Sound-blind: American literature and the politics of transcription
"In the 1880s, a new medical term flashed briefly into public awareness in the United States. Children who had trouble distinguishing between similar speech sounds were said to suffer from 'sound-blindness.' The term is now best remembered through anthropologist Franz Boas, whose work...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chapel Hill
The University of North Carolina Press
[2023]
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Schlagworte: | |
Zusammenfassung: | "In the 1880s, a new medical term flashed briefly into public awareness in the United States. Children who had trouble distinguishing between similar speech sounds were said to suffer from 'sound-blindness.' The term is now best remembered through anthropologist Franz Boas, whose work deeply influenced the way we talk about cultural difference. In this fascinating work of literary and cultural history, Alex Benson takes the concept as an opening onto other stories of listening, writing, and power--stories that expand our sense of how a syllable, a word, a gesture, or a song can be put into print, and why it matters. Benson interweaves ethnographies, memoirs, local-color stories, modernist novels, silent film scripts, and more. Taken together, these seemingly disparate texts--by writers including John M. Oskison, Helen Keller, W. E. B. Du Bois, F. Scott Fitzgerald, and Elsie Clews Parsons--show that the act of transcription, never neutral, is conditioned by the histories of race, land, and ability. By carefully tracing these conditions, Benson argues, we can tease out much that has been left off the record in narratives of American nationhood and American literature"-- |
Beschreibung: | 249 Seiten Illustrationen 24 cm |
ISBN: | 9781469674636 9781469674629 |
Internformat
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246 | 1 | 3 | |a Sound blind |
264 | 1 | |a Chapel Hill |b The University of North Carolina Press |c [2023] | |
264 | 4 | |c © 2023 | |
300 | |a 249 Seiten |b Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Harjo's brand: alphabetics and allotment -- Helen Keller's handwriting: audism and autography -- Gatsby's tattoo: music and motor habit -- No-tongue's song: fieldnotes and fiction | |
520 | 3 | |a "In the 1880s, a new medical term flashed briefly into public awareness in the United States. Children who had trouble distinguishing between similar speech sounds were said to suffer from 'sound-blindness.' The term is now best remembered through anthropologist Franz Boas, whose work deeply influenced the way we talk about cultural difference. In this fascinating work of literary and cultural history, Alex Benson takes the concept as an opening onto other stories of listening, writing, and power--stories that expand our sense of how a syllable, a word, a gesture, or a song can be put into print, and why it matters. Benson interweaves ethnographies, memoirs, local-color stories, modernist novels, silent film scripts, and more. Taken together, these seemingly disparate texts--by writers including John M. Oskison, Helen Keller, W. E. B. Du Bois, F. Scott Fitzgerald, and Elsie Clews Parsons--show that the act of transcription, never neutral, is conditioned by the histories of race, land, and ability. By carefully tracing these conditions, Benson argues, we can tease out much that has been left off the record in narratives of American nationhood and American literature"-- | |
600 | 1 | 7 | |a Boas, Franz |d 1858-1942 |0 (DE-588)118512153 |2 gnd |9 rswk-swf |
653 | 1 | |a Boas, Franz / 1858-1942 / Criticism and interpretation / History | |
653 | 0 | |a American literature / History and criticism | |
653 | 0 | |a American literature / Themes, motives | |
653 | 0 | |a Writing / Social aspects | |
653 | 0 | |a Writing / Political aspects | |
653 | 0 | |a Discourse analysis | |
653 | 0 | |a Paralinguistics | |
653 | 0 | |a Settler colonialism / United States | |
653 | 0 | |a People with disabilities in literature | |
653 | 0 | |a Race relations in literature | |
653 | 0 | |a Littérature américaine / Thèmes, motifs | |
653 | 0 | |a Écriture / Aspect social | |
653 | 0 | |a Écriture / Aspect politique | |
653 | 0 | |a Paralangage | |
653 | 0 | |a Colonialisme de peuplement / États-Unis | |
653 | 0 | |a Relations raciales dans la littérature | |
653 | 0 | |a LITERARY CRITICISM / General | |
653 | 0 | |a LANGUAGE ARTS & DISCIPLINES / Translating & Interpreting | |
653 | 1 | |a Boas, Franz / 1858-1942 | |
653 | 0 | |a American literature | |
653 | 0 | |a American literature / Themes, motives | |
653 | 0 | |a Discourse analysis | |
653 | 0 | |a Paralinguistics | |
653 | 0 | |a People with disabilities in literature | |
653 | 0 | |a Race relations in literature | |
653 | 0 | |a Settler colonialism | |
653 | 0 | |a Writing / Social aspects | |
653 | 2 | |a United States | |
653 | 6 | |a Criticism, interpretation, etc | |
653 | 6 | |a History | |
689 | 0 | 0 | |a Boas, Franz |d 1858-1942 |0 (DE-588)118512153 |D p |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9781469674643 |
