Music in colonial Punjab: courtesans, bards, and connoisseurs, 1800-1947
"This book offers the first social history of music in undivided Punjab (1849-1947), unearthing new evidence to argue for the power of female performers and the primacy of classical music for a region conventionally understood as a centre of folk music alone. It maps the historical journey of m...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Karte |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2023
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book offers the first social history of music in undivided Punjab (1849-1947), unearthing new evidence to argue for the power of female performers and the primacy of classical music for a region conventionally understood as a centre of folk music alone. It maps the historical journey of musicians and dancers in colonial Punjab-whether mirāsī (community of bards), kalāwant (higher-status musicians), kanjrī (subaltern female performers), or tawā'if (courtesans)-from the prominence of Pul Kanjri during Maharaja Ranjit Singh's reign in the early nineteenth century, to the emergence of the Patiala gharānā (musical lineage) as the epitome of musical excellence in the early twentieth. The volume examines the history of Punjabi socio-musical reform by the newly emerging Anglicized middle classes-whether Hindu, Muslim, or Sikh-and the engagement of British colonial administrators with Punjab's musician and performing communities. The author reveals the inherently diverse composition of musical connoisseurship in Punjab and positions gender and caste at the heart of the musical transformations wrought by colonialism in the region. Combining insights from history, ethnomusicology, sociology, literature, and geography, Music in Colonial Punjab provides a unique perspective on the social history of an activity that still unites a fascinating region today divided between the rival nation-states of India and Pakistan"-- |
| Beschreibung: | xxiii, 385 Seiten Illustrationen, Karten 23 cm |
| ISBN: | 9780192867346 |
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| 505 | 8 | |a Introduction -- Of musicians, dancers, and the Maharaja : Gender, power, and affect in Ranjit Singh's Lahore -- Mirāsīs, missionaries, and memsahibs : Folklore and music in colonial Punjab -- Gender, reform, and Punjab's musical publics : Colonial Lahore, Amristar, and Jalandhar, 1870s-1930s -- Princely patronage and musicians : Modernity and circulation in colonial Patiala and Kapurthala -- Conclusion | |
| 520 | 3 | |a "This book offers the first social history of music in undivided Punjab (1849-1947), unearthing new evidence to argue for the power of female performers and the primacy of classical music for a region conventionally understood as a centre of folk music alone. It maps the historical journey of musicians and dancers in colonial Punjab-whether mirāsī (community of bards), kalāwant (higher-status musicians), kanjrī (subaltern female performers), or tawā'if (courtesans)-from the prominence of Pul Kanjri during Maharaja Ranjit Singh's reign in the early nineteenth century, to the emergence of the Patiala gharānā (musical lineage) as the epitome of musical excellence in the early twentieth. The volume examines the history of Punjabi socio-musical reform by the newly emerging Anglicized middle classes-whether Hindu, Muslim, or Sikh-and the engagement of British colonial administrators with Punjab's musician and performing communities. The author reveals the inherently diverse composition of musical connoisseurship in Punjab and positions gender and caste at the heart of the musical transformations wrought by colonialism in the region. Combining insights from history, ethnomusicology, sociology, literature, and geography, Music in Colonial Punjab provides a unique perspective on the social history of an activity that still unites a fascinating region today divided between the rival nation-states of India and Pakistan"-- | |
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Datensatz im Suchindex
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Contents List ofFigures Acknowledgements Note on Translation and Transliteration Prologue ix xiii xix xxi 1 Introduction 1. Of Musicians, Dancers, and the Maharaja: Gender, Power, and Affect in Ranjit Singhs Lahore 37 2. Mirästs, Missionaries, and Memsahibs: Folklore and Music in Colonial Punjab 104 3. Gender, Reform, and Punjab’s Musical Publics: Colonial Lahore, Amritsar, and Jalandhar, 1870s-1930s 189 4. Princely Patronage and Musicians: Modernity and Circulation in Colonial Patiala and Kapurthala 277 Conclusion 340 Bibliography Index 349 377 |
| adam_txt |
Contents List ofFigures Acknowledgements Note on Translation and Transliteration Prologue ix xiii xix xxi 1 Introduction 1. Of Musicians, Dancers, and the Maharaja: Gender, Power, and Affect in Ranjit Singhs Lahore 37 2. Mirästs, Missionaries, and Memsahibs: Folklore and Music in Colonial Punjab 104 3. Gender, Reform, and Punjab’s Musical Publics: Colonial Lahore, Amritsar, and Jalandhar, 1870s-1930s 189 4. Princely Patronage and Musicians: Modernity and Circulation in Colonial Patiala and Kapurthala 277 Conclusion 340 Bibliography Index 349 377 |
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| author | Kapuria, Radha |
