Mao II:
This second volume in the Library of America DeLillo edition collects two extraordinary novels he published in the 1990s, the peak of his career. In the PEN/Faulkner Award-winning Mao II (1991), the celebrated novelist Bill Gray has withdrawn into seclusion, his everyday affairs managed by a pair of...
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| Format: | Buch |
| Sprache: | English |
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New York, N.Y.
The Library of America
[2023]
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| Schriftenreihe: | The Library of America
374 |
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| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | This second volume in the Library of America DeLillo edition collects two extraordinary novels he published in the 1990s, the peak of his career. In the PEN/Faulkner Award-winning Mao II (1991), the celebrated novelist Bill Gray has withdrawn into seclusion, his everyday affairs managed by a pair of assistants. And yet within the protective solitude he has built for himself he still finds himself struggling--with pills and with a novel he can't manage to complete. A visit from a Swedish photographer who specializes in author portraits spurs him to shake off his world-weariness, and soon the reclusive writer is embarked on an unlikely journey to help broker the release of a poet held hostage by terrorists in Beirut. Mao II, writes the critic Sven Birkerts, is "DeLillo's strongest statement yet about the crisis of crises. Namely, that we are living in the last violet twilight of the individual, and that 'the future belongs to crowds.'" Underworld (1997), DeLillo's magnum opus and a book that ranks among the greatest of twentieth-century novels, is a sprawling, ambitious, and moving panorama of the postwar American experience. It begins with a tour de force re-imagination of one of the great moments in sports: the decisive pennant game between the New York Giants and the Brooklyn Dodgers at the Polo Grounds in 1951, culminating in the now legendary "shot heard 'round the world" home run by Bobby Thomson. In DeLillo's hands the excitement of the game is juxtaposed with something far more momentous, the announcement of the Soviets' first atomic test--a coincidence that initiates a kaleidoscopic saga that is woven across more than four decades, shuttling back and forth through time and mixing fictional characters with historical figures such as Lenny Bruce and J. Edgar Hoover. The novel is at once a profound meditation on our contemporary condition and a deeply personal book for its author, drawing poignantly on his memories of growing up in the Bronx. "All of DeLillo is in Underworld," writes Harold Bloom. "DeLillo's sense of America, in the second half of the twentieth century, is achieved perfectly." Here is the ultimate gift for DeLillo fans and perfect introduction for readers interested in discovering or rediscovering a great American writer |
| Beschreibung: | 1076 Seiten Illustrationen |
| ISBN: | 9781598537550 |
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| 520 | 3 | |a This second volume in the Library of America DeLillo edition collects two extraordinary novels he published in the 1990s, the peak of his career. In the PEN/Faulkner Award-winning Mao II (1991), the celebrated novelist Bill Gray has withdrawn into seclusion, his everyday affairs managed by a pair of assistants. And yet within the protective solitude he has built for himself he still finds himself struggling--with pills and with a novel he can't manage to complete. A visit from a Swedish photographer who specializes in author portraits spurs him to shake off his world-weariness, and soon the reclusive writer is embarked on an unlikely journey to help broker the release of a poet held hostage by terrorists in Beirut. Mao II, writes the critic Sven Birkerts, is "DeLillo's strongest statement yet about the crisis of crises. | |
