an anthropology of screens: showing and hiding, exposing and protecting
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cham, Switzerland
Palgrave Macmillan
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xiii, 194 Seiten Illustrationen |
| ISBN: | 9783031308154 |
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Datensatz im Suchindex
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Contents A Ten-Point Introduction: Relearning to See Screens—The Effects of the Pandemic and a Phenomenological Epoche References 1 13 2 On the Powers of the Arche-screen 2.1 Toward an Anthropology of Screen Experiences 2.2 In the Beginning Was the Body 2.3 The Adventures of Screen Objects in a Compendium 2.4 Empathy for Shadows and Shadows as a Spectacle References 17 17 20 23 31 39 3 Screens as Prostheses of Our Bodies 3.1 The Skin as a Screen 3.2 From the Biblical Veil to Alberti’s Veil 3.3 The Term “Screen” in the Scientific Sphere: The Case of the Solar Microscope 3.4 The Film or Pellicle as a Technology Related to the Past, and the Present Hybridization ofAnalog and Digital 63 References 43 43 46 1 4 57 65 Images and Words: Screen Functions and Technologies of Expression 71 4.1 Books, Screens, and “Culture Wars” 71 4.2 Logos, Flesh, and “Screen Thinking” 76 xi
XÜ CONTENTS Words Seeking Their Images: Pictures as a “Book for the Illiterate” 4.4 Images Seeking Their Words: Regimes of Visibility and Regimes of Speakability 4.5 Digital Screens and Technologies of Expression 4.6 Writing, Code, and Visualization References 4.3 84 89 92 95 100 5 The Ideology of “Transparency 2.0” 107 5.1 The Cultural Hegemony of the Visual and the Ideology of “Transparency 2.0” 107 5.2 The “Ocular Power” 113 5.3 The Illusion ofDisintermediation 118 5.4 Desire for Exposure and Subjugation 121 5.5 Surveillance Between Control and Protection 126 References 128 6 ScreensWus: From Bodies with Prostheses to Bodies as “Quasi-Prostheses”? 135 6.1 We, Quasi-Prostheses of Our Technologies 135 6.2 Our Retina as a Quasi-Prosthesis and the Market of Gazes 137 6.3 A “Quasi-Return” to the Primary Interface: The Skin as a Quasi-Prosthesis 141 6.4 Speaking in Terms of “Quasi-Prostheses” to Name New Agencies 143 6.5 “Quasi-Prostheses” and the Dividual Condition 146 References 156 7 A Ten-Point Conclusion: For a Screen Ethics References 161 178 Index 181 |
| adam_txt |
Contents A Ten-Point Introduction: Relearning to See Screens—The Effects of the Pandemic and a Phenomenological Epoche References 1 13 2 On the Powers of the Arche-screen 2.1 Toward an Anthropology of Screen Experiences 2.2 In the Beginning Was the Body 2.3 The Adventures of Screen Objects in a Compendium 2.4 Empathy for Shadows and Shadows as a Spectacle References 17 17 20 23 31 39 3 Screens as Prostheses of Our Bodies 3.1 The Skin as a Screen 3.2 From the Biblical Veil to Alberti’s Veil 3.3 The Term “Screen” in the Scientific Sphere: The Case of the Solar Microscope 3.4 The Film or Pellicle as a Technology Related to the Past, and the Present Hybridization ofAnalog and Digital 63 References 43 43 46 1 4 57 65 Images and Words: Screen Functions and Technologies of Expression 71 4.1 Books, Screens, and “Culture Wars” 71 4.2 Logos, Flesh, and “Screen Thinking” 76 xi
XÜ CONTENTS Words Seeking Their Images: Pictures as a “Book for the Illiterate” 4.4 Images Seeking Their Words: Regimes of Visibility and Regimes of Speakability 4.5 Digital Screens and Technologies of Expression 4.6 Writing, Code, and Visualization References 4.3 84 89 92 95 100 5 The Ideology of “Transparency 2.0” 107 5.1 The Cultural Hegemony of the Visual and the Ideology of “Transparency 2.0” 107 5.2 The “Ocular Power” 113 5.3 The Illusion ofDisintermediation 118 5.4 Desire for Exposure and Subjugation 121 5.5 Surveillance Between Control and Protection 126 References 128 6 ScreensWus: From Bodies with Prostheses to Bodies as “Quasi-Prostheses”? 135 6.1 We, Quasi-Prostheses of Our Technologies 135 6.2 Our Retina as a Quasi-Prosthesis and the Market of Gazes 137 6.3 A “Quasi-Return” to the Primary Interface: The Skin as a Quasi-Prosthesis 141 6.4 Speaking in Terms of “Quasi-Prostheses” to Name New Agencies 143 6.5 “Quasi-Prostheses” and the Dividual Condition 146 References 156 7 A Ten-Point Conclusion: For a Screen Ethics References 161 178 Index 181 |
