Sonic Sovereignty: Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams
What does sovereignty sound like?Sonic Sovereignty explores how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of "sonic sovereignty" connects self-definition, collective determination, and Indigenous...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
New York University Press
[2023]
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| Schriftenreihe: | Postmillennial Pop
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| Schlagworte: | |
| Online-Zugang: | FHA01 URL des Erstveröffentlichers |
| Zusammenfassung: | What does sovereignty sound like?Sonic Sovereignty explores how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of "sonic sovereignty" connects self-definition, collective determination, and Indigenous land rematriation to the immediate and long-lasting effects of expressive culture. Przybylski covers online and offline media spaces, following musicians and producers as they, and their music, circulate across broadcast and online networks.Przybylski documents and reflects on shifts in both the music industry and political landscape in the last fifteen years: just as the ways in which people listen to, consume, and interact with popular music have radically changed, large public conversations have flourished around contemporary Indigenous culture, settler responsibility, Indigenous leadership, and decolonial futures.Sonic Sovereignty encourages us to experiment with the temporal possibilities of listening by detailing moments when a sample, lyric, or musical reference moves a listener out of time. Przybylski maintains that hip hop and many North American Indigenous practices, all drawn from storytelling, welcome nonlinear listening. The musical readings presented in this book thus explore how musicians use tools to help listeners embrace rupture, and how out-of-time listening creates decolonial possibilities |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023) |
| Beschreibung: | 1 Online-Ressource 17 b/w illustrations |
| ISBN: | 9781479816934 |
| DOI: | 10.18574/nyu/9781479816934.001.0001 |
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| institution | BVB |
| isbn | 9781479816934 |
| language | English |
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| spelling | Przybylski, Liz Verfasser aut Sonic Sovereignty Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams Liz Przybylski New York, NY New York University Press [2023] © 2023 1 Online-Ressource 17 b/w illustrations txt rdacontent c rdamedia cr rdacarrier Postmillennial Pop Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Aug 2023) What does sovereignty sound like?Sonic Sovereignty explores how contemporary Indigenous musicians champion self-determination through musical expression in Canada and the United States. The framework of "sonic sovereignty" connects self-definition, collective determination, and Indigenous land rematriation to the immediate and long-lasting effects of expressive culture. Przybylski covers online and offline media spaces, following musicians and producers as they, and their music, circulate across broadcast and online networks.Przybylski documents and reflects on shifts in both the music industry and political landscape in the last fifteen years: just as the ways in which people listen to, consume, and interact with popular music have radically changed, large public conversations have flourished around contemporary Indigenous culture, settler responsibility, Indigenous leadership, and decolonial futures.Sonic Sovereignty encourages us to experiment with the temporal possibilities of listening by detailing moments when a sample, lyric, or musical reference moves a listener out of time. Przybylski maintains that hip hop and many North American Indigenous practices, all drawn from storytelling, welcome nonlinear listening. The musical readings presented in this book thus explore how musicians use tools to help listeners embrace rupture, and how out-of-time listening creates decolonial possibilities In English MUSIC / Genres & Styles / Rap & Hip Hop bisacsh Hip-hop Canada Indigenous peoples Canada Music History and criticism Popular music Social aspects Canada History Radio and music Canada Rap (Music) Canada History and criticism https://doi.org/10.18574/nyu/9781479816934.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Przybylski, Liz Sonic Sovereignty Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams MUSIC / Genres & Styles / Rap & Hip Hop bisacsh Hip-hop Canada Indigenous peoples Canada Music History and criticism Popular music Social aspects Canada History Radio and music Canada Rap (Music) Canada History and criticism |
| title | Sonic Sovereignty Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams |
| title_auth | Sonic Sovereignty Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams |
| title_exact_search | Sonic Sovereignty Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams |
| title_exact_search_txtP | Sonic Sovereignty Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams |
| title_full | Sonic Sovereignty Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams Liz Przybylski |
| title_fullStr | Sonic Sovereignty Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams Liz Przybylski |
| title_full_unstemmed | Sonic Sovereignty Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams Liz Przybylski |
| title_short | Sonic Sovereignty |
| title_sort | sonic sovereignty hip hop indigeneity and shifting popular music mainstreams |
| title_sub | Hip Hop, Indigeneity, and Shifting Popular Music Mainstreams |
| topic | MUSIC / Genres & Styles / Rap & Hip Hop bisacsh Hip-hop Canada Indigenous peoples Canada Music History and criticism Popular music Social aspects Canada History Radio and music Canada Rap (Music) Canada History and criticism |
| topic_facet | MUSIC / Genres & Styles / Rap & Hip Hop Hip-hop Canada Indigenous peoples Canada Music History and criticism Popular music Social aspects Canada History Radio and music Canada Rap (Music) Canada History and criticism |
| url | https://doi.org/10.18574/nyu/9781479816934.001.0001 |
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