Koen van den Broek: out of place
In Out of Place, noted LA-based art historian John C. Welchman offers a tour-de-force discussion of the first 25 years of Koen van den Broek’s work. The book is partly chronological, partly attentive to the genres, styles, media and concepts around which the artist has innovated, from painting to pu...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Ghent, Belgium
MER. B&L
[2023]
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Schlagworte: | |
Zusammenfassung: | In Out of Place, noted LA-based art historian John C. Welchman offers a tour-de-force discussion of the first 25 years of Koen van den Broek’s work. The book is partly chronological, partly attentive to the genres, styles, media and concepts around which the artist has innovated, from painting to public space. Welchman unpacks a wide spectrum of references and allusions—to Mondrian, Malevich, Matisse, Rothko and many other modernist artists; to postwar photographies; to the art cinemas of the 1960s and ’70s; and to the history of freeways, interstates and the evolution of the singular urban fabrics of the United States. He offers exciting new accounts of the defining orientation of the first decade of van den Broek’s painting as it entered into pathbreaking pictorial dialogues with borders, shadows and cracks. The second part of the monograph takes up with a frankly surprising range of ideas and issues connected to figures, identities, landscape, ecology, appropriation, opera, and institutions … and to the striking material appurtenances of Formula 1 racing |
Beschreibung: | 527 Seiten Illustrationen |
ISBN: | 9789463939140 |
Internformat
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520 | 3 | |a In Out of Place, noted LA-based art historian John C. Welchman offers a tour-de-force discussion of the first 25 years of Koen van den Broek’s work. The book is partly chronological, partly attentive to the genres, styles, media and concepts around which the artist has innovated, from painting to public space. Welchman unpacks a wide spectrum of references and allusions—to Mondrian, Malevich, Matisse, Rothko and many other modernist artists; to postwar photographies; to the art cinemas of the 1960s and ’70s; and to the history of freeways, interstates and the evolution of the singular urban fabrics of the United States. He offers exciting new accounts of the defining orientation of the first decade of van den Broek’s painting as it entered into pathbreaking pictorial dialogues with borders, shadows and cracks. The second part of the monograph takes up with a frankly surprising range of ideas and issues connected to figures, identities, landscape, ecology, appropriation, opera, and institutions … and to the striking material appurtenances of Formula 1 racing | |
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Datensatz im Suchindex
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discipline_str_mv | Kunstgeschichte |
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id | DE-604.BV049490111 |
illustrated | Illustrated |
index_date | 2024-07-03T23:19:31Z |
indexdate | 2024-09-23T20:25:07Z |
institution | BVB |
isbn | 9789463939140 |
language | English |
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owner | DE-255 |
owner_facet | DE-255 |
physical | 527 Seiten Illustrationen |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | MER. B&L |
record_format | marc |
spelling | Welchman, John C. 1958- Verfasser (DE-588)123576830 aut Koen van den Broek out of place John C. Welchman Koen van den Broek : out of place Ghent, Belgium MER. B&L [2023] 527 Seiten Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier In Out of Place, noted LA-based art historian John C. Welchman offers a tour-de-force discussion of the first 25 years of Koen van den Broek’s work. The book is partly chronological, partly attentive to the genres, styles, media and concepts around which the artist has innovated, from painting to public space. Welchman unpacks a wide spectrum of references and allusions—to Mondrian, Malevich, Matisse, Rothko and many other modernist artists; to postwar photographies; to the art cinemas of the 1960s and ’70s; and to the history of freeways, interstates and the evolution of the singular urban fabrics of the United States. He offers exciting new accounts of the defining orientation of the first decade of van den Broek’s painting as it entered into pathbreaking pictorial dialogues with borders, shadows and cracks. The second part of the monograph takes up with a frankly surprising range of ideas and issues connected to figures, identities, landscape, ecology, appropriation, opera, and institutions … and to the striking material appurtenances of Formula 1 racing Broek, Koen van den 1973- (DE-588)123795710 gnd rswk-swf Broek, Koen van den 1973- (DE-588)123795710 p DE-604 Broek, Koen van den 1973- (DE-588)123795710 ill |
spellingShingle | Welchman, John C. 1958- Koen van den Broek out of place Broek, Koen van den 1973- (DE-588)123795710 gnd |
subject_GND | (DE-588)123795710 |
title | Koen van den Broek out of place |
title_alt | Koen van den Broek : out of place |
title_auth | Koen van den Broek out of place |
title_exact_search | Koen van den Broek out of place |
title_exact_search_txtP | Koen van den Broek out of place |
title_full | Koen van den Broek out of place John C. Welchman |
title_fullStr | Koen van den Broek out of place John C. Welchman |
title_full_unstemmed | Koen van den Broek out of place John C. Welchman |
title_short | Koen van den Broek |
title_sort | koen van den broek out of place |
title_sub | out of place |
topic | Broek, Koen van den 1973- (DE-588)123795710 gnd |
topic_facet | Broek, Koen van den 1973- |
work_keys_str_mv | AT welchmanjohnc koenvandenbroekoutofplace AT broekkoenvanden koenvandenbroekoutofplace |