999 | |a oai:aleph.bib-bvb.de:BVB01-034838762 |
Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Benson, Alex |
author_GND | (DE-588)134698983 |
author_facet | Benson, Alex |
author_role | aut |
author_sort | Benson, Alex |
author_variant | a b ab |
building | Verbundindex |
bvnumber | BV049493481 |
contents | Harjo's brand: alphabetics and allotment -- Helen Keller's handwriting: audism and autography -- Gatsby's tattoo: music and motor habit -- No-tongue's song: fieldnotes and fiction |
ctrlnum | (OCoLC)1385427889 (DE-599)BVBBV049493481 |
format | Book |
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id | DE-604.BV049493481 |
illustrated | Illustrated |
index_date | 2024-07-03T23:20:00Z |
indexdate | 2024-07-10T10:08:50Z |
institution | BVB |
isbn | 9781469674636 9781469674629 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034838762 |
oclc_num | 1385427889 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 249 Seiten Illustrationen 24 cm |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | The University of North Carolina Press |
record_format | marc |
spelling | Benson, Alex Verfasser (DE-588)134698983 aut Sound-blind American literature and the politics of transcription Alex Benson Sound blind Chapel Hill The University of North Carolina Press [2023] © 2023 249 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Harjo's brand: alphabetics and allotment -- Helen Keller's handwriting: audism and autography -- Gatsby's tattoo: music and motor habit -- No-tongue's song: fieldnotes and fiction "In the 1880s, a new medical term flashed briefly into public awareness in the United States. Children who had trouble distinguishing between similar speech sounds were said to suffer from 'sound-blindness.' The term is now best remembered through anthropologist Franz Boas, whose work deeply influenced the way we talk about cultural difference. In this fascinating work of literary and cultural history, Alex Benson takes the concept as an opening onto other stories of listening, writing, and power--stories that expand our sense of how a syllable, a word, a gesture, or a song can be put into print, and why it matters. Benson interweaves ethnographies, memoirs, local-color stories, modernist novels, silent film scripts, and more. Taken together, these seemingly disparate texts--by writers including John M. Oskison, Helen Keller, W. E. B. Du Bois, F. Scott Fitzgerald, and Elsie Clews Parsons--show that the act of transcription, never neutral, is conditioned by the histories of race, land, and ability. By carefully tracing these conditions, Benson argues, we can tease out much that has been left off the record in narratives of American nationhood and American literature"-- Boas, Franz 1858-1942 (DE-588)118512153 gnd rswk-swf Boas, Franz / 1858-1942 / Criticism and interpretation / History American literature / History and criticism American literature / Themes, motives Writing / Social aspects Writing / Political aspects Discourse analysis Paralinguistics Settler colonialism / United States People with disabilities in literature Race relations in literature Littérature américaine / Thèmes, motifs Écriture / Aspect social Écriture / Aspect politique Paralangage Colonialisme de peuplement / États-Unis Relations raciales dans la littérature LITERARY CRITICISM / General LANGUAGE ARTS & DISCIPLINES / Translating & Interpreting Boas, Franz / 1858-1942 American literature Settler colonialism United States Criticism, interpretation, etc History Boas, Franz 1858-1942 (DE-588)118512153 p DE-604 Erscheint auch als Online-Ausgabe 9781469674643 |
spellingShingle | Benson, Alex Sound-blind American literature and the politics of transcription Harjo's brand: alphabetics and allotment -- Helen Keller's handwriting: audism and autography -- Gatsby's tattoo: music and motor habit -- No-tongue's song: fieldnotes and fiction Boas, Franz 1858-1942 (DE-588)118512153 gnd |
subject_GND | (DE-588)118512153 |
title | Sound-blind American literature and the politics of transcription |
title_alt | Sound blind |
title_auth | Sound-blind American literature and the politics of transcription |
title_exact_search | Sound-blind American literature and the politics of transcription |
title_exact_search_txtP | Sound-blind American literature and the politics of transcription |
title_full | Sound-blind American literature and the politics of transcription Alex Benson |
title_fullStr | Sound-blind American literature and the politics of transcription Alex Benson |
title_full_unstemmed | Sound-blind American literature and the politics of transcription Alex Benson |
title_short | Sound-blind |
title_sort | sound blind american literature and the politics of transcription |
title_sub | American literature and the politics of transcription |
topic | Boas, Franz 1858-1942 (DE-588)118512153 gnd |
topic_facet | Boas, Franz 1858-1942 |
work_keys_str_mv | AT bensonalex soundblindamericanliteratureandthepoliticsoftranscription AT bensonalex soundblind |