Bahlabelelelani – why do they sing?: gender and power in contemporary women’s songs
Indigenous societies, steeped in patriarchy, have various channels through which they deal with abusive characteristics of relations in some of these communities. One such route is through songs, which sanction women to voice that which, bound by societal expectations, they would not commonly be abl...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
|
| Schlagworte: | |
| Zusammenfassung: | Indigenous societies, steeped in patriarchy, have various channels through which they deal with abusive characteristics of relations in some of these communities. One such route is through songs, which sanction women to voice that which, bound by societal expectations, they would not commonly be able to say.This book focuses on the nature of women’s contemporary songs in the rural community of Zwelibomvu, near Pinetown in KwaZulu-Natal. It aims to answer the question ‘Bahlabelelelani – Why do they sing?’, drawing on several discourses of gender and power to examine the content and purposes of the songs. Restricted by custom, women resort to allusive languages, such as found in ukushoza, a song genre that includes poetic elements and solo dance songs. The songs, when read in conjunction with the interviews and focus group discussions, present a complex picture of women’s lives in contemporary rural KwaZulu-Natal, and they offer their commentary on what it means to be a woman in this society |
| Beschreibung: | ix, 168 Seiten Illustrationen |
| ISBN: | 9781032630601 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV049490154 | ||
| 003 | DE-604 | ||
| 005 | 20240209 | ||
| 007 | t | ||
| 008 | 240108s2024 a||| |||| 00||| eng d | ||
| 020 | |a 9781032630601 |c hardback |9 978-1-03-263060-1 | ||
| 035 | |a (OCoLC)1422492406 | ||
| 035 | |a (DE-599)BVBBV049490154 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-29 | ||
| 100 | 1 | |a Zondi, Nompumelelo |e Verfasser |0 (DE-588)1233225316 |4 aut | |
| 245 | 1 | 0 | |a Bahlabelelelani – why do they sing? |b gender and power in contemporary women’s songs |c Nompumelelo Zondi |
| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2024 | |
| 300 | |a ix, 168 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | |a Indigenous societies, steeped in patriarchy, have various channels through which they deal with abusive characteristics of relations in some of these communities. One such route is through songs, which sanction women to voice that which, bound by societal expectations, they would not commonly be able to say.This book focuses on the nature of women’s contemporary songs in the rural community of Zwelibomvu, near Pinetown in KwaZulu-Natal. It aims to answer the question ‘Bahlabelelelani – Why do they sing?’, drawing on several discourses of gender and power to examine the content and purposes of the songs. Restricted by custom, women resort to allusive languages, such as found in ukushoza, a song genre that includes poetic elements and solo dance songs. The songs, when read in conjunction with the interviews and focus group discussions, present a complex picture of women’s lives in contemporary rural KwaZulu-Natal, and they offer their commentary on what it means to be a woman in this society | ||
| 650 | 0 | 7 | |a Soziale Situation |0 (DE-588)4077575-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Gesang |0 (DE-588)4020470-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Patriarchat |0 (DE-588)4044914-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Frau |0 (DE-588)4018202-2 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Südafrika |0 (DE-588)4078012-0 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Südafrika |0 (DE-588)4078012-0 |D g |
| 689 | 0 | 1 | |a Frau |0 (DE-588)4018202-2 |D s |
| 689 | 0 | 2 | |a Soziale Situation |0 (DE-588)4077575-6 |D s |
| 689 | 0 | 3 | |a Patriarchat |0 (DE-588)4044914-2 |D s |
| 689 | 0 | 4 | |a Gesang |0 (DE-588)4020470-4 |D s |
| 689 | 0 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034835483 | ||
Datensatz im Suchindex
| _version_ | 1804186287377219584 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Zondi, Nompumelelo |
| author_GND | (DE-588)1233225316 |
| author_facet | Zondi, Nompumelelo |
| author_role | aut |
| author_sort | Zondi, Nompumelelo |
| author_variant | n z nz |
| building | Verbundindex |
| bvnumber | BV049490154 |
| ctrlnum | (OCoLC)1422492406 (DE-599)BVBBV049490154 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02432nam a2200397 c 4500</leader><controlfield tag="001">BV049490154</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20240209 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">240108s2024 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781032630601</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-03-263060-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1422492406</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049490154</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-29</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Zondi, Nompumelelo</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1233225316</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Bahlabelelelani – why do they sing?