Tom de Freston - I saw this:
I Saw This was born out of a collaboration between de Freston, filmmaker Mark Jones and Dr Ali Souleman after de Freston was introduced to the academic in 2017. The paintings and mixed-media works that resulted from the project are an exploration into Souleman’s experiences of terrorism, displacemen...
Gespeichert in:
| Hauptverfasser: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Anomie
2023
|
| Schlagworte: | |
| Zusammenfassung: | I Saw This was born out of a collaboration between de Freston, filmmaker Mark Jones and Dr Ali Souleman after de Freston was introduced to the academic in 2017. The paintings and mixed-media works that resulted from the project are an exploration into Souleman’s experiences of terrorism, displacement and war in Syria and ruminate on how art can attempt to represent suffering and terror. In 1996, a bomb explosion in Damascus on New Year’s Eve nearly killed Souleman and left him blind. A sensitive and highly-charged topic, Souleman explained to de Freston the importance of engaging with what is happening in Syria. Disembodied mouths, hands and feet appear frequently in the works. Circles recur as a motif, which bear an uncomfortable resemblance to eyes and eye sockets. In the Mirror paintings which stand upright in black boxes, de Freston embeds ash, screws, thick glue, dirt and bits of wood into the canvas. They are corporeal and volcanic, visceral and abstract. The sense of molten heat in the paintings was compounded by a fire in de Freston’s studio in 2020, which was simultaneously destructive while giving the artist and the collaboration new momentum. The collaborative process involves de Freston describing the paintings to Souleman through words and touch. Souleman brings fresh meaning to the works, grounding them in his psychological landscape. Mark Jones captures these interactions in striking photographs and film footage |
| Beschreibung: | 191 Seiten 27 cm |
| ISBN: | 9781910221501 1910221503 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049510394 | ||
| 003 | DE-604 | ||
| 007 | t | ||
| 008 | 240122s2023 xxk |||| 00||| eng d | ||
| 020 | |a 9781910221501 |9 978-1-910221-50-1 | ||
| 020 | |a 1910221503 |9 1-910221-50-3 | ||
| 035 | |a (OCoLC)1422433860 | ||
| 035 | |a (DE-599)KXP1874441847 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c XA-GB | ||
| 049 | |a DE-255 |a DE-11 | ||
| 082 | 0 | |a 709.2 |2 23 | |
| 084 | |a KUNST |q DE-14 |2 fid | ||
| 084 | |a LI 99999 |0 (DE-625)97471: |2 rvk | ||
| 084 | |a 21.02 |2 bkl | ||
| 084 | |a 20.31 |2 bkl | ||
| 100 | 1 | |a De Freston, Tom |d 1983- |0 (DE-588)1142247325 |4 art | |
| 245 | 1 | 0 | |a Tom de Freston - I saw this |c a collaboration with Mark Jones, Ali Souleman ; [edited by Matt Price] |
| 246 | 1 | 3 | |a I saw this |
| 264 | 1 | |a London |b Anomie |c 2023 | |
| 300 | |a 191 Seiten |c 27 cm | ||
| 336 | |b sti |2 rdacontent | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a I Saw This was born out of a collaboration between de Freston, filmmaker Mark Jones and Dr Ali Souleman after de Freston was introduced to the academic in 2017. The paintings and mixed-media works that resulted from the project are an exploration into Souleman’s experiences of terrorism, displacement and war in Syria and ruminate on how art can attempt to represent suffering and terror. In 1996, a bomb explosion in Damascus on New Year’s Eve nearly killed Souleman and left him blind. A sensitive and highly-charged topic, Souleman explained to de Freston the importance of engaging with what is happening in Syria. Disembodied mouths, hands and feet appear frequently in the works. Circles recur as a motif, which bear an uncomfortable resemblance to eyes and eye sockets. In the Mirror paintings which stand upright in black boxes, de Freston embeds ash, screws, thick glue, dirt and bits of wood into the canvas. They are corporeal and volcanic, visceral and abstract. The sense of molten heat in the paintings was compounded by a fire in de Freston’s studio in 2020, which was simultaneously destructive while giving the artist and the collaboration new momentum. The collaborative process involves de Freston describing the paintings to Souleman through words and touch. Souleman brings fresh meaning to the works, grounding them in his psychological landscape. Mark Jones captures these interactions in striking photographs and film footage | |
| 600 | 1 | 7 | |a De Freston, Tom |d 1983- |0 (DE-588)1142247325 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 2021 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Arbeiten auf Papier |0 (DE-588)4395805-9 |2 gnd |9 rswk-swf |
| 653 | 1 | |a De Freston, Tom / 1983- | |
| 655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
| 689 | 0 | 0 | |a De Freston, Tom |d 1983- |0 (DE-588)1142247325 |D p |
| 689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 0 | 2 | |a Arbeiten auf Papier |0 (DE-588)4395805-9 |D s |
| 689 | 0 | 3 | |a Geschichte 2021 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Jones, Mark |d 1953- |0 (DE-588)136030645 |4 aut | |
