Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory /
Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plas...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam :
Amsterdam University Press
[2023]
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| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-Aug4 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 18. Sep 2023) |
| Beschreibung: | 1 Online-Ressource (296 pages) |
| ISBN: | 9789048557509 |
| DOI: | 10.1515/9789048557509 |
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| 520 | |a Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general | ||
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| index_date | 2024-07-03T23:16:17Z |
| indexdate | 2024-09-18T16:03:06Z |
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| spelling | Ferando, Christina Verfasser aut Exhibiting Antonio Canova Display and the Transformation of Sculptural Theory / Christina Ferando Amsterdam : Amsterdam University Press [2023] © 2023 1 Online-Ressource (296 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 18. Sep 2023) Exhibiting Antonio Canova: Display and the Transformation of Sculptural Theory argues that the display of Canova's sculptures in the late eighteenth and early nineteenth centuries acted as a catalyst for discourse across a broad range of subjects. By enshrining his marble figures alongside plaster casts of ancient works, bathing them in candlelight, staining and waxing their surfaces, and even setting them in motion on rotating bases, Canova engaged viewers intellectually, physically, and emotionally. These displays inspired discussions on topics as diverse as originality and artistic production, the association between the sculptural surface, flesh, and anatomy, the relationship between painting and sculpture, and the role of public museums. Beholders' discussions also shaped the legacy of important sculptural theories. They helped usher in their modern definitions and created the lenses through which we experience and interpret works of art, establishing modern attitudes not just towards sculpture, but towards cultural patrimony in general In English Canova, Antonio 1757-1822 (DE-588)118518860 gnd rswk-swf . Art and Material Culture History, Art History, and Archaeology Modern History Theorie (DE-588)4059787-8 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Ausstellung (DE-588)4129601-1 gnd rswk-swf Canova, Antonio 1757-1822 (DE-588)118518860 p Ausstellung (DE-588)4129601-1 s Ästhetik (DE-588)4000626-8 s Theorie (DE-588)4059787-8 s DE-604 Erscheint auch als Druck-Ausgabe 9789463724098 https://doi.org/10.1515/9789048557509?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ferando, Christina Exhibiting Antonio Canova Display and the Transformation of Sculptural Theory / Canova, Antonio 1757-1822 (DE-588)118518860 gnd . Art and Material Culture History, Art History, and Archaeology Modern History Theorie (DE-588)4059787-8 gnd Ästhetik (DE-588)4000626-8 gnd Ausstellung (DE-588)4129601-1 gnd |
| subject_GND | (DE-588)118518860 (DE-588)4059787-8 (DE-588)4000626-8 (DE-588)4129601-1 |
| title | Exhibiting Antonio Canova Display and the Transformation of Sculptural Theory / |
| title_auth | Exhibiting Antonio Canova Display and the Transformation of Sculptural Theory / |
| title_exact_search | Exhibiting Antonio Canova Display and the Transformation of Sculptural Theory / |
| title_exact_search_txtP | Exhibiting Antonio Canova Display and the Transformation of Sculptural Theory / |
| title_full | Exhibiting Antonio Canova Display and the Transformation of Sculptural Theory / Christina Ferando |
| title_fullStr | Exhibiting Antonio Canova Display and the Transformation of Sculptural Theory / Christina Ferando |
| title_full_unstemmed | Exhibiting Antonio Canova Display and the Transformation of Sculptural Theory / Christina Ferando |
| title_short | Exhibiting Antonio Canova |
| title_sort | exhibiting antonio canova display and the transformation of sculptural theory |
| title_sub | Display and the Transformation of Sculptural Theory / |
| topic | Canova, Antonio 1757-1822 (DE-588)118518860 gnd . Art and Material Culture History, Art History, and Archaeology Modern History Theorie (DE-588)4059787-8 gnd Ästhetik (DE-588)4000626-8 gnd Ausstellung (DE-588)4129601-1 gnd |
| topic_facet | Canova, Antonio 1757-1822 . Art and Material Culture History, Art History, and Archaeology Modern History Theorie Ästhetik Ausstellung |
| url | https://doi.org/10.1515/9789048557509?locatt=mode:legacy |
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