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| author_sort | Kapuria, Radha |
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| building | Verbundindex |
| bvnumber | BV049501603 |
| contents | Introduction -- Of musicians, dancers, and the Maharaja : Gender, power, and affect in Ranjit Singh's Lahore -- Mirāsīs, missionaries, and memsahibs : Folklore and music in colonial Punjab -- Gender, reform, and Punjab's musical publics : Colonial Lahore, Amristar, and Jalandhar, 1870s-1930s -- Princely patronage and musicians : Modernity and circulation in colonial Patiala and Kapurthala -- Conclusion |
| ctrlnum | (OCoLC)1392153821 (DE-599)BVBBV049501603 |
| edition | First edition |
| era | Geschichte 1800-1947 gnd |
| era_facet | Geschichte 1800-1947 |
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| spelling | Kapuria, Radha Verfasser (DE-588)1300138718 aut Music in colonial Punjab courtesans, bards, and connoisseurs, 1800-1947 Radha Kapuria First edition Oxford Oxford University Press 2023 xxiii, 385 Seiten Illustrationen, Karten 23 cm txt rdacontent sti rdacontent cri rdacontent n rdamedia nc rdacarrier Introduction -- Of musicians, dancers, and the Maharaja : Gender, power, and affect in Ranjit Singh's Lahore -- Mirāsīs, missionaries, and memsahibs : Folklore and music in colonial Punjab -- Gender, reform, and Punjab's musical publics : Colonial Lahore, Amristar, and Jalandhar, 1870s-1930s -- Princely patronage and musicians : Modernity and circulation in colonial Patiala and Kapurthala -- Conclusion "This book offers the first social history of music in undivided Punjab (1849-1947), unearthing new evidence to argue for the power of female performers and the primacy of classical music for a region conventionally understood as a centre of folk music alone. It maps the historical journey of musicians and dancers in colonial Punjab-whether mirāsī (community of bards), kalāwant (higher-status musicians), kanjrī (subaltern female performers), or tawā'if (courtesans)-from the prominence of Pul Kanjri during Maharaja Ranjit Singh's reign in the early nineteenth century, to the emergence of the Patiala gharānā (musical lineage) as the epitome of musical excellence in the early twentieth. The volume examines the history of Punjabi socio-musical reform by the newly emerging Anglicized middle classes-whether Hindu, Muslim, or Sikh-and the engagement of British colonial administrators with Punjab's musician and performing communities. The author reveals the inherently diverse composition of musical connoisseurship in Punjab and positions gender and caste at the heart of the musical transformations wrought by colonialism in the region. Combining insights from history, ethnomusicology, sociology, literature, and geography, Music in Colonial Punjab provides a unique perspective on the social history of an activity that still unites a fascinating region today divided between the rival nation-states of India and Pakistan"-- Geschichte 1800-1947 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Pandschab (DE-588)4075836-9 gnd rswk-swf Music / India / Punjab / History and criticism Music / Social aspects / India / Punjab Punjab (India) / Social life and customs / 19th century Punjab (India) / Social life and customs / 20th century Musique / Inde / Pendjab / Histoire et critique Pendjab (Inde) / Murs et coutumes / 19e siècle Pendjab (Inde) / Murs et coutumes / 20e siècle Musique / Aspect social / Inde / Pendjab Manners and customs Music India / Punjab / https://id.oclc.org/worldcat/entity/E39QbtfRgfBXKMRyYKqyBc44Wc 1800-1999 Criticism, interpretation, etc Pandschab (DE-588)4075836-9 g Musik (DE-588)4040802-4 s Geschichte 1800-1947 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034846728&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kapuria, Radha Music in colonial Punjab courtesans, bards, and connoisseurs, 1800-1947 Introduction -- Of musicians, dancers, and the Maharaja : Gender, power, and affect in Ranjit Singh's Lahore -- Mirāsīs, missionaries, and memsahibs : Folklore and music in colonial Punjab -- Gender, reform, and Punjab's musical publics : Colonial Lahore, Amristar, and Jalandhar, 1870s-1930s -- Princely patronage and musicians : Modernity and circulation in colonial Patiala and Kapurthala -- Conclusion Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4075836-9 |
| title | Music in colonial Punjab courtesans, bards, and connoisseurs, 1800-1947 |
| title_auth | Music in colonial Punjab courtesans, bards, and connoisseurs, 1800-1947 |
| title_exact_search | Music in colonial Punjab courtesans, bards, and connoisseurs, 1800-1947 |
| title_exact_search_txtP | Music in colonial Punjab courtesans, bards, and connoisseurs, 1800-1947 |
| title_full | Music in colonial Punjab courtesans, bards, and connoisseurs, 1800-1947 Radha Kapuria |
| title_fullStr | Music in colonial Punjab courtesans, bards, and connoisseurs, 1800-1947 Radha Kapuria |
| title_full_unstemmed | Music in colonial Punjab courtesans, bards, and connoisseurs, 1800-1947 Radha Kapuria |
| title_short | Music in colonial Punjab |
| title_sort | music in colonial punjab courtesans bards and connoisseurs 1800 1947 |
| title_sub | courtesans, bards, and connoisseurs, 1800-1947 |
| topic | Musik (DE-588)4040802-4 gnd |
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