| 700 | 1 | |a Souleman, Ali |4 aut | |
| 700 | 1 | |a Price, Matt |0 (DE-588)141217588 |4 edt |4 aut | |
| 700 | 1 | |a Rashid, Habda |0 (DE-588)1110034261 |4 win | |
| 700 | 1 | |a Floyer, Yasmina |4 aut | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034856459 | |
Datensatz im Suchindex
| _version_ | 1811019840223182848 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Jones, Mark 1953- Souleman, Ali Price, Matt Floyer, Yasmina |
| author2 | Price, Matt |
| author2_role | edt |
| author2_variant | m p mp |
| author_GND | (DE-588)1142247325 (DE-588)136030645 (DE-588)141217588 (DE-588)1110034261 |
| author_facet | Jones, Mark 1953- Souleman, Ali Price, Matt Floyer, Yasmina Price, Matt |
| author_role | aut aut aut aut |
| author_sort | Jones, Mark 1953- |
| author_variant | m j mj a s as m p mp y f yf |
| building | Verbundindex |
| bvnumber | BV049510394 |
| classification_rvk | LI 99999 |
| ctrlnum | (OCoLC)1422433860 (DE-599)KXP1874441847 |
| dewey-full | 709.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.2 |
| dewey-search | 709.2 |
| dewey-sort | 3709.2 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 2021 gnd |
| era_facet | Geschichte 2021 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV049510394</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240122s2023 xxk |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781910221501</subfield><subfield code="9">978-1-910221-50-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1910221503</subfield><subfield code="9">1-910221-50-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422433860</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1874441847</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">709.2</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">KUNST</subfield><subfield code="q">DE-14</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 99999</subfield><subfield code="0">(DE-625)97471:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">21.02</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">20.31</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">De Freston, Tom</subfield><subfield code="d">1983-</subfield><subfield code="0">(DE-588)1142247325</subfield><subfield code="4">art</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Tom de Freston - I saw this</subfield><subfield code="c">a collaboration with Mark Jones, Ali Souleman ; [edited by Matt Price]</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">I saw this</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Anomie</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">191 Seiten</subfield><subfield code="c">27 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">I Saw This was born out of a collaboration between de Freston, filmmaker Mark Jones and Dr Ali Souleman after de Freston was introduced to the academic in 2017. The paintings and mixed-media works that resulted from the project are an exploration into Souleman’s experiences of terrorism, displacement and war in Syria and ruminate on how art can attempt to represent suffering and terror. In 1996, a bomb explosion in Damascus on New Year’s Eve nearly killed Souleman and left him blind. A sensitive and highly-charged topic, Souleman explained to de Freston the importance of engaging with what is happening in Syria. Disembodied mouths, hands and feet appear frequently in the works. Circles recur as a motif, which bear an uncomfortable resemblance to eyes and eye sockets. In the Mirror paintings which stand upright in black boxes, de Freston embeds ash, screws, thick glue, dirt and bits of wood into the canvas. They are corporeal and volcanic, visceral and abstract. The sense of molten heat in the paintings was compounded by a fire in de Freston’s studio in 2020, which was simultaneously destructive while giving the artist and the collaboration new momentum. The collaborative process involves de Freston describing the paintings to Souleman through words and touch. Souleman brings fresh meaning to the works, grounding them in his psychological landscape. Mark Jones captures these interactions in striking photographs and film footage</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">De Freston, Tom</subfield><subfield code="d">1983-</subfield><subfield code="0">(DE-588)1142247325</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 2021</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Arbeiten auf Papier</subfield><subfield code="0">(DE-588)4395805-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">De Freston, Tom / 1983-</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4145395-5</subfield><subfield code="a">Bildband</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">De Freston, Tom</subfield><subfield code="d">1983-</subfield><subfield code="0">(DE-588)1142247325</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Arbeiten auf Papier</subfield><subfield code="0">(DE-588)4395805-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 2021</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Jones, Mark</subfield><subfield code="d">1953-</subfield><subfield code="0">(DE-588)136030645</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Souleman, Ali</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Price, Matt</subfield><subfield code="0">(DE-588)141217588</subfield><subfield code="4">edt</subfield><subfield code="4">aut</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rashid, Habda</subfield><subfield code="0">(DE-588)1110034261</subfield><subfield code="4">win</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Floyer, Yasmina</subfield><subfield code="4">aut</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034856459</subfield></datafield></record></collection> |
