Conceptual performance: enacting conceptual art
Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance. Conceptual Performance sets out the history, theoretical basis, and character of this genre of work through a wi...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Milton
Taylor & Francis Group
2024
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| Ausgabe: | 1st edition |
| Schlagworte: | |
| Zusammenfassung: | Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance. Conceptual Performance sets out the history, theoretical basis, and character of this genre of work through a wide range of case studies. The volume considers how and why principal modes and agendas in Conceptual art in the 1960s and 1970s necessitated new engagements with performance, as well as expanded notions of theatricality. In doing so, this book reviews and challenges prevailing histories of Conceptual art through critical frameworks of performativity and performance. It also considers how Conceptual art adopted and redefined terms and tropes of theatre and performance: including score, document, embodiment, documentation, relic, remains, and the narrative recuperation of ephemeral work. While showing how performance has been integral to Conceptual art’s critiques of prevailing assumptions about art’s form, purpose, and meaning, this volume also considers the reach and influence of Conceptual performance into recent thinking and practice. |
| Beschreibung: | 1 Online-Ressource (xii, 266 Seiten) |
| ISBN: | 9781317441151 |
Internformat
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| 520 | 3 | |a Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance. Conceptual Performance sets out the history, theoretical basis, and character of this genre of work through a wide range of case studies. The volume considers how and why principal modes and agendas in Conceptual art in the 1960s and 1970s necessitated new engagements with performance, as well as expanded notions of theatricality. In doing so, this book reviews and challenges prevailing histories of Conceptual art through critical frameworks of performativity and performance. It also considers how Conceptual art adopted and redefined terms and tropes of theatre and performance: including score, document, embodiment, documentation, relic, remains, and the narrative recuperation of ephemeral work. While showing how performance has been integral to Conceptual art’s critiques of prevailing assumptions about art’s form, purpose, and meaning, this volume also considers the reach and influence of Conceptual performance into recent thinking and practice. | |
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:23:46Z |
| indexdate | 2024-07-20T04:46:48Z |
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| isbn | 9781317441151 |
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| spelling | Kaye, Nick 1961- Verfasser (DE-588)124470750 aut Conceptual performance enacting conceptual art Nick Kaye 1st edition Milton Taylor & Francis Group 2024 1 Online-Ressource (xii, 266 Seiten) txt rdacontent c rdamedia cr rdacarrier Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance. Conceptual Performance sets out the history, theoretical basis, and character of this genre of work through a wide range of case studies. The volume considers how and why principal modes and agendas in Conceptual art in the 1960s and 1970s necessitated new engagements with performance, as well as expanded notions of theatricality. In doing so, this book reviews and challenges prevailing histories of Conceptual art through critical frameworks of performativity and performance. It also considers how Conceptual art adopted and redefined terms and tropes of theatre and performance: including score, document, embodiment, documentation, relic, remains, and the narrative recuperation of ephemeral work. While showing how performance has been integral to Conceptual art’s critiques of prevailing assumptions about art’s form, purpose, and meaning, this volume also considers the reach and influence of Conceptual performance into recent thinking and practice. Geschichte 1960-1980 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Concept-art (DE-588)4032354-7 gnd rswk-swf Concept-art (DE-588)4032354-7 s Performance Künste (DE-588)4173750-7 s Geschichte 1960-1980 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-138-90764-5 |
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| title | Conceptual performance enacting conceptual art |
| title_auth | Conceptual performance enacting conceptual art |
| title_exact_search | Conceptual performance enacting conceptual art |
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| title_full | Conceptual performance enacting conceptual art Nick Kaye |
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| title_short | Conceptual performance |
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