Documentary aesthetics in the long 1960s in Eastern Europe and beyond:
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | , |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2024]
|
| Schriftenreihe: | Studies in Slavic literature and poetics
volume 67 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Basiert auf der internationalen Konferenz "Firsthand time". Documentary aesthetics in the long 1960s, gehalten am Leibniz-Zentrum für Literatur- und Kulturforschung in Berlin, 16.-18. Januar 2020. |
| Beschreibung: | XIV, 349 Seiten Illustrationen |
| ISBN: | 9789004533097 |
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Datensatz im Suchindex
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Contents Acknowledgements vu List of Figures VIII Notes on Contributors x Introduction Firsthand Time i Clemens Günther and Matthias Schwartz PART 1 Exposing a Painful Past: Modes of Testimony 1 “Document of the Soul:” Varlam Shalamov’s Documentary Writing in a Contemporary Context 31 Franziska Thun-Hohenstein 2 The Dreyfus Affair for Soviet Children: on the Encoded Poetics of Aleksandra Brushtein's Documentary Prose 52 Natasha Gordinsky 3 Supplementing Evidence: Danilo Kis’s Poet(h)ics in the Context of Yugoslav Documentarism of the 1960s 71 Tatjana Petzer 4 Hands of Time and Large Numbers in Alexander Kluge’s (Post-)Documentary Literature 94 Gunther Martens PART 2 Discovering the Self and the Other: Modes ofExpressing Individuality 5 Celebration and Abstraction: the Documentary Mode of Jonas Mekas's Diary Films 117 Christian Zehnder
CONTENTS VI 6 Documentary and Poetics Interwoven: Mikhail Kalik’s Cinema Elena Nekrasova 7 The Technique of Documenting: on the Early Reportages of Ryszard Kapuscihski and Hanna Krall 164 Matthias Schwartz 145 PART 3 Refining the Senses: Modes ofSelfReflective Artistic Practices 8 “Dramas of the Fact:” Soviet Conceptualisations of Documentary Theatre in the 1960s 189 Anna Hodel 9 “Instead of Approximate Precision—Precise Approximation:" lan Satunovskii’s Poor Poetry 217 Georg Witte 10 Reproductions without an Original: the Self-Published Aesthetics of Cold War-Era Copies 241 Sarah A. Burgos PART 4 Exploring the Everyday: Modes ofPerceiving Social Issues 11 The Trials of Documenting: Frida Vigdorova’s Notes of the Brodsky Court Proceedings 269 Anja Tippner 12 The Poetry of Mikhail Sokovnin: an Aesthetic Opposition to the “Literature of Fact” 288 Ilya Kukulin 13 "Discourses of Sobriety:” Documentary Aesthetics in Conceptual Art in the United States 311 Renate Wahrer Index 337 |
| adam_txt |
Contents Acknowledgements vu List of Figures VIII Notes on Contributors x Introduction Firsthand Time i Clemens Günther and Matthias Schwartz PART 1 Exposing a Painful Past: Modes of Testimony 1 “Document of the Soul:” Varlam Shalamov’s Documentary Writing in a Contemporary Context 31 Franziska Thun-Hohenstein 2 The Dreyfus Affair for Soviet Children: on the Encoded Poetics of Aleksandra Brushtein's Documentary Prose 52 Natasha Gordinsky 3 Supplementing Evidence: Danilo Kis’s Poet(h)ics in the Context of Yugoslav Documentarism of the 1960s 71 Tatjana Petzer 4 Hands of Time and Large Numbers in Alexander Kluge’s (Post-)Documentary Literature 94 Gunther Martens PART 2 Discovering the Self and the Other: Modes ofExpressing Individuality 5 Celebration and Abstraction: the Documentary Mode of Jonas Mekas's Diary Films 117 Christian Zehnder
CONTENTS VI 6 Documentary and Poetics Interwoven: Mikhail Kalik’s Cinema Elena Nekrasova 7 The Technique of Documenting: on the Early Reportages of Ryszard Kapuscihski and Hanna Krall 164 Matthias Schwartz 145 PART 3 Refining the Senses: Modes ofSelfReflective Artistic Practices 8 “Dramas of the Fact:” Soviet Conceptualisations of Documentary Theatre in the 1960s 189 Anna Hodel 9 “Instead of Approximate Precision—Precise Approximation:" lan Satunovskii’s Poor Poetry 217 Georg Witte 10 Reproductions without an Original: the Self-Published Aesthetics of Cold War-Era Copies 241 Sarah A. Burgos PART 4 Exploring the Everyday: Modes ofPerceiving Social Issues 11 The Trials of Documenting: Frida Vigdorova’s Notes of the Brodsky Court Proceedings 269 Anja Tippner 12 The Poetry of Mikhail Sokovnin: an Aesthetic Opposition to the “Literature of Fact” 288 Ilya Kukulin 13 "Discourses of Sobriety:” Documentary Aesthetics in Conceptual Art in the United States 311 Renate Wahrer Index 337 |
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