| 520 | 3 | |a Namely, that we are living in the last violet twilight of the individual, and that 'the future belongs to crowds.'" Underworld (1997), DeLillo's magnum opus and a book that ranks among the greatest of twentieth-century novels, is a sprawling, ambitious, and moving panorama of the postwar American experience. It begins with a tour de force re-imagination of one of the great moments in sports: the decisive pennant game between the New York Giants and the Brooklyn Dodgers at the Polo Grounds in 1951, culminating in the now legendary "shot heard 'round the world" home run by Bobby Thomson. In DeLillo's hands the excitement of the game is juxtaposed with something far more momentous, the announcement of the Soviets' first atomic test--a coincidence that initiates a kaleidoscopic saga that is woven across more than four decades, shuttling back and forth through time and mixing fictional characters with historical figures such as Lenny Bruce and J. Edgar Hoover. | |
| 520 | 3 | |a The novel is at once a profound meditation on our contemporary condition and a deeply personal book for its author, drawing poignantly on his memories of growing up in the Bronx. "All of DeLillo is in Underworld," writes Harold Bloom. "DeLillo's sense of America, in the second half of the twentieth century, is achieved perfectly." Here is the ultimate gift for DeLillo fans and perfect introduction for readers interested in discovering or rediscovering a great American writer | |
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DON DELILLO When Don DeLillo was honored with the PEN/Saul Bellow Award for Achievement in American Fiction in 2010, the citation from Philip Roth and his fellow judges highlighted the “combination of terror and comedy and sheer song” in DeLillo’s work, a singu lar alchemy on brilliant display in the two novels gathered in this second volume in the Library of America’s definitive DeLillo edition. Each is accom panied by a new preface from the author. In Мао II (1991), the celebrated but reclusive novelist Bill Gray is persuaded to help negotiate the release of a poet held hostage in Beirut. The story of Gray’s perilous mission is braided with DcLillo’s characteristi cally deep explorations into the dark corners and distinct challenges of modern life: terrorism, the onslaught of images and their hold over us, the search for identity and belonging, and the place of literature and art in a globalized culture that seems indifferent— if not hostile—to writers and artists. Мао II, writes the critic Sven Birkerts, is “DeLillo’s strongest statement yet about the crisis of crises. Namely, that we are living in the last violet twilight of the individual, and that ‘the future belongs to crowds.’” Underworld (1997), DeLillo’s magnum opus, opens with an unforgettable, tour-de-force reimagining of one of the most celebrated moments in American sports; the decisive 1951 game between the New York Giants and the Brooklyn Dodgers at the Polo Grounds, culminating in Bobby Thomson’s leg endary home run, the “Shot Heard ’Round the World.” Juxtaposed with the excitement of the game is the
front-page news of a Soviet atomic bomb—a coincidence that launches a kaleidoscopic saga that shuttles back and forth across four decades, mixing invented characters with real people such as Lenny Bruce and J. Edgar Hoover and fusing fictional events with such momentous historical episodes as the Cuban Missile Crisis and Richard Nixon’s resig nation as president. As contemporary now as when first published, this polyphonic novel illuminates the
complexities of the world around us: the ramifica tions of the nuclear arms race, the proliferation of garbage and waste, and the excesses of a relentless, turbocharged capitalism. It is also one of DeLillo’s most personal works, drawing on his memories of growing up in New York City. “All of DeLillo is in Underworld” writes Harold Bloom. “DeLillo’s sense of America, in the second half of the twentieth century, is achieved perfectly.”
