Handbook of Japanese music in the modern era:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill
[2024]
|
| Schriftenreihe: | History of Oriental studies. Section 5, Japan
volume 18 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXIV, 457 Seiten Illustrationen, Diagramme, Karten, Notenbeispiele |
| ISBN: | 9789004524019 |
Internformat
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Datensatz im Suchindex
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Contents Acknowledgements ix List of Illustrations xi Japanese Periods and Eras xv Notes on the Text xvi Notes on Contributors xvn Map of Japan xxv Introduction: Japanese Music in the Modem Era HenryJohnson i PART 1 Foundations 1 Sacred or Secular? The Dilemma of Theatrical Kagura Terence Lancashire 2 Buddhism and Modem Music in Japan: From Praise Songs to Popular Music 37 Duncan Reehl 21 3 Reigakusha Gagaku Ensemble: Mediating between Ancient and Contemporary Practice 54 Naoko Terauchi 4 The “Heike Brothers” and the 800-Year Transmission and Reception of Heike Musical Narrative 70 Haruko Komoda and Alison Tokita 5 Eisä: Between the Expression of Okinawan Identity and the Appropriation of Okinawan Culture 85 Sumi Cho 6 Ainu Ways of Being in the Contemporary: Music and Dance as Cultural Practice 101 Justin R. Hunter
VI CONTENTS PART 2 Heritage 7 Getting into Min’yô: Online and Offline Access to Japanese Folk Song 119 Felicity Greenland 8 Traditional Folk Music in Contemporary Japan: Case Studies of Standardization and Diversification in Tsugaru Shamisen and Folk Song 137 Gakuto Chiba and Patrick E. Savage 9 Naniwa-bushi·. A Musical Narrative Born in Modern Japan Alison Tokita 10 An Innovative Conservative: Satsuma-btwa Practice and the Legacy of Fumon Yoshinori 173 Hugh de Ferranti and Thomas Charles Marshall 11 Wondrous Tones: The Transnational Appeal of the Shakuhachi through Time and Space 188 Christopher Yohmei Blasdel 12 Choreographing Sound: Ensemble Taiko Drumming in Modern Japan 205 Shawn Bender 13 Studying the Past to Predict the Future: Yamauchi Reach, a Professional Percussionist in the Twenty-First Century 217 JenniferMilioto Matsue 156 PART 3 Institutions 14 15 Learning Musical Instruments in Japanese Schools David G. Heber t and Kôji Ma ts uno в u 237 Yögaku, Western Music in Japan: Perspectives from Osaka Junko Iguchi 254
CONTENTS VII 16 Violin Playing and Women in Japanese Music Ena Kajino 17 The Suzuki Method, Yamaha System, and Japanese Traditional Music: A Case Study of Japanese Music Education in the Modern Era 286 Eria Kubo 18 Ryukyuan Uta-sanshin in Modern Japan: The Influence of Government Institutions on Teaching and Performing 301 Matt Gillan and Mina Endö 19 Koto Modernities in the Twenty-First Century HenryJohnson 270 317 PART 4 Hybridities 20 Navigating the Past, Embracing the Present: Japanese Compositional Hybridity in Theory and Practice 337 Marty Regan 21 The Innate Hybridity of the Shamisen within Contemporary Music: The Physical, Musical, and Socio-Cultural 356 Colleen C. Schmuckal 22 Rethinking the Evolution of Japanese Music: Kunimoto Takeharu and Katö Kinji’s Electric Shamisen 372 Keisuke Yamada
VIII CONTENTS 23 Japanese Popular Songs in the Twentieth Century: Adaptation, Hybridity, and Creativity 386 Minako WASEDA 24 Misora Hibari in Kôhaku Utagassen·. From Modernity to Immortality 405 Shelley Brunt and Amane Kasai 25 Japanese Rap: A History of Style Noriko Manabe Index 439 423 |
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| title | Handbook of Japanese music in the modern era |
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| title_short | Handbook of Japanese music in the modern era |
| title_sort | handbook of japanese music in the modern era |
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