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| spelling | Carbone, Mauro 1956- Verfasser (DE-588)12288860X aut Toward an anthropology of screens showing and hiding, exposing and protecting Mauro Carbone, Graziano Lingua Cham, Switzerland Palgrave Macmillan [2023] © 2023 xiii, 194 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Film Philosophy Sociocultural Anthropology Continental Philosophy Digital Humanities Motion pictures / Aesthetics Ethnology Digital humanities Sozialanthropologie (DE-588)4129436-1 gnd rswk-swf Digitalisierung (DE-588)4123065-6 gnd rswk-swf Digital Humanities (DE-588)1038714850 gnd rswk-swf Audiovisuelle Medien (DE-588)4068939-6 gnd rswk-swf Bild (DE-588)4006568-6 gnd rswk-swf Bildschirm (DE-588)4125194-5 gnd rswk-swf Kulturanthropologie (DE-588)4133903-4 gnd rswk-swf Bild (DE-588)4006568-6 s Bildschirm (DE-588)4125194-5 s Digitalisierung (DE-588)4123065-6 s Sozialanthropologie (DE-588)4129436-1 s DE-604 Audiovisuelle Medien (DE-588)4068939-6 s Kulturanthropologie (DE-588)4133903-4 s Digital Humanities (DE-588)1038714850 s Lingua, Graziano 1968- (DE-588)140350535 aut Erscheint auch als Online-Ausgabe 978-3-031-30816-1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034863396&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Carbone, Mauro 1956- Lingua, Graziano 1968- Toward an anthropology of screens showing and hiding, exposing and protecting Film Philosophy Sociocultural Anthropology Continental Philosophy Digital Humanities Motion pictures / Aesthetics Ethnology Digital humanities Sozialanthropologie (DE-588)4129436-1 gnd Digitalisierung (DE-588)4123065-6 gnd Digital Humanities (DE-588)1038714850 gnd Audiovisuelle Medien (DE-588)4068939-6 gnd Bild (DE-588)4006568-6 gnd Bildschirm (DE-588)4125194-5 gnd Kulturanthropologie (DE-588)4133903-4 gnd |
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| title | Toward an anthropology of screens showing and hiding, exposing and protecting |
| title_auth | Toward an anthropology of screens showing and hiding, exposing and protecting |
| title_exact_search | Toward an anthropology of screens showing and hiding, exposing and protecting |
| title_exact_search_txtP | Toward an anthropology of screens showing and hiding, exposing and protecting |
| title_full | Toward an anthropology of screens showing and hiding, exposing and protecting Mauro Carbone, Graziano Lingua |
| title_fullStr | Toward an anthropology of screens showing and hiding, exposing and protecting Mauro Carbone, Graziano Lingua |
| title_full_unstemmed | Toward an anthropology of screens showing and hiding, exposing and protecting Mauro Carbone, Graziano Lingua |
| title_short | Toward an anthropology of screens |
| title_sort | toward an anthropology of screens showing and hiding exposing and protecting |
| title_sub | showing and hiding, exposing and protecting |
| topic | Film Philosophy Sociocultural Anthropology Continental Philosophy Digital Humanities Motion pictures / Aesthetics Ethnology Digital humanities Sozialanthropologie (DE-588)4129436-1 gnd Digitalisierung (DE-588)4123065-6 gnd Digital Humanities (DE-588)1038714850 gnd Audiovisuelle Medien (DE-588)4068939-6 gnd Bild (DE-588)4006568-6 gnd Bildschirm (DE-588)4125194-5 gnd Kulturanthropologie (DE-588)4133903-4 gnd |
| topic_facet | Film Philosophy Sociocultural Anthropology Continental Philosophy Digital Humanities Motion pictures / Aesthetics Ethnology Digital humanities Sozialanthropologie Digitalisierung Audiovisuelle Medien Bild Bildschirm Kulturanthropologie |
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