Contents Мао II. Underworld. ι 215 Chronology. 1013 Note on the Texts. 1025 Notes. 1027 |
| adam_txt |
DON DELILLO When Don DeLillo was honored with the PEN/Saul Bellow Award for Achievement in American Fiction in 2010, the citation from Philip Roth and his fellow judges highlighted the “combination of terror and comedy and sheer song” in DeLillo’s work, a singu lar alchemy on brilliant display in the two novels gathered in this second volume in the Library of America’s definitive DeLillo edition. Each is accom panied by a new preface from the author. In Мао II (1991), the celebrated but reclusive novelist Bill Gray is persuaded to help negotiate the release of a poet held hostage in Beirut. The story of Gray’s perilous mission is braided with DcLillo’s characteristi cally deep explorations into the dark corners and distinct challenges of modern life: terrorism, the onslaught of images and their hold over us, the search for identity and belonging, and the place of literature and art in a globalized culture that seems indifferent— if not hostile—to writers and artists. Мао II, writes the critic Sven Birkerts, is “DeLillo’s strongest statement yet about the crisis of crises. Namely, that we are living in the last violet twilight of the individual, and that ‘the future belongs to crowds.’” Underworld (1997), DeLillo’s magnum opus, opens with an unforgettable, tour-de-force reimagining of one of the most celebrated moments in American sports; the decisive 1951 game between the New York Giants and the Brooklyn Dodgers at the Polo Grounds, culminating in Bobby Thomson’s leg endary home run, the “Shot Heard ’Round the World.” Juxtaposed with the excitement of the game is the
front-page news of a Soviet atomic bomb—a coincidence that launches a kaleidoscopic saga that shuttles back and forth across four decades, mixing invented characters with real people such as Lenny Bruce and J. Edgar Hoover and fusing fictional events with such momentous historical episodes as the Cuban Missile Crisis and Richard Nixon’s resig nation as president. As contemporary now as when first published, this polyphonic novel illuminates the
complexities of the world around us: the ramifica tions of the nuclear arms race, the proliferation of garbage and waste, and the excesses of a relentless, turbocharged capitalism. It is also one of DeLillo’s most personal works, drawing on his memories of growing up in New York City. “All of DeLillo is in Underworld” writes Harold Bloom. “DeLillo’s sense of America, in the second half of the twentieth century, is achieved perfectly.” |
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| spelling | DeLillo, Don 1936- Verfasser (DE-588)118889664 aut Mao II Underworld Don DeLillo ; Mark Osteen, editor New York, N.Y. The Library of America [2023] © 2023 1076 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier The Library of America 374 This second volume in the Library of America DeLillo edition collects two extraordinary novels he published in the 1990s, the peak of his career. In the PEN/Faulkner Award-winning Mao II (1991), the celebrated novelist Bill Gray has withdrawn into seclusion, his everyday affairs managed by a pair of assistants. And yet within the protective solitude he has built for himself he still finds himself struggling--with pills and with a novel he can't manage to complete. A visit from a Swedish photographer who specializes in author portraits spurs him to shake off his world-weariness, and soon the reclusive writer is embarked on an unlikely journey to help broker the release of a poet held hostage by terrorists in Beirut. Mao II, writes the critic Sven Birkerts, is "DeLillo's strongest statement yet about the crisis of crises. Namely, that we are living in the last violet twilight of the individual, and that 'the future belongs to crowds.'" Underworld (1997), DeLillo's magnum opus and a book that ranks among the greatest of twentieth-century novels, is a sprawling, ambitious, and moving panorama of the postwar American experience. It begins with a tour de force re-imagination of one of the great moments in sports: the decisive pennant game between the New York Giants and the Brooklyn Dodgers at the Polo Grounds in 1951, culminating in the now legendary "shot heard 'round the world" home run by Bobby Thomson. In DeLillo's hands the excitement of the game is juxtaposed with something far more momentous, the announcement of the Soviets' first atomic test--a coincidence that initiates a kaleidoscopic saga that is woven across more than four decades, shuttling back and forth through time and mixing fictional characters with historical figures such as Lenny Bruce and J. Edgar Hoover. The novel is at once a profound meditation on our contemporary condition and a deeply personal book for its author, drawing poignantly on his memories of growing up in the Bronx. "All of DeLillo is in Underworld," writes Harold Bloom. "DeLillo's sense of America, in the second half of the twentieth century, is achieved perfectly." Here is the ultimate gift for DeLillo fans and perfect introduction for readers interested in discovering or rediscovering a great American writer Americans / Fiction Fiction / Humor Roman - Humour FICTION - Satire Fiction Romans (DE-588)4002214-6 Anthologie gnd-content Osteen, Mark 1954- (DE-588)1037240359 edt (DE-588)4586723-9 DeLillo, Don 1936- Mao II (DE-588)4695556-2 DeLillo, Don 1936- Underworld The Library of America 374 (DE-604)BV000009606 374 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034835946&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034835946&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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