Loaded: the life (and afterlife) of the Velvet Underground
"Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this definitive oral history celebrates not only the impact of The Velvet Underground but their legacy, which burns brighter than ever in th...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Grand Central
2023
|
| Ausgabe: | First US edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this definitive oral history celebrates not only the impact of The Velvet Underground but their legacy, which burns brighter than ever in the 21st century. Rebellion always starts somewhere, and in the music world of the transgressive teen--whether it be the 1960s or the 2020s--The Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band--a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory--The Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. In that sense they invented punk and then some. It could even be argued that they invented modern New York. Drawing on interviews and material relating to all major players, from Lou Reed, John Cale, Mo Tucker, Andy Warhol, Jon Savage, Nico, David Bowie, Mary Harron, and many more, award-winning journalist Dylan Jones breaks down the band's whirlwind of subversion and, in a narrative rich in drama and detail, proves why The Velvets remain the original kings and queens of edge"-- |
| Beschreibung: | Originally published in 2023 by White Rabbit in the United Kingdom |
| Beschreibung: | xi, 388 Seiten 24 cm |
| ISBN: | 9781538756560 |
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| 520 | 3 | |a "Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this definitive oral history celebrates not only the impact of The Velvet Underground but their legacy, which burns brighter than ever in the 21st century. Rebellion always starts somewhere, and in the music world of the transgressive teen--whether it be the 1960s or the 2020s--The Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band--a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory--The Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. In that sense they invented punk and then some. It could even be argued that they invented modern New York. Drawing on interviews and material relating to all major players, from Lou Reed, John Cale, Mo Tucker, Andy Warhol, Jon Savage, Nico, David Bowie, Mary Harron, and many more, award-winning journalist Dylan Jones breaks down the band's whirlwind of subversion and, in a narrative rich in drama and detail, proves why The Velvets remain the original kings and queens of edge"-- | |
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Datensatz im Suchindex
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| adam_text |
COOTEOTS Preface ix Introduction 1 Dramatis Personae 9 Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter 1 : Welcome to the New City 2: The Birth of the Cool 3: Inside the Factory 4: When Midnight Came Around 5: Sex and Drugs and Propulsive Drums 6: The Folk Nazis 7: What the Hell Is a Stutz Bearcat, Jim? Ô: Dressing Friends Up Just for Show 9: The Gay Blades 10: Berlin, Twinned with New York City 11 : Take a Wolk on the Wild Side 12: Downtown Confidential 13: Dead Money 14: Fear Is a Man's Best Friend 15: All Tomorrow's Parties 16: The Aftermath Postscript Acknowledgments Bibliography Index 19 46 69 95 124 140 163 177 190 213 224 248 271 303 318 345 369 371 375 378 |
| adam_txt |
COOTEOTS Preface ix Introduction 1 Dramatis Personae 9 Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter Chapter 1 : Welcome to the New City 2: The Birth of the Cool 3: Inside the Factory 4: When Midnight Came Around 5: Sex and Drugs and Propulsive Drums 6: The Folk Nazis 7: What the Hell Is a Stutz Bearcat, Jim? Ô: Dressing Friends Up Just for Show 9: The Gay Blades 10: Berlin, Twinned with New York City 11 : Take a Wolk on the Wild Side 12: Downtown Confidential 13: Dead Money 14: Fear Is a Man's Best Friend 15: All Tomorrow's Parties 16: The Aftermath Postscript Acknowledgments Bibliography Index 19 46 69 95 124 140 163 177 190 213 224 248 271 303 318 345 369 371 375 378 |
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| contents | Welcome to the New City -- The Birth of the Cool -- Inside the Factory -- When Midnight Came Around -- Sex and Drugs and Propulsive Drums -- The Folk Nazis -- What the Hell Is a Stutz Bearcat, Jim? -- Dressing Friends Up Just for Show -- The Gay Blades -- Berlin, Twinned with New York City -- Take a Walk on the Wild Side -- Downtown Confidential -- Dead Money -- Fear Is a Man's Best Friend -- All Tomorrow's Parties -- The Aftermath |
| ctrlnum | (OCoLC)1424560825 (DE-599)BVBBV049503531 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T23:21:52Z |
| indexdate | 2024-10-10T06:00:23Z |
| institution | BVB |
| isbn | 9781538756560 |
| language | English |
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| physical | xi, 388 Seiten 24 cm |
| psigel | BSB_NED_20240221 |
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| spelling | Jones, Dylan 1960- Verfasser (DE-588)112382568 aut Loaded the life (and afterlife) of the Velvet Underground Dylan Jones Life and afterlife of the Velvet Underground First US edition New York Grand Central 2023 xi, 388 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Originally published in 2023 by White Rabbit in the United Kingdom Welcome to the New City -- The Birth of the Cool -- Inside the Factory -- When Midnight Came Around -- Sex and Drugs and Propulsive Drums -- The Folk Nazis -- What the Hell Is a Stutz Bearcat, Jim? -- Dressing Friends Up Just for Show -- The Gay Blades -- Berlin, Twinned with New York City -- Take a Walk on the Wild Side -- Downtown Confidential -- Dead Money -- Fear Is a Man's Best Friend -- All Tomorrow's Parties -- The Aftermath "Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this definitive oral history celebrates not only the impact of The Velvet Underground but their legacy, which burns brighter than ever in the 21st century. Rebellion always starts somewhere, and in the music world of the transgressive teen--whether it be the 1960s or the 2020s--The Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band--a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory--The Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love. In that sense they invented punk and then some. It could even be argued that they invented modern New York. Drawing on interviews and material relating to all major players, from Lou Reed, John Cale, Mo Tucker, Andy Warhol, Jon Savage, Nico, David Bowie, Mary Harron, and many more, award-winning journalist Dylan Jones breaks down the band's whirlwind of subversion and, in a narrative rich in drama and detail, proves why The Velvets remain the original kings and queens of edge"-- The Velvet Underground Musikgruppe (DE-588)5508235-X gnd rswk-swf Geschichte gnd rswk-swf Velvet Underground (Musical group) Velvet Underground (Musical group) / Interviews Rock music / United States / History and criticism Warhol, Andy / 1928-1987 Rock musicians / United States / Interviews Rock (Musique) / États-Unis / Histoire et critique Musiciens rock / États-Unis / Entretiens MUSIC / Genres & Styles / Rock Rock music Rock musicians United States Biography Interviews interviews Criticism, interpretation, etc Biographies The Velvet Underground Musikgruppe (DE-588)5508235-X b Geschichte z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034848622&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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