| genre | (DE-588)4145395-5 Bildband gnd-content |
| genre_facet | Bildband |
| id | DE-604.BV049510394 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:23:02Z |
| indexdate | 2024-09-23T20:25:07Z |
| institution | BVB |
| isbn | 9781910221501 1910221503 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034856459 |
| oclc_num | 1422433860 |
| open_access_boolean | |
| owner | DE-255 DE-11 |
| owner_facet | DE-255 DE-11 |
| physical | 191 Seiten 27 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Anomie |
| record_format | marc |
| spelling | De Freston, Tom 1983- (DE-588)1142247325 art Tom de Freston - I saw this a collaboration with Mark Jones, Ali Souleman ; [edited by Matt Price] I saw this London Anomie 2023 191 Seiten 27 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier I Saw This was born out of a collaboration between de Freston, filmmaker Mark Jones and Dr Ali Souleman after de Freston was introduced to the academic in 2017. The paintings and mixed-media works that resulted from the project are an exploration into Souleman’s experiences of terrorism, displacement and war in Syria and ruminate on how art can attempt to represent suffering and terror. In 1996, a bomb explosion in Damascus on New Year’s Eve nearly killed Souleman and left him blind. A sensitive and highly-charged topic, Souleman explained to de Freston the importance of engaging with what is happening in Syria. Disembodied mouths, hands and feet appear frequently in the works. Circles recur as a motif, which bear an uncomfortable resemblance to eyes and eye sockets. In the Mirror paintings which stand upright in black boxes, de Freston embeds ash, screws, thick glue, dirt and bits of wood into the canvas. They are corporeal and volcanic, visceral and abstract. The sense of molten heat in the paintings was compounded by a fire in de Freston’s studio in 2020, which was simultaneously destructive while giving the artist and the collaboration new momentum. The collaborative process involves de Freston describing the paintings to Souleman through words and touch. Souleman brings fresh meaning to the works, grounding them in his psychological landscape. Mark Jones captures these interactions in striking photographs and film footage De Freston, Tom 1983- (DE-588)1142247325 gnd rswk-swf Geschichte 2021 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Arbeiten auf Papier (DE-588)4395805-9 gnd rswk-swf De Freston, Tom / 1983- (DE-588)4145395-5 Bildband gnd-content De Freston, Tom 1983- (DE-588)1142247325 p Malerei (DE-588)4037220-0 s Arbeiten auf Papier (DE-588)4395805-9 s Geschichte 2021 z DE-604 Jones, Mark 1953- (DE-588)136030645 aut Souleman, Ali aut Price, Matt (DE-588)141217588 edt aut Rashid, Habda (DE-588)1110034261 win Floyer, Yasmina aut |
| spellingShingle | Jones, Mark 1953- Souleman, Ali Price, Matt Floyer, Yasmina Tom de Freston - I saw this De Freston, Tom 1983- (DE-588)1142247325 gnd Malerei (DE-588)4037220-0 gnd Arbeiten auf Papier (DE-588)4395805-9 gnd |
| subject_GND | (DE-588)1142247325 (DE-588)4037220-0 (DE-588)4395805-9 (DE-588)4145395-5 |
| title | Tom de Freston - I saw this |
| title_alt | I saw this |
| title_auth | Tom de Freston - I saw this |
| title_exact_search | Tom de Freston - I saw this |
| title_exact_search_txtP | Tom de Freston - I saw this |
| title_full | Tom de Freston - I saw this a collaboration with Mark Jones, Ali Souleman ; [edited by Matt Price] |
| title_fullStr | Tom de Freston - I saw this a collaboration with Mark Jones, Ali Souleman ; [edited by Matt Price] |
| title_full_unstemmed | Tom de Freston - I saw this a collaboration with Mark Jones, Ali Souleman ; [edited by Matt Price] |
| title_short | Tom de Freston - I saw this |
| title_sort | tom de freston i saw this |
| topic | De Freston, Tom 1983- (DE-588)1142247325 gnd Malerei (DE-588)4037220-0 gnd Arbeiten auf Papier (DE-588)4395805-9 gnd |
| topic_facet | De Freston, Tom 1983- Malerei Arbeiten auf Papier Bildband |
| work_keys_str_mv | AT defrestontom tomdefrestonisawthis AT jonesmark tomdefrestonisawthis AT soulemanali tomdefrestonisawthis AT pricematt tomdefrestonisawthis AT rashidhabda tomdefrestonisawthis AT floyeryasmina tomdefrestonisawthis AT defrestontom isawthis AT jonesmark isawthis AT soulemanali isawthis AT pricematt isawthis AT rashidhabda isawthis AT floyeryasmina isawthis |