The operas of Johann Christian Bach: an introduction
"The scope of this volume is limited to the eleven full-length operas by Bach. The essays were written with a dual purpose: first, to provide stand-alone studies of Bach's operas to promote admiration and understanding of those works; and secondly, to serve as introductions to the critical...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Los Altos, California
The Packard Humanities Institute
[2023]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The scope of this volume is limited to the eleven full-length operas by Bach. The essays were written with a dual purpose: first, to provide stand-alone studies of Bach's operas to promote admiration and understanding of those works; and secondly, to serve as introductions to the critical editions in Johann Christian Bach: The Operas. The collection begins with an introduction by John A. Rice, which provides a historical overview of Bach's career as an opera composer. The individual essays are then organized chronologically by opera, beginning with Margaret R. Butler's study of Bach's first Italian opera, Artaserse, written for Turin (1761). Next is Lucio Tufano's essay on the two operas for Naples, Catone in Utica (1761) and Alessandro nell'Indie (1762). Bach then wrote four operas over three seasons for London, as discussed in essays by Michael Burden on Orione, ossia Diana vendicata and Zanaida (both 1763), John A. Rice on Adriano in Siria (1765), and Stephen Roe on Carattaco (1767). Paul Corneilson's essay on Temistocle (1772) and Lucio Silla (1775) covers Bach's two operas for Mannheim. Bach provided one more opera for London, La clemenza di Scipione (1778), the subject of Karl Böhmer's study. The collection concludes with an essay by Beverly Wilcox on Bach's sole French opera, Amadis de Gaule (1779), written for Paris" -- Provided by publisher |
| Beschreibung: | XIII, 160 Seiten Illustrationen 25 cm |
| ISBN: | 9781938325519 |
Internformat
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| 520 | 3 | |a "The scope of this volume is limited to the eleven full-length operas by Bach. The essays were written with a dual purpose: first, to provide stand-alone studies of Bach's operas to promote admiration and understanding of those works; and secondly, to serve as introductions to the critical editions in Johann Christian Bach: The Operas. The collection begins with an introduction by John A. Rice, which provides a historical overview of Bach's career as an opera composer. The individual essays are then organized chronologically by opera, beginning with Margaret R. Butler's study of Bach's first Italian opera, Artaserse, written for Turin (1761). Next is Lucio Tufano's essay on the two operas for Naples, Catone in Utica (1761) and Alessandro nell'Indie (1762). Bach then wrote four operas over three seasons for London, as discussed in essays by Michael Burden on Orione, ossia Diana vendicata and Zanaida (both 1763), John A. Rice on Adriano in Siria (1765), and Stephen Roe on Carattaco (1767). Paul Corneilson's essay on Temistocle (1772) and Lucio Silla (1775) covers Bach's two operas for Mannheim. Bach provided one more opera for London, La clemenza di Scipione (1778), the subject of Karl Böhmer's study. The collection concludes with an essay by Beverly Wilcox on Bach's sole French opera, Amadis de Gaule (1779), written for Paris" -- Provided by publisher | |
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Datensatz im Suchindex
| _version_ | 1814329003995037696 |
|---|---|
| adam_text |
Contents Preface . Abbreviations. Contributors. . Johann Christian Bach: A Life in Opera . . vii ix xiii i John A. Rice Artaserse. Margaret R. Butler 21 Catone in Utica and Alessandro nell’Indie . Lucio Tufano 33 Orione, ossia Diana vendicata and Zanaida. 61 Michael Burden Adriano in Stria . . 85 John A. Rice Carattaco. . 97 Stephen Roe Temistocle and Lucio Silla . . . . 107 Paul Corneilson La clemenza di Scipione . 127 Karl Böhmer Amadis de Gaule. Beverly Wilcox 143 |
| adam_txt |
Contents Preface . Abbreviations. Contributors. . Johann Christian Bach: A Life in Opera . . vii ix xiii i John A. Rice Artaserse. Margaret R. Butler 21 Catone in Utica and Alessandro nell’Indie . Lucio Tufano 33 Orione, ossia Diana vendicata and Zanaida. 61 Michael Burden Adriano in Stria . . 85 John A. Rice Carattaco. . 97 Stephen Roe Temistocle and Lucio Silla . . . . 107 Paul Corneilson La clemenza di Scipione . 127 Karl Böhmer Amadis de Gaule. Beverly Wilcox 143 |
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| author_GND | (DE-588)103522920X |
| author_facet | Grant, Jason Benjamin |
| building | Verbundindex |
| bvnumber | BV049487971 |
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| ctrlnum | (OCoLC)1416456645 (DE-599)KXP1877117390 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| format | Book |
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| spelling | The operas of Johann Christian Bach an introduction edited by Jason B. Grant Los Altos, California The Packard Humanities Institute [2023] © 2023 XIII, 160 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier "The scope of this volume is limited to the eleven full-length operas by Bach. The essays were written with a dual purpose: first, to provide stand-alone studies of Bach's operas to promote admiration and understanding of those works; and secondly, to serve as introductions to the critical editions in Johann Christian Bach: The Operas. The collection begins with an introduction by John A. Rice, which provides a historical overview of Bach's career as an opera composer. The individual essays are then organized chronologically by opera, beginning with Margaret R. Butler's study of Bach's first Italian opera, Artaserse, written for Turin (1761). Next is Lucio Tufano's essay on the two operas for Naples, Catone in Utica (1761) and Alessandro nell'Indie (1762). Bach then wrote four operas over three seasons for London, as discussed in essays by Michael Burden on Orione, ossia Diana vendicata and Zanaida (both 1763), John A. Rice on Adriano in Siria (1765), and Stephen Roe on Carattaco (1767). Paul Corneilson's essay on Temistocle (1772) and Lucio Silla (1775) covers Bach's two operas for Mannheim. Bach provided one more opera for London, La clemenza di Scipione (1778), the subject of Karl Böhmer's study. The collection concludes with an essay by Beverly Wilcox on Bach's sole French opera, Amadis de Gaule (1779), written for Paris" -- Provided by publisher Bach, Johann Christian 1735-1782 (DE-588)118505521 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Bach, Johann Christian 1735-1782 (DE-588)118505521 p Oper (DE-588)4043582-9 s DE-604 Grant, Jason Benjamin (DE-588)103522920X edt Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034833347&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The operas of Johann Christian Bach an introduction Bach, Johann Christian 1735-1782 (DE-588)118505521 gnd Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)118505521 (DE-588)4043582-9 (DE-588)4143413-4 |
| title | The operas of Johann Christian Bach an introduction |
| title_auth | The operas of Johann Christian Bach an introduction |
| title_exact_search | The operas of Johann Christian Bach an introduction |
| title_exact_search_txtP | The operas of Johann Christian Bach an introduction |
| title_full | The operas of Johann Christian Bach an introduction edited by Jason B. Grant |
| title_fullStr | The operas of Johann Christian Bach an introduction edited by Jason B. Grant |
| title_full_unstemmed | The operas of Johann Christian Bach an introduction edited by Jason B. Grant |
| title_short | The operas of Johann Christian Bach |
| title_sort | the operas of johann christian bach an introduction |
| title_sub | an introduction |
| topic | Bach, Johann Christian 1735-1782 (DE-588)118505521 gnd Oper (DE-588)4043582-9 gnd |
| topic_facet | Bach, Johann Christian 1735-1782 Oper Aufsatzsammlung |
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