</subfield><subfield code="b">gender and power in contemporary women’s songs</subfield><subfield code="c">Nompumelelo Zondi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London ; New York</subfield><subfield code="b">Routledge, Taylor & Francis Group</subfield><subfield code="c">2024</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">ix, 168 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Indigenous societies, steeped in patriarchy, have various channels through which they deal with abusive characteristics of relations in some of these communities. One such route is through songs, which sanction women to voice that which, bound by societal expectations, they would not commonly be able to say.This book focuses on the nature of women’s contemporary songs in the rural community of Zwelibomvu, near Pinetown in KwaZulu-Natal. It aims to answer the question ‘Bahlabelelelani – Why do they sing?’, drawing on several discourses of gender and power to examine the content and purposes of the songs. Restricted by custom, women resort to allusive languages, such as found in ukushoza, a song genre that includes poetic elements and solo dance songs. The songs, when read in conjunction with the interviews and focus group discussions, present a complex picture of women’s lives in contemporary rural KwaZulu-Natal, and they offer their commentary on what it means to be a woman in this society</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Soziale Situation</subfield><subfield code="0">(DE-588)4077575-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gesang</subfield><subfield code="0">(DE-588)4020470-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Patriarchat</subfield><subfield code="0">(DE-588)4044914-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Frau</subfield><subfield code="0">(DE-588)4018202-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Südafrika</subfield><subfield code="0">(DE-588)4078012-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Südafrika</subfield><subfield code="0">(DE-588)4078012-0</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Frau</subfield><subfield code="0">(DE-588)4018202-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Soziale Situation</subfield><subfield code="0">(DE-588)4077575-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Patriarchat</subfield><subfield code="0">(DE-588)4044914-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Gesang</subfield><subfield code="0">(DE-588)4020470-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034835483</subfield></datafield></record></collection> |
| geographic | Südafrika (DE-588)4078012-0 gnd |
| geographic_facet | Südafrika |
| id | DE-604.BV049490154 |
| illustrated | Illustrated |
| index_date | 2024-07-03T23:19:32Z |
| indexdate | 2024-07-10T10:08:44Z |
| institution | BVB |
| isbn | 9781032630601 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034835483 |
| oclc_num | 1422492406 |
| open_access_boolean | |
| owner | DE-29 |
| owner_facet | DE-29 |
| physical | ix, 168 Seiten Illustrationen |
| publishDate | 2024 |
| publishDateSearch | 2024 |
| publishDateSort | 2024 |
| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| spelling | Zondi, Nompumelelo Verfasser (DE-588)1233225316 aut Bahlabelelelani – why do they sing? gender and power in contemporary women’s songs Nompumelelo Zondi London ; New York Routledge, Taylor & Francis Group 2024 ix, 168 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Indigenous societies, steeped in patriarchy, have various channels through which they deal with abusive characteristics of relations in some of these communities. One such route is through songs, which sanction women to voice that which, bound by societal expectations, they would not commonly be able to say.This book focuses on the nature of women’s contemporary songs in the rural community of Zwelibomvu, near Pinetown in KwaZulu-Natal. It aims to answer the question ‘Bahlabelelelani – Why do they sing?’, drawing on several discourses of gender and power to examine the content and purposes of the songs. Restricted by custom, women resort to allusive languages, such as found in ukushoza, a song genre that includes poetic elements and solo dance songs. The songs, when read in conjunction with the interviews and focus group discussions, present a complex picture of women’s lives in contemporary rural KwaZulu-Natal, and they offer their commentary on what it means to be a woman in this society Soziale Situation (DE-588)4077575-6 gnd rswk-swf Gesang (DE-588)4020470-4 gnd rswk-swf Patriarchat (DE-588)4044914-2 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Südafrika (DE-588)4078012-0 gnd rswk-swf Südafrika (DE-588)4078012-0 g Frau (DE-588)4018202-2 s Soziale Situation (DE-588)4077575-6 s Patriarchat (DE-588)4044914-2 s Gesang (DE-588)4020470-4 s DE-604 |
| spellingShingle | Zondi, Nompumelelo Bahlabelelelani – why do they sing? gender and power in contemporary women’s songs Soziale Situation (DE-588)4077575-6 gnd Gesang (DE-588)4020470-4 gnd Patriarchat (DE-588)4044914-2 gnd Frau (DE-588)4018202-2 gnd |
| subject_GND | (DE-588)4077575-6 (DE-588)4020470-4 (DE-588)4044914-2 (DE-588)4018202-2 (DE-588)4078012-0 |
| title | Bahlabelelelani – why do they sing? gender and power in contemporary women’s songs |
| title_auth | Bahlabelelelani – why do they sing? gender and power in contemporary women’s songs |
| title_exact_search | Bahlabelelelani – why do they sing? gender and power in contemporary women’s songs |
| title_exact_search_txtP | Bahlabelelelani – why do they sing? gender and power in contemporary women’s songs |
| title_full | Bahlabelelelani – why do they sing? gender and power in contemporary women’s songs Nompumelelo Zondi |
| title_fullStr | Bahlabelelelani – why do they sing? gender and power in contemporary women’s songs Nompumelelo Zondi |
| title_full_unstemmed | Bahlabelelelani – why do they sing? gender and power in contemporary women’s songs Nompumelelo Zondi |
| title_short | Bahlabelelelani – why do they sing? |
| title_sort | bahlabelelelani why do they sing gender and power in contemporary women s songs |
| title_sub | gender and power in contemporary women’s songs |
| topic | Soziale Situation (DE-588)4077575-6 gnd Gesang (DE-588)4020470-4 gnd Patriarchat (DE-588)4044914-2 gnd Frau (DE-588)4018202-2 gnd |
| topic_facet | Soziale Situation Gesang Patriarchat Frau Südafrika |
| work_keys_str_mv | AT zondinompumelelo bahlabelelelaniwhydotheysinggenderandpowerincontemporarywomenssongs |